By:
Devansh
Patel,
IndiaFM
Wednesday,
October
24,
2007
There
was
no
red
carpet,
a
few
media
people
and
hardly
any
one
around
in
the
busiest
place
in
Central
London's
Leicester
Square
where
the
screening
of
The
Last
Lear
was
about
to
take
place
as
a
part
of
the
51st
London
Film
Festival.
But
it
took
less
than
a
minute
for
the
area
outside
Odeon
cinema
to
be
mobbed
by
his
fans
screaming
for
his
one
look.
The
dull
and
dreary
afternoon
suddenly
turned
out
to
be
an
exciting
one
as
the
one
and
only,
Bollywood's
biggest
super-star
Amitabh
Bachchan
graced
the
occasion.
Wearing
his
suede
black
over
coat
with
a
pink
shirt
and
a
tie,
he
came...
(in
Odeon
cinema)...he
saw
(the
film)...
and
he
conquered
(the
hearts
of
his
innumerable
fans).
I
spoke
to
the
living
legend
for
a
brief
five
minutes
before
the
curtains
lifted.
What
fresh
new
outlook
has
The
Last
Lear
brought
in
your
film
career
as
of
now? The
fact
that
it
gave
me
an
opportunity
to
work
in
English,
an
opportunity
to
recite
Shakespeare
on
screen,
something
that
we
all
have
grown
up
with
during
our
education
process,
the
fact
that
this
is
more
artistic
cinema
and
not
the
commercial
escapist
cinema
that
I've
been
associated
with
since
last
forty
years
and
the
fact
that
I'm
working
with
an
extremely
talented,
sensitive
and
an
aesthetic
director,
Rituparno
Ghosh.
I'm
very
happy
with
this
association
and
happy
with
this
product
and
I
hope
we
do
many
more
films
together.
Do
you
see
a
bright
future
for
yourself
by
doing
English
films? I
don't
see
or
predict
my
future.
You,
the
media
and
my
audiences
are
the
ones
who
make
and
break
our
future.
An
actor's
work
is
to
simply
work
and
your
work
is
to
simply
appreciate
or
criticize
our
work.
If
you
think
that
my
work
is
good
and
is
worth
an
applause
then
you
will
yourself
make
my
future
bright.
But
how
satisfied
are
you
today
by
attending
the
screening
of
your
first
English
Film? An
actor
should
never
be
satisfied.
The
day
I
am
satisfied,
I
will
stop
working.
I
think
every
actor
should
strive
to
work
to
achieve
perfection
rather
than
achieve
satisfaction.
How
different
was
it
to
recite
your
lines
in
English
compared
to
your
usual
Hindi
dialogues? I
think
the
medium
is
the
same.
Cinema
is
a
universal
language.
But
yes,
it's
a
new
experience
for
all
of
us.
It
has
been
challenging,
different
but
exciting.
We
are
seeing
you
a
lot
more
in
the
UK
now-a-days.
Any
plans
of
settling
down
here? No
not
at
all.
It's
just
that
work
brings
me
here.
I
was
here
a
few
months
ago
for
the
IIFA's
and
now
for
the
screening
of
my
film
The
Last
Lear
at
the
London
Film
Festival.
Hopefully
there
will
be
many
more
occasions.
We
hear
that
in
one
of
the
scenes
from
the
film
where
you
are
shown
drunk,
you
talk
like
a
Shakespearean
actor.
Are
you
so
inspired
by
Shakespeare? I
had
to;
I
had
to
get
inspired
from
William
Shakespeare.
My
role
demanded
it.
But
this
is
the
aspect
of
us
Indians.
When
an
Indian
talks
to
a
Britisher,
his
accent
changes
like
that
of
a
Britisher,
when
he
talks
to
an
American,
he
brings
in
the
American
twang
and
when
he
is
with
an
Italian,
he
tries
to
speak
in
Italian
accent.
That's
the
quality
an
Indian
possesses.
But
when
he
is
drunk,
he
is
back
to
his
Bengali,
Gujarati
or
Punjabi.
That's
what
I
brought
in
The
Last
Lear.
Did
you
get
inspired
from
any
veteran
stage
actor
in
Indian
cinema
to
portray
your
role
of
Harry
in
The
Last
Lear? No,
this
is
purely
my
own
instinct.
I
thought
that
maybe
because
Harry,
that's
me,
has
worked
on
the
stage
and
Shakespeare,
he
would
always
want
to
be
slightly
over
the
top
when
he
spoke
to
anyone.
Thus,
he
behaves
like
a
stage
artist
who
speaks
Shakespearean
language.
With
so
many
films
you're
doing,
isn't
it
right
in
saying
that
the
angry
young
man
is
getting
younger
day
by
day? No
I'm
not.
In
fact
the
angry
young
man
is
getting
older.
I've
just
moved
into
sixty
six.
(laughs)