Moreover,
when
Rohan
started,
there
was
no
end.
"We
need
film
makers
like
Sriram
Raghavan.
There
are
few
as
talented,
innovative
and
out
of
the
box
thinkers
like
him.
Are
you
aware
that
he
was
carrying
this
idea
with
him
for
last
3-4
years?
It
is
so
heartening
to
see
someone's
strong
conviction
and
belief
in
a
plot
finally
resulting
in
a
path
breaking
film
like
this.
It
was
his
relentless
drive
to
get
the
project
going
in
spite
of
all
the
hardships
in
his
way
which
has
made
Johnny
Gaddaar
the
movie
it
is
today",
informed
Rohan.
"The
film
makes
for
a
case
study
of
how
style
meets
substance!
In
addition,
if
you
notice
carefully,
Sriram
has
such
an
economical
style
of
shot
taking.
In
most
of
the
shots,
you
would
see
so
much
happening
in
a
single
frame,
consciously
or
subconsciously," stated
Rohan
about
the
finer
art
of
filmmaking.
Well,
I
had
to
agree
here
as
well,
especially
after
watching
the
film
second
time
on
4
days.
Truly,
there
are
many
layers
and
sub
layers
to
the
frames,
which
deserve
a
closer
view
of
the
film.
By
the
way,
did
you
notice
that
how
in
a
remote
corner
of
one
of
the
frames;
a
club
employee
opens
and
silently
closes
the
door
when
realizing
that
the
scuffle
happening
behind
in
the
confines
of
the
office
was
only
between
partners,
Zakir
Hussain
and
Vinay
Pathak
with
Neil
Mukesh
busy
attempting
a
truce?
Rohan
continued
to
talk
passionately
about
the
film,
"It
is
good
to
see
audience
unanimous
about
the
film
and
especially
Neil.
He
has
done
quite
well
for
himself
in
his
first
film
and
there
are
two
things,
which
have
worked
positively
for
him.
a)
He
didn't
have
to
shoulder
responsibility
since
there
were
so
many
other
important
characters
in
the
film.
b)
This
very
factor
made
him
work
doubly
hard
since
he
had
to
give
his
best
shot
with
so
many
fantastic
actors
around!"
Next
stopover
was
filmmaker
Onir
who
is
always
a
pleasure
to
talk
to
when
it
comes
to
discussing
a
point
or
two
about
any
and
every
film.
What
did
he
think
about
Johnny
Gaddaar?
"I
am
sad,"
he
commented.
Shocked
with
the
response,
I
asked
him
why?
"So
many
appalling
films
get
a
100%
opening
these
days
and
when
a
genuinely
terrific
film
like
Johnny
Gaddaar
comes,
all
its
hopes
of
survival
depend
upon
word
of
mouth,"
he
explained
his
point
of
view.
"Thank
goodness
that
no
one
has
anything
bad
to
say
about
the
film.
Moreover,
no
one
actually
cares
for
a
review
or
two
gone
being
not
too
positive.
I
am
happy
to
see
word
of
mouth
being
so
positive
for
the
film
that
it
gives
a
good
breather
for
Johhny
Gaddaar
to
aim
for
a
healthy
innings
ahead",
said
Onir
about
the
film's
box
office
prospects.
How
about
the
film,
in
general?
"Oh,
I
have
been
a
fan
of
Sriram's
work
ever
since
I
know
him
before
he
made
his
debut
with
Ek
Haseena
Thi,"
he
commented.
"The
guy
understands
cinema
so
well
and
is
a
true
student
of
whatever
good
is
made,
whether
'desi' or
'videsi'.
All
this
while
we
have
been
craving
to
see
something
different
and
genuinely
'hatke',
now
Johnny
Gaddaar
is
what
I
call
truly
'hatke'.
The
film
would
certainly
be
talked
about
years
down
the
line."
When
Onir
gets
sentimental,
he
'does'
get
sentimental.
He
was
particularly
offended
by
some
stray
reviews
calling
Johnny
Gaddaar
a
little
slow
in
portions.
"Sorry,
I
do
not
agree,"
he
revolted,
"You
don't
expect
a
zing-bang-bring-on-the-cameraman
kind
of
cinema
in
every
frame
being
shot
in
a
thriller.
There
needs
to
be
just
the
right
pacing
for
a
plot
to
take
shape
and
that
could
happen
at
any
point
in
the
film,
whether
in
the
beginning,
middle
or
the
end.
I
see
Johnny
Gaddaaras
a
flawless
piece
of
work
with
just
the
right
pace
and
duration."
Yes,
I
do
agree.
Moreover,
I
am
sure
most
of
the
viewers
and
readers
too!