Subhash K Jha speaks on Cheeni Kum
By:
Subhash
K.
Jha,
IndiaFM
Monday,
May
28,
2007
The
incandescent
Tabu
makes
her
'bitter'-half
in
this
sweet-and-slender
confection,
run
across
the
London
fields...
"Just
to
see
if
you've
the
energy
to
do
anything
after
we
get
married," she
tells
him
her
tongue
firmly
in
cheek.
Check this out.
Cheeni
Kum
is
probably
the
sauciest,
sassiest,
slickest,
smoothest
and
most
scrumptious
romantic
comedy
you'll
see
in
the
Hindi
language
in
a
long
time.
She's
in
London
for
a
holiday.
He
is
a
cantankerous
sarcastic
chef
who
can't
take
a
snub
even
when
it's
served
up
on
a
platter.
Menu
rab
da
vaasta!
Lolita, go eat your art out. Cheeni Kum makes you forget there's a difference of 30 years between the girl and, ahem ahem, the boy. That's the magic of pure acting. The magic of two of the finest actors at work as they create an ebullient alchemy.
On the menu in this mellow ode to love's luminous largesse are an 85 -year old mom (Zohra Sehgal) living life king-sized, a 7-year old terminally-ill girl (Swini Khara, the most prized discovery of the year) who watches claims the chef as her very intimate friend and watches all the adult DVDs he gets her, since she won't get a chance to do so later. Then there's heroine's Gandhian father who can't stop reminding his damaad-to-be of his autumnal age. And last but certainly not the least in this feisty feast, there's the churlish chef's kitchen staff comprising some of the most sparkling cameo-actors you've seen.
Unarguably one of the finest directorial talents in this millennium, Balki just sweeps that age thing under the carpet. Yes, the dialogues make pointed barbed references to what it's like for two such generation-challenged people to come together and laugh at each other's foibles.
It's hard to decide in which capacity Balki scores higher marks, as director or dialogue writer. Caustic and crisp, mordant and modern, pithy and passionate, the words weave a minty magic across this intelligent yet spontaneous comedy of romantic errors.
Shakespeare meets Gulzar in this evocative and funny love story. The flavour of the exchanges between the wry surly chef in London and the serene Indian girl from Delhi who makes the cardinal mistake of criticizing the arrogant chef's Hyderabadi biryani, is so distinctly pungent and peppery you wonder which came first in the writer-director's range of vision: the mix-matched couple or the words that they exchange to bring each other closer to that feeling which we sometimes call love, sometimes don't even recognize it for what it is.
Just like the dishes from the kitchen of the Indian restaurant where some of the satire unfurls, the brilliant banter between Bachchan and Tabu is light on top, cooked just right and served at ummmmmmmmmm temperature.
In the first -half cinematographer P.C Sreeram captures an unexplored side of London. As the relationship between the couple grows, you sense undercurrents of feisty defiant and mischievous feelings trickling out of the verbal banter that you until now thought existed only in the range of the unspoken.
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