Years
ago,
the
reigning
star
of
the
1970s,
was
staging
a
comeback
with
the
David
Dhawan-directed
Aandhiyaan
[1989].
Having
grown
up
on
Mumtaz's
films,
I
was
keenly
looking
forward
to
one
of
my
fav
actresses
stage
a
comeback
after
a
substantial
gap.
One
of
the
finest
actresses
of
her
generation,
I
was
completely
disillusioned
when
the
reels
of
Mumtaz's
comeback
film
began
to
unfold.
The
script
lacked
meat
and
most
importantly,
it
never
gave
the
supremely
talented
actress
the
opportunity
to
take
that
big
leap.
Something
similar
happened
to
Madhuri
Dixit.
From
Abodh
to
Devdas,
Madhuri
scaled
dizzy
heights
of
success,
going
from
strength
to
strength
with
each
passing
year.
That
explains
why
her
new
film,
Aaja
Nachle,
was
special
for
all
those
who
have
enjoyed
Madhuri's
movies
over
the
years.
Teaming
up
with
the
Numero
Uno
concern
[Yash
Raj]
gave
the
film
an
edge,
but
Aaja
Nachle
was
like
one
big
balloon
with
a
leak.
Like
Aandhiyaan,
the
script
of
Aaja
Nachle
never
gave
Madhuri
the
opportunity
to
regain
the
charisma.
But
what
came
as
a
rude
shock
was
the
thanda
response
at
the
ticket
counters.
What
went
wrong?
Clearly,
the
promos
never
created
a
strong
buzz.
Also,
the
music
--
lacklustre
in
this
case
--
never
caught
on.
Besides,
Aaja
Nachle
never
gave
you
the
feeling
that
you
had
to
catch
it
first
day,
first
show.
And
the
audience
feedback
reflected
in
the
day-wise
collections.
Despite
the
controversy
over
a
song
and
the
front-page
prominence
in
newspapers,
the
collections
never
showed
a
big
jump.
Aaja
Nachle
remained
below
par
on
Saturday,
showed
an
upward
trend
on
Sunday,
but
came
down
heavily
from
Monday
onwards.
All
said,
a
terrible
waste
of
a
terrific
opportunity!