"I felt uncomfortable doing Nishabd" - Amitabh Bachchan
Features
oi-Staff
By Super Admin
By:
Frankly,
IndiaFM
Wednesday,
September
12,
2007
"I
felt
comfortable
doing
Cheeni
Kum,
I
felt
uncomfortable
doing
Nishabd," said
Amitabh
Bachchan
in
a
freewheeling
confessional
interview
with
Editor-in-Chief
of
Times
Now
Arnab
Goswami
in
his
weekly
show
Frankly
Speaking.
For
once
Big
B
gave
a
comprehensive
answer
to
the
repeated
barbs
of
Naseeruddin
Shah
who
has
said
at
many
an
occasion
of
Mr
Bachchan's
minimal
contribution
to
experimental
or
parallel
cinema.
"The
kind
of
experimental
cinema
that
Naseer
talks
of
was
perhaps
a
little
limited
as
far
as
its
box
office
content
was
concerned,
therefore
you
tended
to
shy
away
from
it,"
he
said.
Watch
this
most
comprehensive
interviews
with
the
doyen
of
Indian
cinema
on
Times
Now
this
Sunday
(9th
September).
Beet
gayee
so
baat
gayee….Hmmmm….Time
to
get
hooked
on
to
the
magic….
Arnab:
So
much
is
happening
actually,
when
one
looks
back
since
we
last
met,
the
last
eight
months
since
we
last
met
on
the
sets
of
this
show,
new
films,
a
lot
of
events
in
your
personal
life,
Abhi-Ash
wedding…
Amitabh:
that's
right.
Arnab:
And
professionally
you
are
doing
newer
things.
How
do
you
look
back?
What's
been
for
you
the
happiest
moment,
if
there's
not
a….
Amitabh:
Well…
if
you
are
gonna
push
me
to
the
wall
then
I'll
say
obviously
the
wedding
of
the
son…but
you
know
this
is
life,
everyday
there
is
something
happening
and
…
and
when
you
are
in
a,
in
a,
profession
which
is
high
profile….then
something
or
the
other
keeps
happening
this
is
life..
Arnab:
are
you
working
harder
today
than
you
worked
earlier?
Amitabh:
I…
don't
know..
Arnab:
Like
pushing
yourself?
Amitabh:
I
don't
know,
I
…have
never
considered
using
any
yardstick
to
measure
whether
I'm
working
harder
or
less,
but
let's
say
that
I'm
occupied
with
whatever
I'm
doing,
my
day
is
full
and
I
like
it
that
way,
it's
something
to
look
forward
to
every
morning.
I
don't
know
anything
else
so
I'm
happy
that
I
have
a
few
films.
And
I
enjoy
going
to
the
studio
and
attempting
new
things
or
whatever
is
offered
to
me,
it's
nice…
Arnab:
You
know,
it
was
said…This
comment
had
been
once
made
by
Naseeruddin
Shah&he'd
said
that
why
has
experimental
movies,
why
have
they
not
happened?
And
he
had
been
quoted
as
saying
that
the
one
person
who'd
ruled
the
film
industry-Amitabh
Bachchan-in
the
70'-80's
even
after
that…didn't
make
an
attempt
to
do
it.
But
now
the
kind
of
movies
you're
doing
are
both
experiments
and
they
are
unconventional.
Are
you
doing
it
consciously
Mr.
Bachchan?
Amitabh:
Firstly
I'm
happy,
you
know…
that
somebody
is
noticing
that
there
is
a
change
in
our
format
and
in
our
attempt
to
do
something
different,
but
yes,
Naseer
is
right
that
in
the
early
years
there
was
this
accusation
that
was
leveled
not
just
to
me
but
to
all
the
actors
in
the
mainstream
commercial,
escapist
cinema
who
had
a
following,
who
had
a
certain
profile
with
the
audience
and
they
were
often
said
look,
you
know
you
have
the
strength
of
the
audience
and
the
box-office
to
be
able
to
make
better
cinema
and
therefore
why
aren't
you
attempting
it?
There
were
several
factors
I
think
that
go
into
this…I
think
when
you
initially
start
off
work
as
an
artist
the
main
desire
is
to
get
some
work,
to
get
the
work,
you
want
to
succeed
to
get
some
more
work
and
you
realise
that
what
succeeds
is
what
does
well
at
the
box
office.
The
kind
of
experimental
cinema
that
Naseer
talks
of
was
perhaps
a
little
limited
as
far
as
its
box
office
content
was
concerned,
therefore
you
tended
to
shy
away
from
it,
but
yes
after
having
achieved
a
certain
degree
of
recognition
this
should
have
been
encouraged
again
but
I
think,
by
that
time
there
are
several
other
factors
that
are
working
let
us
say
a
artist
like…a
prominent
star
whose
stayed
number
one
for
several
in
the
box
office
he
agrees
to
do
something
experimental
in
nature,
Will
the
people
who
are
connected
with
him
and
in
its
business
treat
it
in
the
same
tense
or
with
the
same
attitude
that
the
actors
going
to
that
is
really
the
question?
I
think
not
because,
a
lot
of
commerce
writes
ahead
of
and
behind
this
object
of
'Great
Box
Office
success' and
sometimes
it
can
be
very
misleading
to
one.
And
sometimes
it
can
be
very
misleading
to
work.
I
could
be
the
number
one
seller
at
the
box
office
but
when
I
make
an
experimental
film
I
could
be
making
several
considerations
for
the
execution
of
that
project.
not
necessarily
not
in
the
mind
s
of
people
who
are
exploiting
it
or
selling
it
and
that
is
the
danger
we
feel
.cause
we
never
know
what
the
distributor
is
paying
for
it
and
how
is
he
recovering
that
money
and
how
is
he
is
further
selling
it
and
what
the
exhibitors
are
paying
it
and
what
are
the
expectations
just
because
there
is
a
cerebral
star
in
it.
He
may
think
that
this
is
another
movie
with
lots
of
song
and
drama,
the
usual
box
office
drama
content
in
it,
but
may
end
up
not
finding
none
of
it
is
there
and
therefore
loose.
but
he
may
decide
or
configure
his
commercials
of
that
project
through
that
thinking
that
sort
of
pre-rights
a
commercial
actor
and
therefore
sometimes
there
are
unfortunate
happenings
there
can
be
huge
losses
just
because
he
has
bought
a
part
of
it
thinking
this
is
going
to
be
a
commercial
film
but
in
fact
it
is
something
middle
of
the
road
or
even
less..
Arnab:
But
when
you
are
pushing
the
boundaries
because
you're
recent
films
the
themes
themselves
Mr.
Bachchan,
Nishabd
and
Cheeni
Kum
they
are
so
unconventional,
doesn't
the
fear
of
–
that
I
will
not
be
accepted
by
the
masses
or
by
the
audiences
not
in
Mumbai
or
in
Delhi
but
in
Gorakhpur
in
this
role,
doesn't
that
worry
you?
Amitabh:
See….when
you
are
playing
the
leading
man
then
you
carry
the
onus
of
the
birth
not
the
success
or
failure
of
that
film
as
well.
That's
the
time
to
worry
and
perhaps
that's
the
period
of
my
career
where
this
could
have
been
legitimately
argued.
But
I
think
that
now
that
I'm
65
and
I
play
character
roles
and
the
onus
of
the
box-office
doesn't
entirely
restrict
me
then
I
think
it
makes
it
much
more
easier
to
take
these
decisions.
Also
the
fact
because
I'm
65
I
obviously
can't
do
something
young
therefore
there
are
really
no
options
and
if
there
are
enterprising
people
in
Cheeni
Kum,
Nishabd
or
the
villain
in
AAG,
Ram
Gopal
Verma's
Aag
or
several
others
that
are
being
considered
then
its
very
fortunate
for
me
as
an
actor
cause
I'm
being
tested
and
I'm
being
examined
all
over
again
and
the
enthusiasm
levels
to
do
something
or
attempt
something
becomes
different
all
the
more
potent.