Courtesy:
IndiaFM
Wednesday,
May
17,
2006
This
man
definitely
needs
no
introduction.
Two
national
award
winning
films
later,
he
is
all
gung
ho
about
his
latest
film
Corporate
starring
a
hoard
of
actors
just
like
his
last
affair.
A
conspiracy
to
kill
him
didn't
stop
him
from
putting
his
latest
on
celluloid.
Here's
a
one
on
one
IndiaFM
exclusive
talk
with
Madhur
Bhandarkar.
You
are
gearing
for
your
next
release,
Corporate,
which
has
Bipasha
Basu
playing
a
pivotal
role.
Even
your
past
movies
like
Page
3,
Chandani
Bar
and
Satta
have
all
had
strong
female
characters.
Why
so?
I
have
not
made
a
deliberate
attempt
to
have
strong
female
characters.
It
all
depends
on
the
subject.
I
have
always
tried
to
have
different
kinds
of
protagonists
in
the
film.
They
have
all
happened
to
be
female
protagonists.
The
same
is
the
case
with
Corporate.
I
thought
that
the
narration
of
the
story
would
be
better
from
a
woman's
point
of
view.
What
inspired
you
to
make
a
film
based
on
the
corporate
world?
A
lot
of
people
have
asked
me
why
I
have
tried
to
experiment
with
different
kinds
of
genres.
I
always
say
that
if
nobody
else
tries,
I
should
try!
The
success
ratio
of
the
kinds
of
subjects
that
I
take
is
very
less.
It
is
not
a
packaged
kind
of
a
cinema
where
I
have
big
stars,
beautiful
outdoor
locations,
comedy
punches
and
song
and
dance
routines.
People
here
want
to
see
different
kinds
of
cinema.
I
have
always
been
making
different
kinds
of
cinema.
I
always
say
that
I
am
not
a
commercial
film
maker.
I
try
to
experiment
with
different
kind
of
cinema.
The
films
that
I
make
give
me
satisfaction.
I
feel
the
film
should
have
honesty
and
integrity.
People
in
the
film
industry
are
often
categorized
as
either
'commercial'
or
'realistic'
film
makers.
You
too
are
known
as
a
realistic
film
maker.
Do
you
believe
in
such
tags?
People
do
look
at
me
as
a
realistic
film
maker.
I
am
known
as
someone
who
brings
out
the
underbelly
in
a
situation.
Even
in
the
so-called
commercial
films,
you
get
to
see
different
aspects
of
society.
My
movies
may
not
have
regular
filmy
dialogues.
The
way
I
shoot
is
very
candid.
Maybe
I
am
termed
as
realistic
because
my
films
are
not
larger
than
life.
I
have
liked
many
so-called
realistic
films
which
have
been
commercial
films.
For
instance,
I
thought
that
Roti,
Kapda
Aur
Makaan
(starring
Amitabh
Bachchan
and
Manoj
Kumar)
was
a
very
realistic
film.
Prior
to
this
film,
Bipasha
Basu
had
a
very
glamorous
image.
So
how
did
you
visualize
her
playing
a
corporate
girl?
My
character
required
a
certain
kind
of
a
body
language
which
Bipasha
Basu
had.
She
also
had
the
glamour
and
the
attitude
I
needed.
People
were
surprised
when
I
cast
her
because
of
her
image
and
I
am
known
for
my
serious
kind
of
films.
But
I
have
tried
to
project
her
in
a
different
way
in
terms
of
her
looks
and
styling.
Even
her
dialogue
delivery
in
this
film
is
very
subtle
and
under-played.
And
I
speak
for
the
entire
cast,
when
I
say
that,
in
the
film
you
will
only
see
the
characters.
They
all
look
like
characters
from
the
corporate
world.
You
had
earlier
approached
Aishwarya
Rai
for
the
role
Yes,
I
had
definitely
approached
her.
She
had
liked
the
subject
a
lot.
But
we
could
not
work
because
of
her
date
problems,
as
she
was
busy
with
her
foreign
films
at
that
time.
While
Aishwarya
was
your
first
choice
for
Corporate,
Kareena
was
your
first
choice
for
your
last
film,
Page
3.
So
do
you
think
this
affects
your
vision?
Not
really,
because
I
know
how
to
present
the
person.
The
scene
moulding
would
be
different
with
different
actors.
But
in
Corporate,
I
have
not
even
changed
an
iota
of
the
script.
It's
just
intact.
The
glamour
elements,
emotional
outburst
are
all
very
much
there.
You
have
a
fixed
set
of
writers
like
Manoj
Tyagi
and
Sanjay
Puri
who
you
work
with.
What
is
it
that
makes
you
click?
This
movie
is
contributing
to
my
trilogy.
Page
3
is
based
on
the
cocktail
circuit,
Corporate,
of
course
is
based
on
the
corporate
world.
Then
there
is
Traffic
Signal
based
on
the
signals
on
the
street
of
Mumbai.
I
work
with
different
kinds
of
writers.
I
have
worked
with
Manoj
Tyagi
on
Satta,
Page
3
and
now
Corporate.
I
like
to
generate
the
idea
myself.
But
the
entire
movie
is
a
result
of
the
team
work
of
everyone
involved.
Everyone
contributes
with
their
hard
work.
Since
you
have
already
won
two
National
Awards
for
your
work,
there
are
a
lot
of
expectations
from
you.
Is
there
a
lot
of
pressure?
I
come
from
a
very
middle
class
family.
I
never
thought
that
I
would
even
make
it
so
far.
In
five
years,
I
won
two
National
Awards,
which
is
a
great
achievement.
In
the
future
also
if
I
get,
it
will
be
most
welcome.
Everyone
loves
awards.
In
the
meantime,
I
just
want
to
concentrate
on
the
kind
of
cinema
that
I
make.
Awards
and
box
office
success
do
matter
and
encourage
you.
You
started
off
your
career
with
assisting
Ram
Gopal
Varma.
What
is
it
that
you
have
learnt
from
him?
Every
assistant
director
makes
his
own
kind
of
films.
Everyone
has
their
own
vision.
It
is
not
necessary
that
my
assistant
will
make
my
kind
of
films.
What
you
learn
from
a
director
is
the
technical
skill.
The
elementary
knowledge
of
how
to
shoot
a
scene
is
learnt
while
assisting
someone.
But
everyone's
way
of
presentation
on
celluloid
is
different.
So
of
course,
I
learnt
the
technical
aspects
of
film
making
from
Ram
Gopal
Varma.
He
makes
a
particular
kind
of
cinema
whereas
I
make
another
kind.
And
I'm
sure
that
my
assistant
will
make
a
different
kind
of
cinema.
On
a
parting
note,
what
are
your
expectations
from
Corporate?
I
have
made
a
good
film
and
now
it
is
all
up
to
the
audience.
As
a
film
maker,
I
want
every
film
of
mine
to
work.
What
I
may
like,
they
might
not
like
and
vice
versa.
From
all
my
films,
Satta
is
my
favorite.
It
gave
me
critical
acclaim
but
didn't
work
at
the
box
office.
Ultimately,
the
audience
is
the
judge.