A chit chat with Dilip Prabhawalkar
By:
Screen
Weekly,
IndiaFM
Tuesday,
September
26,
2006
He
is
a
renowned
and
respected
name
in
the
Marathi
film
industry.
His
acts
in
Marathi
films
like
Chimanrao
Gundyabhau,
Chaukat
Raja,
Sarkarnama
and
Ratra
Aarambh
have
won
him
immense
critical
acclaim.
He
has
been
performing
since
the
past
three
decades
on
stage,
in
Marathi
movies
and
even
in
Hindi
films.
But
after
playing
Mahatma
Gandhi
in
Lagey
Raho
Munnabhai,
Dilip
Prabhavalkar
has
become
a
household
name.
Here
he
speaks
about
playing
Gandhi
and
more...
Have
you
played
Gandhi
earlier
either
on
stage
or
in
a
film?
Never,
I
have
played
several
characters
in
my
life
but
never
that
of
Mahatma
Gandhi.
I
am
not
exactly
physically
suited
for
the
role
I
am
much
taller
and
my
complexion
is
also
fairer.
I
never
expected
to
be
offered
the
role
of
Gandhi,
the
father
of
the
nation.
What
was
director
Rajkumar
Hirani's
criterion
for
casting
you
as
our
beloved
Bapu?
Hirani
had
watched
my
TV
show
Chimanrao
back
home
in
Nagpur.
When
I
was
called
for
the
first
audition
of
Lage
Raho
Munnabhai,
I
thought
it
may
be
for
one
of
the
old-age
home
members.
I
wasn't
prepared
at
all
to
be
screen-tested
as
Gandhi.
After
putting
on
the
get-up
and
make-up,
I
just
posed
and
conjured
up
Gandhi-like
gestures
from
my
imagination.
I
tried
to
bring
in
a
child-like
innocence
and
humour.
I
must
thank
Hirani
and
Vidhu
Vinod
Chopra
for
having
faith
in
me.
I
heard
later
that
many
great
and
good
actors
of
the
caliber
of
Naseeruddin
Shah
were
singled
out
for
the
role.
Was
this
role
physically
or
emotionally
more
challenging?
It
was
the
most
challenging
role
of
my
life!
It
is
no
mean
task
to
play
the
father
of
the
nation.
He
was
no
ordinary
man
and
I
had
to
be
very
careful
all
through.
I
could
execute
it
well
only
under
the
guidance
of
Hirani.
The
strength
and
impact
of
the
role
was
in
the
way
he
had
conceived
the
sequences.
The make-up took three hours each time - with false nose, ears and the latex prosthetics to get the wrinkles and then the whole body had to be painted to get that tanned brown look. Vidyadhar Bhatte, the make-up man deserves a big shaabaasi!
How
did
you
prepare
yourself
for
the
role?
I
read
up
plenty
of
literature
on
Gandhi,
watched
the
grainy
B&W
footage
from
the
Films
Division
documentaries
depicting
his
visit
to
England
for
the
Round
Table
Conference.
I
paid
special
attention
to
his
speech
and
diction;
I
always
interpret
my
characters
through
their
vocal
tenors.
Bapu
had
a
high-pitched,
monotonous
manner
of
speech,
and
he
had
a
Gujarati
accent.
But
I
haven't
exactly
stuck
to
it;
I
have
improvised
within
permissible
parameters.
To
what
would
you
attribute
the
big
success
of
Bapu
and
Gandhigiri
among
the
young
as
well
as
the
old?
What
makes
Bapu
work
in
Lage
Raho...
is
that
he
isn't
serious
or
preachy,
he
matches
up
the
tempo
of
Munna
and
Circuit's
bubbling
humour.
His
eyes
sparkle
with
mischief
and
he
teases
Munna
and
gets
amused
with
his
dadagiri.
He
becomes
a
part
of
the
scene.
And
thus
he
endears
himself
to
one
and
all.
Now
for
some
criticism:
wasn't
the
make-up
too
dark
for
Gandhi?
Is
Gandhi's
appearance
in
the
film
is
in
person
or
is
it
his
image?
Perhaps
it
is
blending
in
both
and
so
Gandhi
appears
darker
in
the
film.
Secondly,
since
all
the
films
of
those
times
are
B&W,
we
have
no
real
reference-point
other
than
historian
Louise
Fischer's
reference
to
his
complexion
being
chocolate-brown.
But
still
that
is
not
very
precise.
Why
didn't
Bapu
answer
the
three
crucial
questions
in
the
press
conference
much
to
the
embarassment
of
Munna?
I
haven't
discussed
it
with
Hirani,
but
my
reading
is
that
like
the
psychiatrist
had
pointed
out
in
the
film,
Gandhi
is
the
voice
of
Munna's
conscience
and
so
how
can
he
answer
questions
that
Munna
has
not
read
up?
You
have
waged
some
Gandhigiri
off-screen,
by
mobilising
the
anti-piracy
bureau
against
the
pirated
VCD
being
played
in
the
Pune-bound
bus
in
which
you
were
traveling.
I
was
shocked
to
see
such
a
mutilated
pirated
version
of
the
film
being
shown
-
it
amounted
to
murder
of
creativity
of
all
those
involved
in
making
of
the
film.
I
really
didn't
think
it
would
end
up
in
such
a
media
circus,
I
just
called
up
Vinod
Chopra's
office
and
they
took
care
of
the
rest
of
the
things.
Aren't
you
afraid
of
getting
typecast
as
Bapu
hereon?
Given
a
choice,
I
wouldn't
play
Gandhi
again.
I
never
played
Chimanrao
ever
again,
I
had
a
zillion
offers
to
repeat
the
get-up.
Shiva
depicts
you
as
the
menacing
Home
Minister.
From
Gandhigiri
to
villainy,
how
do
you
manage
to
switch
roles
so
effectively?
I
shot
simultaneously
for
both
the
films
and
the
only
thing
common
between
the
two
was
the
hairstyle
-
the
bald
pate!
I
promoted
non-violence
through
one
and
perpetrated
crime
through
the
other.
As
an
actor,
I
cannot
afford
to
get
involved
with
the
character,
I
just
play
the
part,
I
do
not
become
the
part.
Which
are
your
films
to
come?
There
are
some
Marathi
films
and
then
there
is
Neeraj
Vora's
Familywalla.