Rating:
3.0/5
Star
Cast:
Rajinikanth,
Akshay
Kumar,
Amy
Jackson,
Adil
Hussain,
Sudhanshu
Pandey
Director:
Shankar
2.0
Movie
Public
Review
:
Rajinikanth
|
Akshay
Kumar
|Shankar;
Watch
video|FilmiBeat
Shankar's
2.0
begins
on
an
interesting
note
with
it
stylish
opening
credits.
Right
from
the
first
frame,
the
film-maker
makes
it
clear-
this
Rajinikanth-Akshay
Kumar
starrer
is
going
to
be
a
thrilling
ride
as
far
as
the
VFX
and
3D
effects.
2.0
begins
with
an
old
man
walking
dejectedly
towards
a
cell
phone
tower
and
then
shockingly
commiting
suicide
on
top
of
it.
The
film
moves
to
the
next
shot
where
a
group
of
robotic
students
visit
Dr.
Vaseegaran's
(Rajinikanth)
to
know
more
about
his
latest
humanoid
Nila
(Amy
Jackson).
While
returning,
one
of
the
students
find
his
cell-phone
getting
snatched.
Soon,
all
people
in
the
city
find
their
mobile
phones
flying
out
of
their
hand
and
vanish
into
thin
air.
Soon,
even
the
mobile
towers
start
tumbling
down
due
to
unknown
occurrences.
Before
the
people
in
the
city
can
understand
what's
happening
around,
a
giant
bird,
with
feathers
made
up
of
mobile
phones
unleashes
massive
destruction,
terrorizing
one
and
all.
Thus,
Vaseegaran
bring
back
Chitti,
the
dismantled
advanced
robot,
to
counter
the
'fifth
force' which
turns
out
to
be
Pakshi
Raja
(Akshay
Kumar).
Speaking
about
the
story,
Shankar
tries
to
put
forth
a
social
message
disguised
in
the
form
of
a
mass
entertainer.
On
the
flip
side,
the
film
struggles
to
maintain
balance
when
it
comes
to
emotions.
Barring
tiny
specks
of
humour
here
and
there,
2.0
has
a
monotonous
tone
throughout
the
film.
However,
it's
the
VFX
and
3D
effects
which
steal
the
show
and
need
to
be
applauded.
Performance-wise,
2.0
is
Rajinikanth's
show
all
the
way.
He
is
there
in
almost
every
frame
and
holds
together
the
film.
But
what
stole
my
heart
was
the
little
Kutti
Chitti
aka
3.0
which
makes
a
smashing
entry.
While
Akshay
Kumar
may
have
a
lesser
screen
space
than
the
Thalaivva,
the
actor
delivers
an
earnest
performance
and
we
won't
mind
watching
him
take
up
roles
with
shades
of
grey
in
the
future!
Amy
Jackson
has
limited
dialogues,
but
she
is
pleasant
to
watch
on
screen.
2.0
excels
when
it
comes
to
the
technical
department.
Shankar
together
with
his
VFX
team,
sound
specialist
Resul
Pookutty,
cinematographer
Nirav
Shah
and
editor
Antony
put
up
magnificent
visuals
that's
rarely
seen
in
Indian
cinema.
Unlike
Robot,
this
film
has
nothing
much
to
explore
in
the
music
department.
A.
R
Rahman's
music
is
passable.
In
a
nutshell,
2.0
soars
high
with
its
impressive
VFX
and
3D
effects.
A
little
more
focus
on
the
writing
and
the
emotional
aspect
would
have
made
it
the
'King
Of
The
Sky'.