Courtesy:
IndiaFM
Tuesday,
July
18,
2006
He
comes
from
a
reputed
and
well-educated
family
with
a
political
background.
But
the
poet
in
him
made
him
leave
everything
behind
and
enter
the
world
of
entertainment.
We
are
talking
about
Praveen
Bharadwaj
who
has
written
lyrics
for
many
of
Mahesh
Bhatt
and
Mahesh
Manjrekar's
films.
What
inspired
you
to
become
a
lyricist?
I
like
to
write
poetry
and
knew
that
I
could
pen
lyrics
for
films.
I
had
the
potential
and
inspiration
both.
So
in
2000
I
moved
to
Mumbai
to
become
a
lyricist.
Was
there
lots
of
struggle
or
you
had
some
mentor
to
help
you?
I
did
not
have
to
struggle
at
all,
not
in
the
classical
sense
of
struggle.
I
had
met
Jackie
Shroff
through
a
common
friend.
Through
him
I
got
my
first
song
'Kem
chhe'
in
his
production
Jis
Desh
Mein
Ganga
Rehta
Hai.
Within
20
days
of
landing
in
Bombay,
my
first
song
was
recorded
and
within
two
months
of
recording,
this
film
was
also
released.
This
song
became
a
big
hit.
I
knew
that
I
will
not
have
to
look
back.
Which
was
your
second
film?
Immediately
I
was
signed
again
for
Jackie
Shroff's
next
home
production
Sandhya.
Then
Mahesh
Manjrekar
signed
me
for
his
films
Pitaah,
Ehsaas,
Pran
Jaye
Par
Shaan
Na
Jaye,
Pyar
Kiya
Nahi
Jaata,
Hathyaar
and
Padmashree
Laloo
Prasad
Yadav.
Most
of
the
times
lyricists
team
up
with
one
particular
composer.
Who
is
your
favourite?
Most
of
my
films
had
music
by
Anand
Raj
Anand.
But
instead
of
teaming
with
one
composer
I
prefer
to
blend
with
the
best.
One
should
be
able
to
showcase
talent
with
every
creative
person.
I
have
worked
with
many
composers
like
Anu
Malik,
Anand
Milind,
Jatin-Lalit,
Nikhil-Vinay,
Daboo
Malik,
Pritam
and
of
course
Anand
Raj
Anand.
Besides
them
I
have
worked
with
many
more
music
directors
for
private
albums
too.
But
Anand
Raj
Anand
has
fetched
me
Feroz
Khan's
Jaansheen
where
I
wrote
the
song
Dil
Diwana...and
Mukesh
Bhatt's
Gunaah
where
I
had
written
'Humne
Tumko
Dil
Ye
De
Diya.
Which
are
the
other
makers
that
you
have
worked
with?
I
have
written
hit
songs
for
producers
and
directors
like
Mahesh
Bhatt,
Mahesh
Manjrekar,
Ram
Gopal
Varma,
Vikram
Bhatt,
Vivek
Agnihotri,
Vipul
Shah,
Deepak
Tijori,
Anurag
Basu,
Gaurang
Doshi,
Tinu
Anand
and
Amol
Shetge
for
films
like
Chocolate,
Aankhen,
Zameer,
Ek
Hindustani,
Naam
Gum
Jayega,
Pitaah,
Hathyar,
Gunah,
Ehsaas,
Saaya,
Bhoot,
Ab
Tumhare
Hawale
Watan
Saathiyon,
Ishq
Diwana,
Jaanasheen,
Ishque
Ishque
and
many
more.
In
Aankhein
I
wrote
two
songs
'Kuchh
Kasame
hai
Jawaa'
and
'Chhalka
Chhalka'.
I
had
a
hit
streak
in
all
these
years
with
songs
like
Khoye
Khoye
Din
from
'Hum
Tumhare
Hain
Sanam'
and
'Thoda
Sa
Pyar
Hua
Hai'
from
'Maine
Dil
Tujhko
Diya'.
In
last
six
years
I
have
written
songs
for
over
70
films.
Do
you
need
to
work
on
the
words
according
to
the
situation
or
it
comes
naturally?
My
talent
is
a
gift
of
God.
I
have
written
every
kind
of
song.
Most
of
the
time
my
songs
not
only
have
good
words
but
also
a
lot
of
sense
in
them.
They
have
poetic
value
and
new
thoughts.
As
in
my
songs
in
Gunaah
where
the
Mukhda
says,
Humne
Tumko
Dil
Ye
De
Diya,
Ye
Bhi
na
Poochha
Kaun
Ho
Tum.
Words
just
flow
out
once
I
pick
up
the
pen
in
my
hands.
Have
you
studied
Hindi
literature
to
understand
the
nuances
of
poetry?
I
have
not
read
Hindi
or
Urdu
extensively
but
tend
to
draw
from
life's
experience.
My
entire
family
is
very
well
educated
and
have
strong
literary
inclination.
I
think
that
every
human
being
has
a
poet
hidden
within
them
and
must
have
written
a
few
lines
of
poetry
at
some
times
of
their
life.
Everyday
we
experience
love,
betrayal,
sadness
and
joy
but
only
few
of
us
dive
within
to
come
out
with
poetic
expression.
Do
you
prefer
to
pen
songs
for
films
only?
And
is
there
scope
for
lyricist
in
music
albums
since
remixes
are
the
fashion
of
the
day?
Remixes
are
on
their
way
to
their
graveyard.
Today
original
music
is
once
again
on
the
high.
Last
year
I
have
given
hit
albums.
In
this
short
time,
I
have
made
a
mark
in
the
field
of
private
albums
and
I
have
about
25
original
albums
with
me.
Then
I
am
also
instrumental
in
the
use
of
traditional
instruments
instead
of
techno
music.
Today,
when
everybody
is
creating
a
private
album
through
Remix
and
techno
music,
I
have
the
honour
to
give
hit
original
albums.
Bewafaai
with
Aagam
Kumar
Nigam
was
a
hit
that
used
Tabla
with
Dholak.
When
I
wrote
poetry
for
Pankaj
Udhas'
album
'Hasrat',
he
commented
that
the
words
were
as
poetic
as
the
words
of
his
earlier
albums.
My
another
album
Tera
Mera
Pyar
was
very
modern.
It
was
first
released
abroad
under
the
label
of
Replay
Music
and
later
it
was
successfully
launched
by
Sony
and
BMG.
All
were
huge
success
and
in
all
three,
the
music
directors
were
young
NRI's.
Now,
I'm
doing
two
more
albums
with
them.
My
other
albums
are
for
different
music
companies
like
T-Series
and
Sony
BMG.
Why
are
you
so
intent
on
doing
private
album
when
others
are
stressing
for
films
for
glamour
and
better
mileage?
It's
extremely
important
for
me
to
do
albums
to
prove
my
worth.
Private
albums
run
on
their
merit
alone
and
not
because
of
the
attached
value
of
a
super
star.
Who
is
your
idol
from
Hindi
films?
I
was
never
over
exposed
to
the
old
Hindi
music,
so
I
never
had
the
excess
baggage
of
icons
and
idols.
I
had
the
privilege
to
interact
with
late
Anand
Bakshi
saab
and
I
saw
the
great
artiste
in
him.
When
he
passed
away
some
work
of
T-Series
album
Kuch
Dil
Ne
Kaha
was
incomplete.
It
was
my
privilege
to
complete
those
songs.
I
did
not
take
any
credit
because
it
was
my
Shradhdhanjali
to
the
great
lyricist.
I
got
another
chance
to
be
in
the
shadow
of
great
icons
when
O
Saathiya
song
by
Ananad
Bakshi
Ji
in
Anurag
Basu's
Saaya
needed
a
sad
version
in
the
film.
I
wrote
the
song.
Although
it
was
not
used
in
the
film,
still
I
felt
so
honoured.
Which
are
your
forthcoming
works?
My
forthcoming
films
include
Nehle
Pe
Dehla,
Khafaa,
Kaheen
Aag
Na
Lag
jaye,
Dekho
Mil
Gaye,
Pyar
Karo
Bindaas,
Hum
Bewafa
Hargiz
Na
The,
and
Vash.
I
have
new
albums
like
Bewafai
II,
Tera
Mera
Pyar
II,
Deewana
Hoon,
Musafir,
Tumse
Milke
and
Jaaniya.
Others
are
untitled.
Producers
have
liked
my
work.
Raj
Kumar
Barjatya
had
complimented
me
on
my
work
and
found
it
very
mature.
I
know
I
have
still
to
go
a
long
way
but
I
will
reach
my
destination.