Kabhi
Alvida
Naa
Kehna,
Shabd,
Kal
Ho
Na
Ho,
Munnabhai
M.B.B.S.,
Parineeta,
Phir
Hera
Pheri,
Salaam
Namaste
and
many
more...
What
do
these
films
have
in
common?
Well,
scripts
of
all
these
films
have
gone
to
the
Oscar
library.
This
phenomenon
of
scripts
going
to
the
Oscar
library
was
first
publicly
publicized
when
the
script
of
Rajkumar
Hirani's
Munnabhai
M.B.B.S.
got
selected.
After
that
it
was
almost
every
two
months
that
a
script
got
selected
for
the
library.
Little
do
people
know
that
scripts
going
to
the
Oscar
library
have
been
going
on
for
years
prior
to
this.
It
is
only
now
that
the
world
is
getting
smaller
is
that
all
of
us
think
it
is
a
big
deal.
Anjum
Rajabali,
noted
writer
of
movies
like
Drohkaal,
Ghulam
and
The
Legend
of
Bhagat
Singh
said,
"Lots
of
scripts
have
gone
in
the
past.
It
is
only
now
that
producers
are
capitalizing
on
this."
Firstly
here's
a
brief
background
of
the
library.
The
Oscar
library
more
uncommonly
known
as
the
Margaret
Herrick
Library
collects
a
wide
range
of
materials
documenting
film.
Founded
in
1928
and
named
after
a
former
Academy
librarian
and
long-time
executive
director,
it
maintains
a
world-renowned,
non-circulating
reference
and
research
collection
devoted
to
the
history
and
development
of
the
motion
picture.
The
library
holds
more
than
32,000
books;
1,800
periodical
titles;
60,000
screenplays;
200,000
clipping
files;
30,000
posters;
lobby
cards,
pressbooks
and
other
advertising
ephemera;
over
8
million
photographs;
over
300
manuscript
and
other
special
collections
relating
to
prominent
industry
individuals,
studios
and
organizations;
sheet
music,
music
scores
and
sound
recordings;
production
and
costume
sketches;
artifacts;
and
oral
histories.
So
now
back
to
Indian
scripts
being
selected
over
there.
Prominent
individuals
from
the
Indian
film
industry
shone
some
light
on
the
subject
and
mind
you
the
light
though
bright
seemed
to
bring
us
into
some
kind
of
darkness.
Don't
you
find
it
strange
that
unoriginal
screenplays
including
those
of
Ek
Ajnabee
(Man
on
Fire)
and
Taxi
No.
9211
(Changing
Lanes)
are
included
in
the
library?
So
with
all
of
Johar,
Chopra
and
magnum
opuses
going
to
the
library,
IndiaFM
went
on
a
quest
to
find
out
more
about
the
selection
process.
Noted
writer
and
director
of
Ek
Haseena
Thi,
Sriram
Raghavan
really
found
the
list
of
selected
scripts
amusing,
"I
think
it
is
well
thought
of
plan.
All
scripts
from
India
will
be
taken
in
bulk
and
then
they
will
start
suing
the
producers
who
have
unoriginal
scripts.
In
India
there
are
hardly
any
bound
scripts.
Some
movies
work
on
one
liner's
and
move
forward
as
the
film
progresses.
So
I
really
wonder
what
script
goes
out
there."
However
Director
Sudhir
Mishra
wasn't
very
amused,
"It
is
just
another
library.
The
library
has
everything
-
good
and
bad
films.
So
there
are
no
criteria
for
selection.
Any
film
can
go
there"
Agreeing
with
Sudhir
and
adding
his
own
Anurag
Kashyap
was
cynical.
"There
are
no
criteria.
Any
random
script
is
selected
for
the
library
and
it
is
sad.
Somebody
who
has
never
gotten
any
attention
gets
excited
when
somebody
looks
at
them.
Even
the
biggies
get
so
excited.
Look
at
Karan
Johar
who
was
thrilled
when
KANK
got
selected
in
Hamburg.
10,000
films
go
to
Hamburg
every
year.
I
think
it
is
this
excitement
that
is
our
own
failing.
They
are
all
like
frogs
in
a
well
and
don't
know
what
is
happening
outside."
So
no
criteria??
That
seems
a
bit
odd
considering,
that
every
media
makes
it
their
duty
to
see
to
it
that
each
movie's
achievement
is
known
to
the
common
man.
Once
a
Hindi
movie's
script
is
selected,
immediately
a
press
release
is
sent
to
every
publication,
news
channel
and
other
forms
of
media
for
publicity.
To
take
for
example,
here
is
a
quote
from
one
media
which
went
gaga
over
the
selection
of
a
recent
Hindi
film's
script
to
the
library
-
"The
latest
feather
to
its
cap
is
a
distinction
and
respect
for
which
the
world's
filmmakers
die
for.....!
Its
script
has
been
included
in
the
Oscar
Library.
It
is
undoubtedly
the
most
prestigious
honour
for
the
film
that
the
Library
of
the
Academy
of
Motion
Picture
Arts
&
Sciences
has
bagged
its
script
to
include
in
its
library."
In
a
way
the
media
is
to
be
blamed
for
its
lack
of
knowledge
in
over-hyping
something
which
is
as
common
as
Aishwarya
Rai's
international
claims.
Off
course
there
has
to
be
basic
minimum
criteria
for
a
selection
otherwise
any
Tom
Dick
and
Harry
would
go
to
the
Oscars.
Anurag
comes
back
to
enlighten
us
more
on
the
subject.
"The
people
at
the
library
keep
track
of
films
that
have
a
good
opening
and
select
them.
Sometimes
producers
too
put
their
script
forward
and
take
pride
in
their
work
no
matter
how
bad
it
is",
says
he.
Kalpana
Lajmi
who
was
on
the
jury
who
decided
Rang
De
Basanti's
entry
to
the
Oscar
had
her
own
comments
as
well,
"If
your
film
is
sent
to
the
Oscars
in
the
foreign
film
category
then
it
automatically
gets
selected
irrespective
whether
it
is
nominated
or
not.
I
saw
the
script
of
my
film
Rudaali
(yes,
much
before
Munnabhai
M.B.B.S.
)
which
was
sent
to
the
Oscars
in
1994
over
there.
I
can
proudly
say
that
it
was
next
to
Alfred
Hitchcock's
Psycho
mainly
because
they
are
kept
in
alphabetical
order.
Today
I
don't
know
if
production
houses
send
them
or
the
criteria.
I
think
they
have
an
archiving
system
there."
However
director
Sandeep
Sawant
whose
Marathi
film
Shwaas
was
India's
entry
in
2004
couldn't
agree
with
Lajmi,
"I
haven't
gotten
any
information
of
my
film's
script
being
at
the
library
yet."
Anurag
Kashyap
again
adds,
"Getting
your
script
into
the
Oscar
library
is
not
a
big
deal
the
world
over.
It
is
only
when
a
film
gets
selected
for
the
Oscar
library
in
India
that
it
makes
news.
"
Just
another
library
huh?
Call
it
what
may,
it
is
a
one
stop
for
lots
of
people
to
do
research,
study
and
understand
lots
of
information
related
to
motion
picture.
Writer
of
Munnabhai
M.B.B.S.
Lajan
Joseph
didn't
speak
really
negatively
of
the
library,
"They
collect
films
from
all
over
the
world
so
there
aren't
any
criteria
as
such
and
is
plainly
like
a
database.
Unfortunately
there
is
nothing
like
that
in
India.
I
wish
some
publication
or
someone
takes
that
up.
I
would
love
to
read
scripts
of
movies
like
Salaam
Bombay,
Parinda,
Pyaasa
and
Jaane
Bhi
Do
Yaaro,
etc.
but
it's
very
difficult.
So
we
are
only
exposed
to
Hollywood
scripts
and
Syd
Field
whose
books
are
available
here.
But
then
that
is
Hollywood
and
India
is
very
different
in
terms
of
setting."
Truly
said,
there
aren't
any
libraries
or
a
database
where
Indian
scripts
and
screenplays
can
be
made
available.
Instead
of
sending
our
scripts
abroad
why
don't
groups
like
the
Screenwriters
association
take
an
initiative
in
setting
up
a
place
right
here
in
India
where
our
very
own
work
can
be
available
for
reference.