Danny on the failure of Hat Trick
To
what
extent
are
you
disheartened
with
the
failure
of
Hat
Trick?
I
do
not
let
the
success
or
for
that
matter
failure
of
any
film
in
which
I
act
affect
me
in
any
way.
I
am
cool
whether
it
clicks
or
not!
Films
are
not
the
be
all
and
end
all
of
my
life.
Though
I
was
hopeful
about
Hat
Trick
at
the
box
office,
I
was
disappointed.
Why
did
you
accept
the
role
in
the
first
place?
The
role
that
I
played
in
Milan
Luthria's
Hat
Trick
was
quite
different
from
whatever
role
I
had
done
earlier
in
my
career
spanning
around
35
years.
It
was
the
fictitious
character
of
an
ex
cricketer
David
Ibrahim,
better
known
as
Chinaman,
a
left
hand
spinner
of
balls.
How
I
landed
with
this
character
makes
interesting
reading.
Two
years
ago,
I
had
decided
that
I
would
not
accept
a
film,
which
is
not
better
than
what
I
had
done
earlier.
I
was
actually
negotiating
with
UTV
for
Vivek
Agnihotri's
Goal,
when
all
of
a
sudden
unfortunately,
Naseer's
son
Imam
met
with
an
accident
and
Naseer
could
not
do
the
role
in
Hat
Trick
and
I
was
asked
to
fill
in
his
place
in
Hat
Trick.
What
attracted
you
about
your
role
in
Hat
Trick?
The
role
I
played
in
Hat
Trick
did
not
have
five
pages
of
flowery
dialogues
and
was
not
melodramatic.
In
fact,
the
character
did
not
have
any
external
support
at
all.
It
did
not
need
me
to
sport
a
get-
up.
It
did
not
need
me
to
have
chamchas
in
the
background,
with
bows
and
ties.
I
had
to
play
a
patient
suffering
from
dialysis
and
waiting
for
a
donor
for
his
kidney
transplant.
I
had
to
just
flow
with
the
character,
which
was
very
positive.
How
was
the
experience
of
working
with
Nana
Patekar
as
a
co-star?
I
have
worked
with
Nana
in
two
films
earlier.
One
of
them
was
Krantiveer
and
the
other
one
was
Kohraa
with
Nana
and
Amitabh
Bachchan.
We
know
each
other
pretty
well.
In
fact,
Nana
is
one
of
my
favorite
actors.
He
makes
it
a
point
to
do
issue-based
films.
What
I
like
about
him
is
that
he
does
not
do
too
many
films
for
the
sake
of
money.
I
remember
having
watched
Wajood
and
told
him
that
it
was
one
of
his
best
performances,
though
the
film
had
flopped.
What
difference
do
you
find
as
far
as
films
then
and
now
are
concerned?
I
came
in
an
era
when
action
was
reigning.
I
had
acted
in
many
stupid
films.
I
used
to
fight
with
producers
and
directors
over
the
script.
I
am
glad
the
new
generation
is
looking
at
scripts.
Whether
the
films
succeed
or
not
is
different.
Abroad
the
biggest
hits
have
been
Spiderman,
Batman
and
Super
Man.
Here
too
while
Do
Bheega
Zameen,
Ankur,
Jaagte
Raho
and
Aakrosh
did
zero
business,
films
with
grandeur
like
Mughal-E-Azam
and
Mother
India
were
big
hits.
Mehboob
Khan
and
Bimal
Roy
made
great
films
with
the
kind
of
budget,
which
Manmohan
Desai
used
to
spend
on
publicity
alone
for
his
films.
Films
like
Lagaan,
Rang
De
Basanti
and
Munnabhai
MBBS
ran,
though
generally
it
is
only
stupid
films
that
do
good
business
at
the
box
office.
Why
do
you
choose
your
films
with
caution?
You
just
are
fed
up
after
acting
for
35
years.
I
do
not
agree
to
do
a
film
if
it
does
not
give
me
satisfaction.
My
friends
feel
that
iska
dimaag
kharab
ho
gaya.
I
would
rather
go
to
the
mountain
and
sit
in
a
cave
than
saddle
myself
with
stupid
films
I
keep
myself
busy
by
carving
wood.
It
is
my
favorite
baby.
I
keep
it
with
myself
or
present
it
to
my
friends.
I
play
golf
or
go
for
a
swim.
When
I
was
young,
I
used
to
play
football
and
not
cricket,
though
in
Hat
Trick,
I
played
an
ex
cricketer.
Is
it
true
that
you
sell
alcohol
to
earn
your
livelihood?
Today
I
do
not
have
to
act
to
earn
my
livelihood.
I
can
afford
to
be
choosy.
I
have
two
breweries
in
Sikkim.
I
am
planning
to
start
one
in
Assam
too.
Even
this
has
become
monotonous
because
you
do
not
really
get
satisfaction
at
the
end
of
the
day.
It
is
just
an
illusion
that
name,
fame
and
money
fetch
you
happiness.
Those
pleasures
are
gone
when
I
used
to
enjoy
more
at
one
time
when
I
was
just
dreaming
of
making
money
so
that
I
could
eat
at
Khyber
or
buy
a
bottle
of
scotch
whiskey.