Tanishta Chatterjees come back in <i>Strings</i>
Courtesy:
IndiaFM
Monday,
June
12,
2006
Tanishta
Chatterjee
-
the
name
might
not
sound
familiar
in
Bollywood
but
the
actress
has
to
her
credits
some
interesting
crossover
work.
She
made
her
debut
in
Anwar
Jamal's
National
Award-winning
film
Swaraaj:
The
Little
Republic
in
2002.
The
Delhi-bred
National-School-of-Drama
graduate
has
worked
in
Oscar-winning
German
filmmaker
Florian
Gallenberger's
Bengali
film
Shadows
of
Time
and
also
in
Partho
Sengupta's
France-India
co-production
Hawa
Aaney
Dey.
Her next film isn't a typical Bollywood material either. With Sanjay Jha's Strings, Tannishtha continues her tryst with offbeat films.
You
have
come
from
a
theatre
background.
How
is
it
different
from
films?
I
think
the
basic
exploration
of
a
character
is
just
the
same.
Preproduction
process
of
theatre
and
cinema
is
quite
similar.
When
you
are
performing
for
theatre,
you
have
to
reach
out
to
the
live
audience.
While
in
cinema
you
have
to
perform
in
front
of
a
camera
and
you
have
to
be
really
eternal
and
real
to
your
experience.
Tell
us
about
your
upcoming
film
Strings
Strings
means
thread;
it's
a
bonding
between
people.
It's
a
bond
between
cultures
and
souls.
And
what's
your
role
in
the
film
I
play
a
girl
who
is
a
daughter
of
a
temple
priest.
She
is
spiritually
inclined
and
is
very
sorted
out
person.
She
knows
what
her
grounding
is.
She
is
a
mixture
of
things
that
she
imbibes
from
modernity
and
she
is
rooted
to
her
culture
on
the
other
hand.
What
made
you
go
for
this
role?
The
project
was
very
exciting.
And
this
was
the
first
time
that
guerilla
style
filmmaking
happened
in
India,
where
you
can
actually
shoot
in
a
Kumbh
mela.
Sanjay
informed
me
that
it's
a
story
of
a
father
and
daughter
and
we
will
be
shooting
in
Kumbh.
I
had
never
been
to
Kumbh
and
this
was
the
best
way
to
explore
it
through
work.
How
was
the
shooting
experience
at
Kumbh?
It
was
mixed.
Sometimes
we
had
to
face
some
problems
and
sometimes
we
had
something
really
interesting
coming
up.
We
explored
Kumbh
while
shooting
there.
That's
the
reason
it
is
so
real
for
three
of
us.
It
was
a
new
experience
for
all
of
us,
just
like
a
unique
balance
between
cinema
and
real
life
experience.
When
you
bring
in
real
life
into
film
then
it
comes
alive.
So
the
energy
of
the
film
was
really
very
special.
How
is
Adam
Bedi
as
a
costar?
He
was
fantastic.
Both
of
them,
Sandhya
and
Adam,
were
good.
All
of
us
had
a
blast
while
shooting
in
Kumbh.
We
experienced
something
new
that
excited
us
about
the
newness
of
that
whole
thing.
We
had
a
very
good
time.
We
had
no
other
way
but
to
stick
to
each
other;
otherwise
we
couldn't
have
made
the
film.
Without
working
together
it
was
an
impossible
project.
It's
not
easy
to
just
go
out
there
and
shoot.
How
was
it
working
with
Sandhya
Mridul?
I
have
a
couple
of
scenes
with
her
and
it
was
really
nice.
We
used
to
rehearse
and
come
up
with
different
things.
I
had
a
fantastic
rapport
with
her.
And
what
about
director,
Sanjay
Jha?
I
was
introduced
to
Sanjay
by
Vineet
Kumar,
who
plays
my
father
in
the
film.
When
I
met
Sanjay
Jha,
he
said
you
are
the
one
who
I
wanted
for
this
movie.
He
evolved
the
actual
script
after
our
meeting.
The
script
and
some
characters
came
much
later.
Sanjay
is
a
very
good
director,
who
can
hold
a
team
together.
He
knows
how
to
take
best
out
of
an
actor.
Tell
us
something
about
the
music
of
Strings.
Well
Zubin
is
fantastic
in
this
film.
I
am
a
fan
of
him
from
a
very
long
time.
His
music
has
a
spiritual
undertone.
I
think
Assamese
folk
tune
has
a
very
unique
quality.
It
goes
very
well
with
the
film.
It's
just
beautiful.
My
favorite
song
is
called
'Om'
but
it
has
not
come
on
air.
It's
by
a
very
famous
Hindu
poet
called
Nagarjun.
I
think
he
has
done
a
fantastic
job.
He
is
a
rock
star
and
also
acted
in
the
film.
What
is
the
USP
of
this
film?
The
unique
locations
of
Kumbh.
Which
will
be
your
next
film?
The
film
that
I
am
shooting
right
now
is
a
British
film.
It's
produced
by
the
producers
that
produced
Elizabeth.
It's
a
woman
centric
film
so
I
am
really
excited.
I
am
playing
a
central
character
of
a
Bangladeshi
immigrant,
who
gets
married
to
a
45
year
old
man.
It's
about
her
entire
journey
from
17
years
to
35
years.
This
is
a
contemporary
film
about
the
conflicts
and
the
identity
problems
of
immigrants.
It's
a
unique
thing
for
me
because
I
have
not
gone
through
the
experience.
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