Ravi Chopra speaks on Baabul
Courtesy:
IndiaFM
Tuesday,
December
05,
2006
After
getting
a
tremendous
response
to
his
family
saga
Baghban,
director-producer
Ravi
Chopra
is
back
with
his
next
film
Baabul.
The
film
has
the
biggest
of
the
stars
and
comes
from
the
oldest
banner
in
the
industry
-
B
R
Films.
Baghban
came
out
in
2003
and
your
prior
film
Kal
Ki
Awaz
came
out
in
1992.
So
why
did
you
take
such
a
long
break
from
films?
We
make
films
mainly
for
family
audiences.
In
the
late
80's,
due
to
video
piracy,
we
started
feeling
that
our
target
audiences,
who
are
family
audiences,
were
watching
films
mainly
at
home.
So,
we
found
that
our
audiences
were
missing
from
the
theaters.
We,
therefore,
decided
to
go
into
television
for
a
while.
Besides,
I
also
got
very
busy
with
Mahabharat.
Though
we
had
also
planned
to
continue
with
films
along
with
Mahabharat,
my
father
fell
ill,
so
I
had
to
do
all
the
shooting.
It
was
therefore
not
possible
for
me
to
shoot
both
Mahabharat
and
films
together.
Hence,
I
got
busy
with
television
completely.
When we decided to make a comeback in films, I was very keen to have Baghban as the first film and my father was also very eager to make the film. However, due to health reasons, it became difficult for him to make the film. It was then in 2002 that he asked me to make the film and that's how it started.
Another issue that happened with Baghban was that we had difference of opinion over the climax. He wanted the climax to be in the court while I wanted it the way it was in the film. I told him that I wouldn't make the film unless you allow me to make it my way. So, that convincing also took a while. He however later let me go ahead and shoot the way I wanted but also said that if he didn't like it, I would have to change it. But when he saw the end, he loved it and said that it was perfect.
So, all these factors led to delay in coming back to films. In fact we were planning to make a comeback in 1999, but then things finally worked out in 2002-03.
Another
family
film
from
you
-
Baabul
Baabul
is
a
family
entertainer.
It's
a
family
story
that
deals
with
the
rehabilitation
of
a
daughter-in-law
by
a
father.
What
was
the
reason
to
retain
the
Baghban
cast
in
this
film
as
well?
I
cast
the
actors
in
my
film
according
to
the
script.
For
the
father's
role
I
needed
someone
who
would
be
60
years
old,
has
a
25-30yr
old
son.
So,
I
think
Amitabh
was
a
natural
choice
for
that.
Besides,
I
think
he
is
the
only
one
in
the
industry
who
has
the
caliber
to
play
that
role.
The
first
half
of
the
film
deals
with
a
very
vibrant
and
easy
relationship
between
the
Father,
Son
and
the
Mother.
For
that
I
think,
Hemaji
fitted
the
bill
best
for
the
role
of
the
Mother.
For
the
role
of
the
son,
I
needed
someone
who
is
very
vibrant
and
has
lot
of
energy
and
I
think
Salman
is
the
ideal
choice
for
that.
How
was
the
experience
of
working
with
Rani
and
John?
Since
this
is
your
first
film
with
them.
Oh,
it
was
a
great
experience.
Rani
Mukherjee
is
he
most
dedicated
artist
I
have
ever
met.
John
Abraham
is
a
lovely
guy
and
professional.
How
was
the
shooting
experience?
We
work
in
a
very
fun
atmosphere.
On
my
sets,
there
is
always
masti
happening.
Half
the
time
you'll
find
people
having
fun
and
sometimes
we
ended
up
having
just
fun
and
doing
less
work.
There
were
stories
in
media
that
Salman
and
John
had
problems
with
one
another
which
also
affected
the
shoots.
I
had
no
problem
with
them.
Even
I
had
heard
those
stories
but
there
was
never
a
problem
while
shooting.
Tell
us
about
the
music
of
the
film.
I
think
the
music
is
very
nice.
The
album
has
every
kind
of
music
starting
from
classical
to
Hip
Hop.
You
name
the
genre
and
it
is
present
in
the
album.
I
would
say
that
it
is
a
very
complete
album.
The
cinematography
in
the
promos
looks
very
impressive.
I
wanted
a
very
opulent
look
for
this
film.
The
important
factor
of
the
story
was
that
they
are
a
very
rich
family.
I
wanted
the
film
to
have
today's
sensibilities.
So,
we
decided
to
give
a
very
sophisticated
and
classy
look
for
this
film.
Hence,
the
look
is
the
way
you
say
it
is.
Going
back
to
1980,
do
you
think
your
film
The
Burning
Train
was
ahead
of
its
time?
Probably
it
was.
In
those
days
people
looked
forward
for
complete
story.
Disaster
is
something
which
is
normally
the
climax
of
a
film
and
in
this
film
the
climax
was
elongated
for
two
and
half
hours.
So,
I
guess
people
were
not
ready
for
it
at
that
point
of
time.
So
will
you
be
making
an
action
film
like
that
again?
Depends
upon
the
story!
I
am
a
very
story
oriented
filmmaker.
If
I
like
a
story,
I
go
all
the
way
for
it.
Currently,
I
don't
have
a
story
like
that.
You
never
know...
Does
your
banner
just
focus
on
making
family
oriented
films?
We
don't
just
stick
to
family
dramas.
I
made
The
Burning
Train
and
Aaj
Ki
Awaz
which
were
action
films.
Basically,
we
make
films
with
values.
We
work
on
basis
of
script;
if
we
like
a
script,
it
doesn't
matter
what
kind
of
film
it
is.
We
like
to
make
films
which
whole
family
can
sit
together
and
watch.
When
we
say
we
make
family
entertainers,
what
it
means
is
we
don't
make
films
that
you
won't
be
able
to
watch
sitting
next
to
your
family.
So,
it
isn't
that
we
make
films
of
one
genre.
In
fact
my
film
is
a
comedy.
Coming
to
your
next
film,
tell
us
more
about
Pappu
Pass
Ho
Gaya?
It's
a
courtroom
drama
comedy
that
I'll
be
making
next
year.
And
Bhootnath?
Bhootnath
is
already
under
production.
It
is
directed
by
a
new
director
named
Vivek
Sharma.
He
is
shooting
the
film
currently.
Tell
us
about
the
experience
of
shooting
Mahabharat?
It
was
fantastic.
The
problem
with
television
is
that
once
you
start
working
on
a
daily,
you
get
bored
after
a
while.
But
when
you
are
doing
a
tele-series
like
Mahabharat,
it
is
more
like
a
film.
I
like
to
treat
both
television
and
cinema
equally;
I
don't
see
much
difference
between
the
two
mediums.
When
its
television,
I
come
to
your
house
to
entertain
you
and
when
its
films,
you
come
to
my
house
which
is
theatre.
And
if
you
notice,
I
have
treated
Mahabharat
very
much
like
a
film.
The experience was very exciting because we were making the series for three and half years and during this time, the team members became very good friends. It was very good fun working together since everyone was very interested in what we are doing. And when the entire team is interested and focused in doing good work, things become very easy for the director.
Whose
idea
was
it
to
make
Mahabharat
into
a
television
serial?
We
had
been
toying
the
idea
of
making
Mahabharat
for
a
long
time
but
on
film,
it
was
not
working
out.
Before
I
made
it
for
the
Doordarshan,
somebody
wanted
me
to
make
it
for
the
video
market,
since
videos
had
just
started
then.
That
time
I
thought
I
would
be
curtailing
the
market
and
making
for
one
market
then
didn't
make
sense.
When
television
came
of
age,
we
talked
to
Doordarshan
and
they
told
us
to
go
ahead.
It
is
a
story
that
excites
me
very
much
and
hopefully
I'll
make
a
film
on
it
soon.
Tell
us
about
your
relationship
with
your
uncle
Yash
Chopra
Oh,
we
are
very
close.
Though
Yash
Chopra
is
my
uncle
by
relation,
he
is
more
like
an
elder
brother
to
me.
We
used
to
live
together.
In
fact
we
shared
the
same
room
right
till
he
got
married.
So,
we
share
a
great
relationship.
Bollywood
is
slowly
getting
corporatised.
So,
what
do
you
think
will
be
its
pros
and
cons?
It
is
a
good
situation,
since
with
the
coming
of
the
corporates,
things
are
becoming
more
professional.
It
is
a
positive
thing
for
our
industry.
The
one
thing
I
feel
is
that
it
is
better
for
the
existing
producers
to
become
corporatized
rather
than
just
corporates
coming
in.
Because
I
feel
that
sometimes
they
don't
understand
the
medium
like
a
Yash
Chopra
does
or
any
other
existing
producer
does.
So,
if
a
Yash
Chopra
gets
corporatized,
it
would
be
better
for
the
industry
rather
than
any
outsider
getting
into
the
industry.
When
Adlabs
or
UTV
comes
in,
it
does
not
create
a
problem
as
they
have
always
been
in
the
industry.
But
if
a
complete
outsider
comes
in,
he
may
not
understand
the
basis
of
our
filmmaking.
When
Corporates
come
in,
film
production
becomes
at
a
mass
level.
Would
that
hamper
the
creativity?
See
when
you
make
one
film,
the
average
for
success
and
failure
is
50-50.
But
when
you
make
five
films,
the
average
improves
which
is
a
good
thing
for
you.
Besides,
in
every
other
way,
corporatization
is
better
than
a
single
producer.
The
only
thing
is
that
when
the
coporatization
happens
within
the
industry
its
better
rather
than
outsiders
coming
in.
I don't think it would hamper the creativity in anyway. In fact, it helps improve the marketing; it helps better organization of your work. So, the physical aspect of filmmaking gets much improved.
We
haven't
heard
from
Mr.
B
R
Chopra
for
a
long
time...
Unfortunately,
he's
not
that
well
now.
He
is
not
that
mobile
now
and
therefore
mostly
at
home.
Even
during
the
music
launch
of
Baabul
he
was
going
to
attend
the
ceremony
but
then
he
was
not
feeling
well,
so
he
couldn't
make
it.
He
however,
does
come
to
the
office
everyday
between
1:30
-
2:30
pm
and
has
lunch
with
me.
What
about
his
passion
for
films?
Oh,
he
has
just
one
interest
in
life,
movies.
He
has
no
other
interest.
What
is
the
vision
of
BR
Films
in
today's
times?
Our
USP
is
to
make
good
wholesome
entertainment,
to
make
films
with
a
message,
to
make
films
with
a
difference.
We
are
going
to
continue
that.
But
then
we
are
not
going
to
make
films
of
the
50's.
The
films
will
have
today's
sensibilities.
We
are
going
to
continue
with
good
story-telling
which
is
the
base
of
our
company
but
with
new
look
and
feel.
What
is
the
USP
of
Baabul.
I
would
say
the
story.
It
is
a
very
beautiful
and
powerful
story.
That's
what
people
are
going
to
say
when
they
come
out
from
the
theatre.
Finally,
what
are
your
expectations
from
Baabul?
Like
everyone
else,
I
also
expect
that
my
film
will
do
wonders.
We
all
have
put
our
best
efforts,
so
I
expect
the
audience
to
accept
our
film.