By:
Fuad
Omar,
IndiaFM
Wednesday,
August
02,
2006
A
tall
high-rise
building
stares
watchful
over
London's
most
famous
landmarks.
The
Gherkin
financial
centre,
London
Bridge
and
the
Mayor
of
London's
office
all
make
up
a
great
view
of
London
that
represents
history
and
modernisation.
A
tall
man
saunters
over
to
a
clear
portal
that
gives
him
a
birds-eye
view
of
these
monuments,
distracted
for
a
second
before
picking
up
his
mobile
phone
and
dialling
a
number.
He
connects
to
Raj
and
tells
him
to
stop
talking
to
himself
as
he
wants
to
speak
to
him.
Shaking
his
head
slightly
he
tells
him
he's
coming
down
and
exits
to
the
left.
"Cut!
Perfect!" says
director
Vivek
Agrawal
shooting
a
quick
glance
at
cinematographer
du
jour
Ashok
Mehta
whose
eyes
squint
a
little
as
he
tips
his
head
forward
in
acknowledgement
that
it
was
the
shot
they
wanted.
The
tall
man
with
curly
tresses
smiles
and
looks
at
his
director
before
coolly
walking
to
the
other
end
of
the
room.
"And
the
Oscar
goes
to.."
he
jokes
causing
a
room
full
of
extras
and
support
artistes
to
crack
up
simultaneously
and
the
corporate
setting
to
be
immediately
transformed
into
an
audience
of
what
makes
Indian
cinema
so
magical:
the
entertainment
factor.
Still
smiling,
the
man
goes
over
to
the
clamshell
monitor
to
check
the
shot
he
has
just
given
for
Chasing
Ganesha
Films'
I
See
U.
He
is
no
stranger
to
big
screen
entertainment
as
he's
given
almost
twenty
years
of
his
life
to
making
others
laugh,
smile
or
simply
be
entertained.
Branded
a
cult
star
within
two
years
of
his
first
film
and
responsible
for
some
of
Hindi
cinema's
most
memorable
and
loved
roles,
Chunky
Pandey
still
commands
his
crowd
as
if
there
were
a
70mm
screen
dividing
the
film
world
and
fans.
He
has
not
been
seen
on
screen
for
a
short
while
but
stole
the
show
in
last
year's
gangster
film
D
as
the
main
character's
right
hand
man
Raghav.
He
is
also
receiving
praise
for
the
rushes
of
his
latest
film
Darwaza
Bandh
Rakho
which
sees
a
handful
of
kidnappers
hideaway
in
a
house
that
seems
to
have
no
end
of
uninvited
guests.
Chunky's
dialogue
in
the
film's
promo
which
highlights
in
one
line
what
the
whole
film
is
about
is
apparently
causing
peals
of
laughter
as
someone
asks
him
after
observing
the
number
of
people
bundled
in
one
house
if
this
is
a
joint
family
to
which
he
shoots
back
"no,
no,
we
joined
them
all
together".
As
the
camera
is
shifted
and
a
new
shot
set
up,
Chunky
announces
to
the
room:
"I'm
going
for
a
smoke,
who's
coming
with
me?"
and
this
Ladies
and
Gentlemen
is
Chunky
Pandey.
The
effervescent
entertaining
actor
and
likeable
man
who
openly
invites
everyone
to
join
him
in
whatever
he's
doing.
If
he's
smoking,
having
lunch
or
out
enjoying
the
sunshine,
he'll
happily
chat
away
to
whoever
wants
to
listen
or
ask
anything.
Inside
the
room,
extras
are
laughing
with
him
and
when
he
ventures
outside
people
smile
at
the
sight
of
him
and
exclaim
'Chunky!' in
disbelief
at
the
actor
who
looks
as
fresh
faced
as
he
did
a
decade
ago
when
he
ruled
the
box
office
with
hits
such
as
Tezaab,
Vishwatmaand
Aankhen
-
all
three
films
which
defined
the
times
they
released
in.
"I'm
enjoying
it
in
London," he
tells
me,
"plus
the
weather's
good
this
time
round."
In
between
having
pictures
taken
of
him
he
flicks
through
my
book
and
says
"I'd
better
be
in
this,"
to
which
I
tell
him
he'll
definitely
be
in
the
next
edition.
He
continues
to
tell
me
about
Darwaza
Bandh
Rakho
and
its
premise
which
sounds
like
something
you'd
only
expect
from
Ram
Gopal
Verma
and
a
developing
story
which
is
as
crazy
as
its
increasing
cast
list.
The
interesting
thing
is
the
very
aspect
that
Chunky
found
intriguing
about
the
film
and
RGV
obviously
conceived
as
his
plan
is
also
the
exact
same
factor
that
intrigued
Hollywood
director
M
Night
Shyamalan
as
revealed
at
the
press
junket
for
Lady
in
the
Water
the
week
before
this
very
moment
(The
fact
that
as
a
character
is
introduced
it
has
to
stay
in
the
story).
It
seems
without
realising
it,
Indian
cinema
and
Hollywood
are
on
the
same
thought
trains
and
both
films
are
ready
for
release
-
with
different
storylines
but
one
similar
aspect
that
both
filmmakers
wanted
to
experiment
with.
Eyeing
the
time,
I
disappear
to
my
next
appointment
and
thank
Chunky
for
his
time
and
the
chat
and
tell
him
to
keep
making
cult
cinema.
He
smiles
and
I
leave
him
basking
in
the
sunshine
that
throws
its
rays
over
him
surrounding
him
with
light.
Twenty
years
in
the
business
and
he's
still
smiling
and
so
are
his
fans.
Chunky's
time
in
the
sun
is
far
from
over
and
it
seems
a
new
dawn
is
just
beginning.
Give
up
looking
back
because
there's
a
whole
lot
to
look
forward
to:
you're
about
to
see
Chunky
Pandey
as
never
before.