Courtesy:
IndiaFM
Thursday,
April
20,
2006
One
wonders
what
should
one's
expectations
be
when
one
of
India's
leading
film
journalist
Subhash
K.
Jha
comes
out
with
a
book
on
Bollywood.
The
Essential
Guide
to
Bollywood
speaks
about
some
landmark
films
from
the
late
40's
to
a
more
recent
2000.
Jha,
a
very
recognized
figure
in
the
world
of
film
journalism
ends
up
giving
up
his
personal
favorite
list
of
Bollywood
films.
Of
course
a
book
like
this
is
bound
to
be
subjective
without
doubt.
The
list
in
quite
interesting,
though
most
of
the
movies
included
would
be
on
any
movie
lover's
favorite
list!
The
layout
of
the
book
is
quite
interesting
with
three
movies
every
second
page
and
a
timeline
of
mentionable
films
and
event.
The
book
is
uniquely
classified
into
different
genres
which
include
drama,
comedy,
war
drama,
family
drama,
thrillers
and
mysteries,
romance,
historical,
action
and
parallel
cinema.
In
each
section,
the
movies
appear
in
order
of
their
release
starting
from
the
early
50's.
Subhash
K
Jha
is
a
good
writer
and
his
writing
style
truly
deserves
applause.
However
one
wishes
his
take
on
the
movie
would
have
been
more
elaborate
rather
than
just
three
sentences.
Indian
cinema
is
known
for
its
melodrama
and
the
drama
section
constitutes
of
almost
half
the
book
which
at
one
point
of
time
just
gets
to
you.
The
films
in
this
section
no
doubt
are
carefully
selected
but
the
list
could
have
been
a
little
short.
A
book
like
this
definitely
requires
a
certain
amount
of
research
of
which
Jha
has
done
justice
to,
but
factual
errors
still
do
occur.
For
instance,
Jha
mentions
that
it
was
Prakash
Arora's
Boot
Polish
that
brought
the
neo-realism
of
Vittorio
de
Sica
into
mainstream
Hindi
cinema.
The
fact
of
the
matter
lies
that
it
was
actually
Bimal
Roy's
Do
Bigha
Zameen
which
introduced
de
Sica's
genius,
a
year
before
the
release
of
Boot
Polish.
Funny
thing
is
that
both
the
movies
feature
on
the
same
page
and
next
to
each
other.
And
now
you
can
call
this
worth
ignoring
but
we
couldn't
help
sharing
something
that
caught
our
keen
eyes.
In
the
cast
of
Baghban,
none
of
Amitabh's
children
are
mentioned
nor
is
his
daughter-in-law
Mahima
Choudhary.
Rather
actor
Nakul
Vaid's
(who
just
had
two
scenes
in
the
film)
name
is
somehow
present.
Now
for
some
really
good
fun
At
the
bottom
of
every
page
you
find
a
section
titled
as
'films
and
landmark
events',
where
Jha
goes
out
to
list
some
events
(that
no
doubt
are
landmark)
but
the
film
listing
somehow
has
us
confused.
What
are
Jha's
intentions
behind
the
film
names
that
he
has
listed
in
this
section
cannot
be
perceived.
We
wonder
if
he
intended
to
list
the
prominent
releases
of
the
year
in
this
section
because
many
of
the
movies
appearing
here
surely
cannot
be
termed
as
landmark
in
any
way.
And
if
Jha
just
intended
to
name
prominent
releases
of
the
year,
then
again
the
purpose
isn't
solved
as
some
of
the
movies
here
are
so
pathetic
that
they
do
not
even
need
a
mention
anywhere
in
a
book
that
talks
about
the
best
in
Bollywood.
Forget
best,
this
isn't
even
close
to
good.
How
else
would
you
expect
B-graders
starring
Mithun
Chakravarthy
(like
Yamraaj,
Devta,
Do
Numbri)
and
Dharmendra
(like
Zulm-O-Sitam,
Sher
Khan,
Kali
Charan,
Gunda,
etc)
even
finding
a
mention
in
this
book.
Then
there
are
unreleased
films
like
Love
You
Hamesha
and
tele-films
like
Chehra
also
on
the
list.
If
that
wasn't
enough
many
movies
are
accredited
to
wrong
year
of
release
like
Salaam
Bombay,
Koyla
and
Fire
in
1996,
Hum
in
1992,
Insaaniyat
in
1994
and
so
on.
Now
we
all
have
a
right
to
our
own
opinion.
But
somehow,
how
can
someone
in
their
right
minds
justify
these
films
as
landmark
films?
Jha
clearly
shows
his
favoritism
towards
Sanjay
Leela
Bhansali
by
mentioning
all
of
his
films
with
great
reviews.
Some
of
his
writings
said
that
a
movie
like
Black
cannot
be
categorized
(however
Jha
himself
chose
to
categorize
it
in
the
'drama'
genre).
The
book
surely
doesn't
excel
in
the
imagery
department.
The
collector's
item
tag
surely
gets
away
when
wrong
images
appear
of
stars
in
accordance
with
the
movie
(see
page
158)
One
positive
point
about
the
book
is
that
unlike
other
collector's
item
on
Bollywood,
this
one
doesn't
burn
a
hole
in
you
pocket.
Priced
fairly
at
Rs.
395,
one
might
call
it
a
mini-steal.
The
book
review
can
be
summed
up
with
either
of
the
following
two
conclusions.
Either
Jha
has
wrongly
titled
the
book
as
'An
Essential
Guide
to
Bollywood'
and
if
that
isn't
the
case
then
the
book
surely
doesn't
live
up
to
its
name.
If
you
pick
up
this
book
with
expectations
that
it
will
guide
you
through
the
new
and
old
lanes
of
Bollywood,
you
will
certainly
be
disappointed.
This
one
just
turns
out
to
be
personal
favorite
listing
by
an
individual.