If people are blind, it's not my fault" - Mahesh Bhatt
Courtesy:
IndiaFM
Thursday,
April
20,
2006
Mahesh Bhatt is among the few who never shies away from speaking his mind. Whatever be the issue, the man always has an opinion. And one that is valued. He has always lived life on his on terms and has never been apologetic about it.
IndiaFM caught him in a candid mood, where he speaks his heart out and says it as it is.
First
of
all,
tell
us,
which
is
the
song
that
is
playing
on
your
mind?
Bheegi
Bheegi
Si
Ye
Raatein.
I
think
the
defining
voice
of
Gangster
is
James'
anguished
voice
which
comes
from
his
heart.
We
all
know
that
Gangster
has
been
in
the
news
because
of
its
similarity
to
Abu
Salem's
life.
Why
don't
you
set
the
record
straight?
Never
was
a
more
wrong
statement
made.
It
has
nothing
to
do
with
his
life.
Whenever
I
have
made
film
on
my
life
or
someone
else's
life,
I
have
always
claimed
it.
We
could
not
even
make
a
film
on
his
life
because
it
will
violate
his
fundamental
right
of
getting
a
fair
trial.
Everyone
has
the
right
of
being
looked
upon
as
innocent
until
proven
guilty.
The
answer
is
simple.
Our
film
has
nothing
to
do
with
Abu
Salem.
What
is
the
message
that
you
are
trying
to
give
through
Gangster?
Since
centuries
women
have
been
pining
for
a
home
and
someone
to
belong
to.
In
the
film,
Kangana
is
torn
between
two
men.
One
is
a
simple
man
played
by
Emraan
Hashmi
whereas
the
other
is
a
gangster
played
by
Shiney
Ahuja.
She
is
torn
to
fulfill
these
elemental
needs.
Your
favorite
Emraan
is
in
this
film.
What
made
you
cast
him
in
the
role
of
a
simple
man?
I
won't
reveal
all
the
cards
right
now!
He
plays
a
warm,
lovable,
simple
and
civilized
character.
You'll
find
out
why,
when
you
see
the
film.
That's
a
surprise
for
the
cinema
hall!
What
is
it
about
Emraan
that
you
think
will
make
him
a
lambi
race
ka
ghoda?
I
think
he
has
the
body
language
of
today.
Every
age
has
its
nuances.
He
is
the
youth
of
today
with
all
the
physical
attributes.
He
has
emerged
as
a
very
good
learner.
There
is
a
world
of
a
difference
between
his
first
and
last
film.
His
understanding
of
acting
is
deeper
than
what
he
does.
He
still
has
a
corrective
mechanism.
We
all
make
sure
that
he
keeps
his
feet
on
the
ground
when
people
put
him
on
a
pedestal.
Emraan
says
that
you
are
his
best
critic.
He
didn't
name
the
films,
but
he
told
us
that
you
were
really
disappointed
by
his
certain
performances.
Where
do
you
think
he
can
go
wrong?
When
people
lose
connection
with
their
inner
self,
a
false
air
comes
into
them.
Whenever
Emraan
has
done
that,
I
have
given
it
to
him
on
his
head.
Now
he
doesn't
do
that.
Vishesh
Films
has
been
associated
with
boldness
and
exposure
in
their
films.
How
do
you
react
to
such
allegations?
The
truth
is
that
our
box
office
figures
speak
for
themselves.
Those
who
make
such
allegations
do
not
know
our
box
office
collections.
We
had
recently
made
a
film
Kalyug,
dealing
with
the
subject
of
pornography.
Still,
there
was
no
exposure
in
it.
Exposure
was
there
is
Neal
N
Nikki
which
was
promoted
as
a
family
film.
If
people
are
blind,
it's
not
my
fault.
I
have
directed
more
than
50
films.
Gangster
is
46th
film
from
Vishesh
Films
banner.
Apart
from
Murder,
Zeher
and
Jism,
which
of
my
other
films
had
exposure?
This
is
injustice
to
someone
like
me
who
has
made
more
than
50
films.
You
are
only
judging
me
based
on
these
few
films.
You
will
forget
that
we
also
made
films
like
Aashiqui,Dil
Hai
Ki
Manta
Nahin,
Saaransh,Arth,
Naam,Daddy,Tamanna
etc,
etc!
That
is
conveniently
forgotten.
It
shows
how
brainwashed
people
are.
A
couple
of
journalists
decide
to
give
a
different
angle
of
exposure
to
their
story
and
it
becomes
such
an
issue.
All
these
films
were
released
only
after
the
approval
of
the
Censor
Board.
The
people
of
this
nation
have
spent
their
money
and
only
then
have
these
films
done
well.
Today's
India
is
different
from
the
India
of
1980
and
1990.
After
globalization,
our
cinema
had
to
change
because
the
consumer
had
changed.
Their
visual
preferences
have
changed.
After
watching
all
the
Madonnas
and
the
Brad
Pitts,
we
too
had
to
bring
a
change
in
our
products.
Those
who
accuse
us,
do
the
same.
Take
a
look
at
the
channels
and
newspapers
who
point
their
fingers
at
us.
So
this
is
just
a
bogus
concern.
What
do
you
think
sets
the
films
of
your
banner,
apart?
If
people
had
not
connected
with
us,
we
would
not
have
been
here.
If
we
would
not
connect
with
the
people
and
if
our
music
didn't
do
well,
we
would
not
even
get
a
single
penny
from
the
market.
The
market
rule
is
simple.
The
money
given
to
us
has
to
be
returned
along
with
profits.
Or
else
no
one
will
give
us
money.
We've
been
working
on
this
principle.
Whenever
we've
been
unsuccessful,
we've
had
to
return
the
money
back
to
the
market.
And
while
returning
this
money,
we
have
learnt
the
hard
way
that
such
films
don't
work.
We
had
made
Zakhm,
which
won
a
national
award.
It
was
about
the
Babri
Masjid
demolition,
a
significant
chapter
in
India's
history.
It
didn't
do
well.
Then
I
learnt
that
such
films
don't
work.
The
writing
was
on
the
wall
that
such
kind
of
cinema
is
dead.
Cinema
which
talks
about
the
serious
issues
of
India,
will
not
work.
Then
we
made
a
decision
that
we
would
make
relevant
films
which
also
gave
an
edge
of
the
seat
experience
with
an
absorbing
narrative.
Tell
us
how
the
audience
will
'connect'
with
your
forthcoming
films.
All
women
will
connect
with
Gangster.
Woh
Lamhe
is
derived
from
some
portions
of
my
life.
This
is
not
the
story
of
Parveen
Babi.
I
have
taken
some
moments
from
my
relationship
with
her.
Only
certain
portions
have
been
sourced.
Then
there
is
Show
Business
which
talks
about
how
the
media
has
become
exploitative
today.
Then
Anurag
Basu
is
directing
'Suicide
Bomber'
for
us.
We
are
all
familiar
with
suicide
bombers.
We
had
lost
Rajeev
Gandhi
to
a
suicide
bomber.
There
is
also
Awaarapan,
which
deals
with
the
arms
trade.
Your
personality
itself
is
a
brand.
You
have
an
opinion
on
every
issue.
What
do
you
think
makes
your
opinion
so
valued?
I'm
a
human
being.
I
have
an
opinion
on
everything
from
disease
to
divinity.
If
my
opinion
was
not
significant,
the
media
would
not
keep
knocking
at
my
door,
again
and
again.
My
opinions
matter
to
people.
Otherwise
it's
not
possible
that
one
person
keeps
barking
for
30
years
and
people
keep
listening
to
him.
Some
people
feel
that
I
talk
a
lot.
When
I'm
quiet,
the
same
people
say
that
I
am
maintaining
a
diplomatic
silence.
No
matter
what
you
do,
people
will
have
something
to
say.
But
I'm
not
really
bothered.
I
have
always
lived
life
on
my
own
terms
and
will
continue
to
do
so.
It's
difficult
for
a
leopard
to
change
its
spots.
How
have
you
managed
to
stay
away
from
the
norms
of
society?
We
all
have
only
one
life
and
I
intend
to
live
it
on
my
own
terms.
I
don't
impose
my
ways
on
anyone.
But
yes,
I
follow
the
rules,
however
stupid
they
may
be.
Now
I
wait
for
a
red
light
at
the
signal,
because
society
has
made
this
law.
I
will
not
break
any
law.
But
that
does
not
mean
there
is
anything
great
about
your
laws!
If
I
break
it,
I
will
pay
for
it.
However
absurd
the
rules
are,
I
still
follow
the
system.
Why
did
you
quit
direction?
I
got
fed
up
after
33
years
of
it.
I
got
fed
up
of
the
mechanics
of
film
making.
Every
film
maker
gets
dated.
Every
film
maker
gets
repetitive
after
he
peaks.
If
I
thought
I
was
relevant
I
would
have
never
handed
over
the
megaphone
to
Anurag
or
Mohit.
When
I
was
a
child
and
when
my
mother
was
in
no
mood
of
telling
a
story,
we
would
not
get
sleep.
It
was
important
that
she
was
involved
in
the
story.
Similarly,
if
a
story
teller
is
not
interested
in
telling
a
story,
the
audience
will
never
enjoy
it.
So
I
lost
interest
in
story
telling.
You
have
started
writing.
Do
you
think
a
story
teller
gets
his
due
respect?
I
write
in
conjunction
with
my
writers.
I
think
a
writer
has
respect
in
society.
Everything
originates
in
the
mind.
Then
it
is
shaped
by
the
director.
There
is
an
original
score
and
a
conductor.
A
director
is
a
conductor.
There
are
great
conductors
who
being
something
of
their
own
to
a
film.
Your
films
are
known
for
their
music.
How
dependent
is
a
film
on
its
music?
My
cinema
thrives
on
music.
I
understood
this
from
Raj
Khosla.
After
four
of
my
films
flopped,
he
told
me
to
put
music
in
my
films.
I
put
three
songs
in
Arth.
Those
songs
are
still
popular.
I
realized
the
importance
of
songs.
Then
onwards,
we
made
a
conscious
effort
to
create
great
music.
We
do
not
work
with
stars.
We
make
films
on
our
own
steam
so
it
is
important
for
us
to
have
good
music.
Good
music
gives
something
to
the
audience
to
come
to
the
theatre.
This
is
our
survival
and
our
weakness.
By
choosing
not
to
lean
on
stars,
we
lean
on
music.
We
have
to
work
ten
times
harder.
How
do
you
decide
which
music
directors
you
want
to
work
with?
Sometime
the
director
chooses.
Like
Anurag
wanted
to
work
with
Pritam.
They
are
childhood
friends
and
have
done
great
work
in
Gangster.
We
don't
plan
our
moves.
We
have
worked
with
Nadeem,
Anu
Malik
and
M.M.Kreem.
It
differs
from
project
to
project.
But
you
have
made
a
conscious
effort
to
get
singers
from
Pakistan.
That
is
our
need
to
be
connected
with
South
Asian
nations.
We
have
always
wanted
to
salute
their
talent.
Like
this
time,
we
got
James.
Even
my
brother
Mukesh
spends
a
lot
of
time
in
the
field
of
music.
We
know
that
if
our
music
is
good,
we
can
guarantee
a
good
opening.
What
do
you
think
will
be
the
most
defining
aspect
in
the
films
to
come?
Story
will
be
the
most
important
aspect.
A
film
can't
just
depend
on
technology.
Name
two
films
apart
from
your
banner
which
really
impressed
you.
36
Chowrangee
Lane
and
Mother
India.
And
in
the
recent
past...
Hazaaron
Khwaishein
Aisi.
Tell
us
about
Shaad
who
makes
his
debut
in
Woh
Lamhe.
He
is
our
new
discovery.
He
is
the
son
of
Mumtaz.
He
kept
on
coming
to
us,
looking
for
work.
When
he
gave
up,
he
got
a
break.
He's
playing
an
important
role
in
Woh
Lamhe.
I
think
he
has
a
bright
future
ahead
of
him.
Tell
us
more
about
Showbusiness.
It
has
two
people
coming
into
the
front.
One
is
Raju
Khan,
my
favorite
choreographer
who
I
have
shaped,
created
and
spoilt.
The
other
person
we
are
launching
is
Tushar,
who
was
my
assistant.
There
is
another
new
boy
Muntasir
who
will
write
for
us.
From
the
films
that
you
have
directed,
which
is
your
favorite?
The
last
shot
of
Zakhm
gave
me
the
most
uplifting
and
fulfilling
feeling.
After
making
many
bad
films,
I
had
finally
made
a
film
from
my
heart.
It
gave
me
a
dignified
exit
as
a
director.
People
say
I
peaked
with
films
like
Naam,
Arth,
a
television
film
Janam
and
Saaransh.
Your
best
work
becomes
your
worst
enemy.
It
becomes
difficult
to
match
your
best
work.
You have looked the same for as long as people can remember? You never carry an excess baggage... They say that people who travel high, travel light. I can't carry the burden of my non existence greatness. I don't work for leaving my footprints on the sands of posterity. At the end of it all, there is just a picture on the wall. No person is so great that you make an albatross for him. Life has no destination. It goes on and on. Great film makers will keep coming .We are all a part of the stream.
What
is
your
source
of
inspiration?
My
own
emptiness!
There
is
an
inexhaustible
energy
coming
from
it.
No
matter
what
I
do,
I
do
not
find
a
sense
of
rest.
I
think
that
is
the
defining
feature
of
life.
Restlessness
is
one
of
the
dimensions
of
life.
Why
do
you
want
the
oceans
and
rivers
to
stop
being
restless?
Look
at
how
many
lives
they
feed.
My
restlessness
produces
work,
gives
employment
and
feeds
people.
I
would
rather
burn
out
than
decay.
Burn
out
is
inevitable.
I
intend
to
burn
the
candles
on
both
ends.
Name
one
human
being
who
has
inspired
you.
The
person
who
has
made
me
what
I
am
is
U.G.
Krishnamoorthy.
I
would
not
have
been
what
I
am
if
it
wasn't
for
my
encounter
with
this
extra
ordinary
man.
My
relationship
with
him
is
like
that
with
my
breath.
It
gives
me
freedom.
I
am
not
in
bondage
with
him.
I
am
free
for
him.
He
is
a
man
who
came
into
my
life
and
freed
me
from
everything
including
my
dependence
on
him.
Share
some
of
his
thoughts
with
us.
The
one
that
comes
to
me
now
is
'You'll
be
a
fire
in
your
own
right.
You
will
burn
fiercely
because
of
what
is
in
you." People
who
make
you
depend
on
them
are
your
enemies.
Which
was
the
last
movie
you
saw?
I
don't
see
movies,
not
connected
with
my
work.
I
see
biographies
and
read
a
lot.
Cinema
is
not
my
source
of
entertainment
or
inspiration.
I
am
not
a
movie
buff.
I
make
movies
for
my
survival.
I
do
watch
movies
because
I
have
to
keep
myself
updated.
I
don't
love
movies.
According
to
you,
who
are
the
promising
youngsters
in
the
industry
today?
I
think
Anurag
Basu
will
be
a
major
director
to
emerge
from
the
back
and
take
over.
He
has
an
emotional
understanding
of
the
world
that
no
one
has.
Emraan
Hashmi
too
has
a
bright
future
ahead
of
him.
And
among
actresses...
I
think
Kangana
will
be
a
major
star.
Who
is
your
favorite
actor?
I
am
a
devotee
of
Dilip
Kumar.
In
a
country
of
phoney
icons,
here
is
a
reluctant
icon.
He
is
a
true
icon.
What
is
your
message
for
your
fans?
If
I
can
live
life
on
my
terms
so
can
you.
But
don't
impose
your
life
on
anyone
else.
Be
fearless
and
truthful.
Burn
your
candle
on
both
ends
and
shine
like
a
bon
fire
on
a
dark
night!
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Stories
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feels
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is
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dear
friend:
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