Sanjay Suri on Bas Ek Pal
Last year, Sanjay Suri teamed up with film maker Onir and played the lead character in the film My Brother Nikhil. Both the film and Suri's performance were highly appreciated and the film won many awards around the globe. And now, Sanjay stars again in Onir's Bas Ek Pal which is a story about human relationships. So let's talk with Sanjay Suri and know more about the film.
What
is
Bas
Ek
Pal
all
about?
Bas
Ek
Pal
is
an
urban
fiction.
It
is
a
story
which
revolves
around
five
key
characters
and
one
defining
moment.
That
Pal,
that
moment,
which
kind
of
decides
the
fate
of
their
lives,
changes
the
course
of
their
life
and
the
direction
of
their
life.
And
because
of
that
one
moment,
the
relationships
get
redefined
and
with
new
challenges.
The
film
is
full
of
drama,
very
intense,
emotional,
passionate,
tragic
and
overall
sums
into
a
very
sensible
commercial
film.
The
film
is
said
to
be
about
"urban
relationships".
How
do
you
define
urban
relationships?
Urban
relationships
relate
to
people
living
in
urban
India,
in
a
metro
like
Mumbai.
It
depends
upon
their
take
on
life,
their
aspirations
and
goals.
Also,
their
way
of
thinking
and
their
values.
Therefore,
in
a
big
city
mind
rules
over
the
heart
rather
heart
ruling
over
the
mind
and
where
you
have
to
take
certain
decisions
in
spite
of
you
not
wanting
them
to,
just
because
the
pace
is
so
fast.
That
is
what
the
film
revolves
around.
So
that's
why
we
say
urban
fiction
or
urban
relationships.
Tell
us
about
your
character
in
the
film?
I
play
the
character
of
a
guy
called
Nikhil.
He
is
a
very
intense
and
passionate
guy.
He
lives
from
the
heart
and
not
from
the
mind.
He
is
very
impulsive
and
wants
to
live
life
king-size.
He
is
also
very
short
tempered
because
of
which
he
finds
himself
many
a
times
in
trouble.
But
he
justifies
that
because
he
took
a
decision.
Besides,
he
is
an
orphan,
so
every
important
decision
in
his
life
is
taken
by
himself.
He
is
a
self
made
man,
an
independent
kind
of
a
guy.
Therefore,
he
is
the
kind
of
guy
who
thinks
about
himself
first
rather
than
about
the
other
guy.
But
he
still
is
very
charming,
in
spite
of
being
very
intense,
very
cocky
and
arrogant.
Sometimes
he
cannot
distinguish
between
passion
and
obsession.
He
gets
obsessive
sometimes,
he
doesn't
know
where
to
draw
the
line
and
then
kind
of
comes
back
and
realizes.
He
is
not
really
possessive
but
he
is
obsessive
by
nature
sometimes.
Onir
says
that
he
had
signed
you
before
everyone
else
for
this
film.
So
how
is
the
whole
experience
of
working
with
Onir?
Working
with
Onir
is
a
brilliant
experience.
Not
only
because
he
is
a
friend
but
because
he
is
also
a
thorough
professional,
extremely
tough
task
master.
He
is
a
very
demanding
director.
But
at
end
of
the
day,
its
all
for
the
film
and
it
shows
in
his
work.
He
is
a
very
sensitive
human
being
and
understands
human
relationships
extremely
well
and
that
shows
in
his
films
be
it
My
Brother
Nikhil
or
Bas
Ek
Pal.
This
is
just
his
second
film
but
the
maturity
with
which
he
has
dealt
this
subject
is
amazing.
How
was
the
experience
of
working
with
Urmila
Matondkar?
Well,
I've
enjoyed
working
with
Urmila.
We
didn't
share
much
screen
space
in
Pinjar,
which
was
our
first
film
together,
as
her
character
is
left
behind
in
Pakistan
and
my
character
comes
in
India.
But
here
we
are
cast
opposite
each
other.
And
I
must
say
that
she
is
a
very
thorough
professional,
very
hard
working
actress.
We
got
some
great
scenes
together
in
this
film.
While
doing
those
scenes
it
was
like
living
that
moment
with
her
because
she
got
into
the
skin
of
the
character
so
well.
The
scenes
also
demanded
a
lot
from
us.
There
was
also
a
baggage
while
saying
the
dialogues
because
lots
of
things
are
happening
in
the
mind
of
the
characters
in
those
scenes.
So,
it
was
a
great
experience
working
with
Urmila.
How
was
the
ambience
on
the
sets
while
filming
as
the
subject
of
the
film
is
very
intense?
Whether
a
film
is
complex
or
simple
completely
depends
upon
the
script.
But
while
shooting
any
film,
be
it
a
comedy
or
tragedy,
the
mood
of
the
set
remains
very
light.
Because
as
it
is
you
go
through
so
much
while
working
on
a
film,
it
is
therefore
very
important
to
maintain
a
light
mood
in
the
unit.
So,
while
shooting
the
film,
we
would
joke
around
and
have
fun.
Jimmy
is
a
very
good
friend
and
great
costar;
in
fact
he
plays
my
friend
in
the
film.
With
Juhi
this
is
my
third
film,
Onir
is
a
friend,
the
DOP
is
a
friend
and
so
is
the
producer.
Hence,
I
think
within
the
parameters,
an
actor
tries
to
joke
around
and
make
the
atmosphere
light.
Also,
we
work
around
for
long
hours,
so
with
that
kind
of
work
pressure,
you
need
to
laugh
out
a
little.
Do
you
think
My
Brother
Nikhil
helped
changed
people's
perspective
towards
HIV
affected
and
also
'Homosexual'
people?
According
to
me,
My
Brother
Nikhil
is
an
extremely
successful
film.
Even
after
one
and
a
half
year
of
its
release,
the
film
is
still
screened
by
universities,
festivals,
NGOs
and
by
people
working
to
control
the
spreading
of
HIV-AIDS.
It
is
still
spreading
the
message,
not
just
about
HIV-AIDS
but
about
acceptance
whether
it's
the
taboo
subjects
like
homosexuality
or
stigma
attached
to
HIV-AIDS
awareness.
I
think
it
has
served
another
purpose
altogether
which
is
brilliant.
And
I'm
so
proud
that
we
made
this
film.
Your
future
projects?
After
Bas
Ek
Pal,
there
is
another
film
I'm
doing
called
Speed,
which
directed
by
Vikram
Bhatt.
Then
there
is
a
very
cute
romantic
comedy
which
is
coming
up
called
Kabhi
Up
Kabhi
Down.
It
has
me
and
Perizaad
Zorabian.
I'm
looking
forward
to
that
one
as
well.
What
is
the
status
of
My
Bollywood
Bride?
I
really
don't
know.
The
film
is
ready.
I
think
they
are
looking
for
international
distribution
because
it
has
to
get
mainstream
American
release.
Why
did
you
walk
out
of
Sunglass?
Well,
I
discussed
the
role
at
length
with
Rituparno.
So,
we
came
to
a
certain
decision
where
he
realized
that
I
wasn't
much
excited
about
the
role.
I
had
some
reservations
about
the
role
and
he
respected
that
fact
and
said
'ok,
let's
do
something
later'.
I
stepped
back
and
that's
when
Madhavan
came
in.
I
like
Rituparno
as
a
director
and
we
might
work
together
in
the
future
but
for
this
film
my
character
didn't
excite
me.
So,
I
gracefully
stepped
back.
Do
you
think
the
audiences
here
are
now
accepting
reality
based
films?
I
think
it
is
very
unfair
to
differentiate
films
into
say
commercial
or
art.
I
think
it's
just
kind
of
blended
into
one.
All
films
are
being
watched,
every
film
has
an
audience,
and
every
film
has
a
shelf
life.
Whether
the
film
is
sensible
or
not
is
the
question.
Earlier
there
was
a
distinction
because
certain
art
films
never
crossed
into
mainstream
and
vice
versa.
Today,
you
have
a
page
3
doing
commercially
well.
It
had
no
big
stars,
yet
it
has
done
amazing
business.
Then
you
have
a
subject
like
Black
which
does
well
with
mainstream
actors.
So,
I
think
the
divide
doesn't
exist
anymore.
It's
really
wrong
today
to
divide
films
like
art
and
commercial.
Today,
every
film
is
commercial,
every
film
is
like
a
product
and
it
has
a
market
and
its
takers.
It's
just
that
the
magnitude
may
vary.
All
the
films
are
shown
in
multiplexes
and
therefore
I
think
the
entire
rules
of
the
business
are
changing.