Sanaa - From dust to human dirt
By:
Subhash
K.
Jha,
IndiaFM
Tuesday,
September
12,
2006
Aadesh
Shrivastava's
short-film
wrenches
your
guts
for
various
reasons.
First
of
all
it's
the
first
film
to
focus
on
the
thorny
and
unbearable
subject
of
child
prostitution.
It
features
the
Black
prodigy
Ayesha
Kapoor.
Within
a
span
of
less
than
ten
minutes
little
Ayesha
takes
us
on
a
nerve-wracking
journey
that
spins
us
into
a
dizzy
web
of
guilt,
accusation
and
regret
for
the
lost
childhood
that
we
owe
to
all
the
Sanaa's
of
this
vicious
and
insensitive
world.
Music-director turned filmmaker Aadesh Shrivastava packs in plenty of punch in his compact film. The abundance of talent helps to give the story an immediacy and credibility, as does the real locations where Sanaa moves within minutes from impoverished innocence to enforced and irredeemable corruption.
Pratima Kazmi puts in a cameo as Sanaa's mother and Seema Biswas chips in as 'Mausi' managing the monstrously perverse careers of the children. Akhilendra Mishra has the thankless role of the 'Seth' who seduces the 9-year old child. Someone has got to do the dirty work.
Admirably Aadesh Shrivastava has stuck his head into a dark and disturbing area of our lives. Ishwar Bidri's camera takes us through a complex geographical, emotional and sexual labyrinth, as we see Sanaa's innocence crushed to the ground.
A lot of attention is paid to intrinsic details. Manas Choudhary's sound design, replete with routine traffic noises in Mumbai and screams piercing through the mundane landscape, and Jayant Deshmukh's art direction lend an aura of agonizing aestheticism to this bitter film about the end of innocence.
Aptly, it ends with Shabana Azmi warning us of how many more Sanaas will be driven into the streets if we don't learn to take care of our children.
But are we really listening?
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