Hum Dono is going to look much better than Naya Daur : Jagan Mohan
Features
oi-Staff
By Super Admin
It's
not
just
B.R
Chopra's
Naya
Daur
that
will
be
re-released
in
the
coloured
version.
Dev
Anand
has
also
started
work
on
colouring
his
last
black
and
white
film
Hum
Dono
that
released
in
1961.
Say
the
evergreen
actor,
Hum
Dono
is
a
timeless
classic.
It
is
a
recognized
film
and
everybody
knows
about
it.
It
is
being
coloured
to
recreate
the
magic.
Hum
Dono
which
was
one
of
Dev
Anand's
most
successful
films
was
also
nominated
in
the
Berlin
Film
Festival.
It
is
the
only
film
where
Dev
Anand
plays
a
double
role.
Under
his
Navketan
banner,
Dev
Anand
along
with
Goldstone
Media
Ltd.
has
already
started
working
on
the
colourization
process.
Goldstone
Media
Ltd.
is
a
Hyderabad
based
company
into
the
colorization
business
for
the
past
5-6
years.
The
technicians
behind
this
refurbished
film
claim
that
the
coloured
version
of
Hum
Dono
will
be
much
superior
to
Mughal-e-Azam
that
was
coloured
in
2004
and
Naya
Daur
which
will
be
released
soon.
They
are
using
enhanced
technologies,
reportedly
the
best
in
world
today,
to
get
optimum
output.
While
the
earlier
films
that
were
coloured
only
had
around
16
to
32
colours
in
a
frame,
the
technology
used
in
Hum
Dono
will
enable
them
to
virtually
align
65000
shades
of
colours
in
one
single
frame.
So
confident
are
the
makers
that
they
will
soon
be
giving
out
a
demo
to
the
media
of
a
small
portion
of
the
film
that
they
have
already
coloured
by
now.
Dev
Anand
is
equally
positive
and
says,
'Goldstone
technicians
know
what
they
are
doing.
So
they
will
handle
any
problem
whatsoever'.
Jagan
Mohan,
the
CEO
of
Goldstone
Media
Ltd.
speaks
about
why
the
chose
to
colour
this
particular
film,
what
are
the
challenges
they
are
facing
and
how
will
they
enhance
the
cinematic
experience
of
Hum
Dono
for
the
current
generation
audience.
How
did
the
idea
of
colouring
Hum
Dono
originate?
Technically,
the
technology
we
are
using
is
unique
and
the
best
presently
available.
Till
date
whatever
technology
was
used
worldover,
only
8-bit
files
were
used
which
are
limited
to
only
16
colours
per
frame.
When
one
scans
a
black
and
white
movie
into
an
8-bit
file,
there
are
only
16
scales
of
grey
shade
in
an
image.
So
one
is
restricted
to
use
only
16
colours;
maximum
32
colours
with
extraordinary
arrangements.
For
the
first
time
in
the
world
we
are
scanning
image
as
a
16-bit
data
that
is
approximately
equal
to
48-bit
grey
shade
file
which
consists
of
approximately
65,000
greyshades.
So
we
can
virtually
align
65,000
shades
of
colours
in
one
single
frame.
Thus
after
you
see
the
movie,
you
won't
believe
that
the
film
was
black
and
white
initially.
You'll
feel
it
was
originally
made
in
colour.
In
short,
in
comparison
with
the
coloured
Mughal-e-Azam
and
the
upcoming
B
R
Chopra's
Naya
Daur,
Hum
Dono
will
look
way
better
since
the
software
used
is
4
generations
ahead
of
the
one
used
for
both
the
movies.
Why
did
you
choose
Hum
Dono
over
any
other
movie?
Firstly,
Hum
Dono
is
Dev
(Anand)
Saab's
last
black
and
white
film.
And
this
is
the
only
film
in
which
he
has
done
a
dual
role.
The
film
has
all
the
required
drama
and
more
importantly
Dev
Saab
is
with
two
beautiful
heroines
-
Nanda
and
Sadhana,
so
we
can
promote
it
like
a
brand
new
film.
When
we
were
looking
for
a
film,
we
thought
this
was
the
ideal
movie
to
introduce
the
new
technology
with.
Did
Dev
Anand
have
any
hand
in
influencing
you
to
take
up
this
film
or
is
it
entirely
your
choice?
The
decision
was
solely
at
our
discretion.
We
had
many
opportunities
as
we
spoke
to
many
people.
But
we
decided
to
finally
announce
this
project
with
a
demo.
We
also
have
lined
up
other
movies
but
as
of
now
we
want
to
concentrate
on
Hum
Dono.
Did
the
coloured
version
of
Mugal-E-Azam
(that
released
in
2004)
inspire
you
to
colour
Hum
Dono?
Not
really.
We
have
been
providing
service
to
the
U.S.
companies.
Moreover,
this
technology
is
new
and
the
best
around
and
whatever
is
best
is
more
costly.
So
we
never
focused
on
Indian
films
because
here
budget
is
always
a
major
issue
of
concern.
Finally,
we
decided
to
enter
the
scene
as
Navketan
was
insisting
us
to
work
on
an
Indian
film.