By:
Praveen
Lance
Fernandes,
IndiaFM
Wednesday,
June
28,
2006
"Now
I
realize...
There's
a
saying:
you
know
a
person's
worth
when
he's
not
there." These
were
the
words
of
a
person
we
may
not
remember
right
now
but
may
be
accustomed
to
some
of
the
classics
he
had
made
in
the
past.
It
is
indeed
sad
that
a
forgotten
and
retired
celebrity
is
remembered
only
during
his
funeral.
They
say
'Out
of
Sight
equals
to
Out
of
Mind'
and
that
is
exactly
what
has
happened
to
Manmohan
Desai.
From
the
director
of
such
movies
like
Roti,
Amar
Akbar
Anthony,
Parvarish,
Chacha
Bhatija,
Dharam-Veer,
Suhaag,
Naseeb,
Desh
Premi,
Coolie
and
Mard,
Desai
is
surely
forgotten.
So
does
this
book
on
Manmohan
Desai
do
justice
to
the
account
of
his
life,
films
and
fans?
What
does
one
expect
from
a
foreign
author
when
she
decides
to
write
a
book
on
a
person
whom
today's
generation
may
not
even
recall?
To
term
Connie
Haham
as
a
foreigner
writing
a
book
on
a
great
Indian
director
would
sound
too
harsh
-
especially
when
this
book
can
put
some
Indian
writers
to
shame.
More
and
more
books
are
coming
out
on
yesteryear's
movie
celebrities,
which
is
something
a
film
buff
should
really
enjoy.
It's
not
really
easy
getting
information
and
facts
of
an
era
where
digital
technology
was
not
easily
accessible
and
some
vital
information
could
get
lost
forever.
Lucky
for
us,
Haham
takes
transcripts
of
her
interviews
with
Desai
which
she
conducted
back
in
the
80's,
therefore
giving
us
Manmohan
Desai's
own
account
of
a
life
dedicated
to
cinema.
Not
only
cinema
but
also
about
his
personal
life
-
his
vices,
his
womanizing
ways,
his
opinion
on
God,
etc.
One
can
surely
call
this
a
cache
which
Haham
somehow
managed
to
acquire
and
maintain.
An
in-depth
study
of
some
of
his
films
like
Coolie
and
Amar
Akbar
Anthony
with
a
first
hand
conversation
from
Desai
himself
provides
us
with
a
good
read
especially
when
he
speaks
about
the
way
in
which
some
of
his
movies
were
actually
conceptualized.
Haham
goes
into
detail
about
the
various
characters
and
Desai
cliches
in
his
films
but
still
manages
to
have
a
social
message.
In
fact
her
analysis
of
Desai's
films
from
the
viewpoint
of
the
times
he
lived
is
probably
the
highlight
of
the
book.
Any
let-downs?
There
are
too
many
quotes
from
people
in
the
industry
from
his
time
like
Amitabh
Bachchan,
Mrinal
Sen,
Om
Puri,
etc.
disturbing
the
narrative
at
places
unnecessarily.
Also
Connie
Haham
is
more
like
a
fan
in
some
places
rather
than
a
writer
when
she
praises
some
of
his
films
to
no
end.
With
a
foreword
by
Amitabh
Bachchan
(who
is
doing
a
lot
of
it
these
days)
-
a
star
in
a
lot
of
Desai's
films,
this
book
is
a
thorough
read
on
one
of
India's
finest
masala
film-makers.
Put
down
by
critics
and
fellow
industry
members
during
his
time,
Desai
still
showed
an
astounding
talent
and
interest
in
his
work.
"Laugh
at
me
today,
but
mark
my
words,
you'll
appreciate
my
work
some
day,
even
if
it's
too
late"
,
says
the
trendsetting
filmmaker
in
this
book.
The
time
has
come
but
it's
never
too
late.