While
Vishal
continues
to
have
fun
with
innovation
being
the
key
mantra,
Sunidhi
Chauhan
follows
the
path
of
melody
set
for
her.
Be
rest
assured
that
when
the
song
will
appear
on
the
screen,
it
is
bound
to
be
a
rage.
The
same
cannot
be
said
though
for
'Zara
Bachke'
which
is
coming
together
of
hip-hop,
rap,
reggae
and
bhangra-pop!
In
short,
a
mix
of
just
about
everything
that
makes
for
an
item
number.
While
lyrically
there
isn't
much
that
registers
an
impact
(at
least
in
the
first
couple
of
hearings),
even
the
rendition
(mainly
in
Punjabi)
is
just
about
ok
with
the
much
required
punch
missing
in
the
proceedings.
One
doubts
if
the
song
would
have
a
full
fledged
appearance
in
the
film
since
the
song
doesn't
have
much
scope
outside
the
music
video
circuits.
There
is
an
extended
musical
piece
that
comes
at
the
beginning
of
'Reham
Kare'
before
Sunidhi
Chauhan
comes
into
the
scene.
The
dark-n-sensuous-haunting
mood
comes
close
to
the
style
that
was
adopted
in
'Aaj
Ki
Raat'
[Don]
but
the
similarity
just
ends
here.
Overall
'Reham
Kare'
written
by
Panchhi
Jalonvi
has
the
80s
style
disco
arrangements
filling
in
the
space
between
the
'antaras'
even
as
music
continues
to
change
its
flavor
with
regularity
throughout
it's
5
minutes
duration.
Meanwhile
Vishal
does
his
trademark
take
as
a
back
ground
voice
by
mainly
singing
along
in
English.
Unlike
the
title
song
and
'Naa
Puchho',
'Reham
Kare'
is
not
an
instant
winner
in
the
very
first
listening
and
also
doesn't
have
long
enough
legs
to
reach
to
the
top.
Nevertheless,
glitzy
choreography
would
ensure
that
the
tune
does
get
it's
due
with
the
combination
of
style
and
rhythm
ensuring
decent
eyeballs.
On
the
other
hand
'Naughty
Naughty'
is
a
song
that
makes
you
wonder
why
is
it
not
on
the
tube
yet?
Yet
another
track
that
takes
it's
inputs
from
the
R.D.
Burman
school
of
music,
'Naughty
Naughty'
is
indeed
naughty,
especially
due
to
the
way
Anushka
Manchanda
goes
about
singing
it.
After
'Golmaal
Golmaal',
Vishal-Shekhar
and
Anushka
come
together
yet
again
and
the
magic
is
visible.
With
mix
of
Hindi
and
English
lyrics
creating
an
ideal
mood
for
some
naach-gaana-thumka,
'Naughty
Naughty'
is
perhaps
one
of
the
rare
dance
numbers
that
are
western
in
arrangements
and
yet
so
rooted
and
earthy
in
appeal.
The
backup
male
voice
along
with
chorus
only
add
on
to
make
'Naughty
Naughty'
a
number
that
would
be
played
long
after
the
movie
is
off
the
theaters.
A
winner!
Taking
over
from
where
'Deedar
De'
[Dus]
left,
'Mindblowing
Maahiya'
can
easily
qualify
as
yet
another
dance
hit
for
Shamita
Shetty
after
'Baras
Jaa'
[Fareb].
Sunidhi
Chauhan
is
good
as
always
and
gets
just
the
right
punch
in
place
whenever
the
key
words
'Mindblowing
Mahiya'
are
heard.
The
song
may
not
boast
of
fast
pace
or
elaborate
musical
arrangements
but
it
is
an
overall
packaging,
rythm
and
the
tune's
base
in
Indian
melody
that
makes
'Mindblowing
Mahiya'
a
song
that
is
bound
to
set
your
feet
tapping.
The
item
song
is
out
on
the
telly
and
if
the
initial
response
is
anything
to
go
by,
the
number
is
expected
to
scale
the
charts
in
just
a
few
days
to
come.
The
idea
behind
creating
Cash
is
simple
i.e.
to
create
5-6
tunes
that
keep
the
adrenalin
flow
intact
as
one
takes
a
break
from
action
sequences.
The
score
was
required
to
match
the
high
tech
action
and
some
unbelievable
stunts
and
from
that
perspective
the
synopsis
was
good
enough
for
Vishal
and
Shekhar
to
create
tunes
that
would
ensure
that
coupled
with
good
visuals,
the
soundtrack
keeps
you
hooked
on
to
the
screens.
You
have
seen
the
title
song
and
'Mindblowing
Maahiya'
to
be
aware
about
Cash.
Now
watch
out
for
'Naughty
Naughty'
and
'Naa
Puchho'
and
you
would
surely
have
your
hands
full.
Page:
Previous
page
»
1
2
Also
read...
Bollywood
hot...hotter...hottest
Beginning
of
the
end
for
Ash!
Jaya's
first
date
with
Amitabh
Shreya
behind
the
Boss'
success
Akshay
with
Salma
Hayek