Monday,
September
17,
2007
Javed
Jaaffry
is
as
popular
on
the
silver
screen
as
is
he
on
the
small
one.
He
has
become
synonymous
with
the
word
'egjacktly',
after
Salaam
Namaste,
a
word
that
only
he
could
carry
off.
Now
the
versatile
actor
is
all
ready
to
play
Dhamaal
with
his
co-stars
Sanjay
Dutt,
Arshad
Warshi,
Reitesh
Deshmukh
and
Ashish
Chowdhary.
Wonder
what
he
makes
famous
this
time.
How
much
dhamal
have
you
five
played
in
the
film
Dhamaal?
(Laughs)
We
played
a
lot
of
mischief,
but
the
most
important
thing
is
that
there
is
no
hero
in
the
film.
Everyone
is
a
comedian
and
a
fool.
Sanjay
is
the
police
inspector,
Reitesh
thinks
of
himself
as
a
detective,
Arshad
thinks
he
can
make
money
by
doing
anything,
and
Ashish
thinks
he
is
so
handsome
and
smart
that
girls
will
fall
for
his
charms.
Asrani
is
playing
his
father
who
loves
his
car
more
than
Ashish,
and
slaps
him
at
the
slightest
provocation.
It's
all
about
who
makes
a
fool
of
the
other.
There
is
no
girl
and
no
item
number
in
the
film.
It
is
so
packed
with
comedy
that
we
never
felt
the
need
to
include
these
aspects,
and
the
audience
will
not
miss
them
either.
This
is
a
successful
experiment
for
Inder
Kumar.
Tell
us
about
your
character
in
the
movie.
I
play
Manav,
a
man
with
a
stammering
problem,
who
thinks
he
is
eight
years
old.
Arshad
plays
my
brother,
Adi,
whom
Manav
adores.
Together,
we
are
Adi-Manav.
Manav
cannot
understand
his
brother's
plans,
and
always
messes
them
up.
How
did
you
prepare
for
this
character?
After
O
Darling
Yeh
Hai
India,
I
have
always
tried
to
understand
the
character
before
I
commit
to
it.
I
have
done
Fire
and
Jajantaram
Mamantaram,
both
different
from
each
other.
I
always
try
to
do
something
new
and
for
that
I
observe
people.
Whenever
I
see
someone
I
try
to
imitate
his
gestures
and
postures,
to
the
best
of
my
ability.
I
store
them
in
my
mind.
I
watch
films
and
documentaries
to
get
ideas,
for
variety.
For
me
an
actor
is
a
person
who
plays
what
he's
not.
In
our
industry
we
categorise
actors
as
hero
and
character
artists.
But
we
forget
that
we
are
all
characters.
Have
you
ever
tried
for
further
improvisation
of
your
character
during
shooting?
I
try
to
incorporate
my
inputs
into
that
of
director's
to
make
things
concrete.
I
can
tell
the
director
what
I
think
of
the
character.
I
don't
like
limits
but
the
director's
decision
is
the
ultimate
decision
.
Was
there
any
memorable
moment
during
the
shooting?
No,
there
was
nothing
unusual.
We
always
had
fun
on
the
set.
Once,
these
guys
put
a
lobster
on
my
belly.
I
started
jumping
around
before
it
could
reach
my
leg,
and
everyone
laughed.
I
told
them
that
they
did
not
have
to
use
lobsters
–
I
can
make
people
laugh
without
one.
My
leg
took
one
and
a
half
months
to
heal,
otherwise
it
was
all
great
fun.
Why
have
you
not
done
any
other
children
film
after
Jajantaram
Mamantaram?
Somebody
has
to
make
me
an
offer.
I
do
not
own
a
factory
like
RGV,
where
I
can
churn
out
my
own
films.
If
I
get
some
offers
I'll
definitely
consider
them.
Children
love
Jajantaram
Mamantaram.
I
do
not
do
children's
films
or
television
programmes
for
the
money.
I
do
them
for
the
love
I
receive
from
all
these
kids.
I
am
still
a
child
at
heart,
and
I
love
imitating
children.
Will
you
appear
on
TV
for
any
programme
other
than
"Boogie
Woogie" and
"Bam
Bama
Bam
Gidh
Pare
Hum"?
I
don't
have
time
for
TV
right
now.
I
do
"Boogie
Woogie'
because
I
have
a
sense
of
loyalty
towards
it.
I
have
decided
that
I
will
do
fiction
in
films,
and
shows
on
television.
I
have
several
offers
but
I
want
to
concentrate
on
films
now.
How
different
is
television
from
the
big
screen?
Very
different.
We
pay
to
watch
a
film,
and
therefore
watch
it
with
more
concentration.
We
can
switch
a
TV
off
or
on
any
time.
However,
I
have
never
underestimated
television
–
this
is
the
medium
that
gave
me
a
chance
to
prove
myself,
when
I
had
no
job
in
the
film
industry.
Despite
your
talent,
we
do
not
see
too
much
of
you
on
the
big
screen.
That
is
because
my
sensibilities
do
not
match
with
that
of
some
of
the
offers
I
get.
I
could
not
get
a
suitable
role
after
O
Darling
Yeh
Hai
India,
and
I
joined
Channel
V.
People
said
I
might
as
well
commit
suicide
since
no
one
offers
you
films
after
you
appear
on
television.
However,
it
was
after
my
stint
in
television
that
I
was
noticed.
You
are
sometimes
referred
to
as
the
Michael
Jackson
of
India.
You
began
a
trend?
What
happened
later?
True,
I
started
it
all.
Prabhu
Deva
appeared
after
8
years
and
Govinda
after
a
year
and
a
half.
Prabuu
is
doing
well
because
he's
in
the
South.
When
they
saw
him
dancing
well,
they
made
films
with
him.
It
made
me
a
little
sad
because
I
never
got
too
many
chances.
Actually
you
have
to
know
how
to
sell
yourself
in
this
industry.
Once
Shahrukh
told
me
that
I
was
born
10
years
before
my
time.
Now
we
have
several
options,
but
we
did
not,
then.
How
did
a
versatile
actor
like
you
promote
yourself
during
that
period?
I
never
tried
to
sell
myself.
I
just
prayed,
and
hoped
that
the
Almighty
would
get
me
a
break.
I
decided
to
work
harder
than
most,
hoping
someone
will
notice
me
and
I
would
be
lucky
enough
to
be
rewarded
for
my
talent
and
perseverance.
I
met
many
directors,
but
I
never
begged
them
for
roles.
Have
you
ever
thought
of
becoming
a
choreographer?
I
have
choreographed,
but
only
for
myself.
After
college
and
inter-college
competitions,
there
was
Meri
Jung.
Choreography
requires
a
lot
of
time
and
dedication.
I
refused
offers
for
films
like
Agneepath
and
Farishtey
because
I
did
not
want
to
be
a
dancer
or
a
performer.
If
a
role
like
the
one
in
100
Days,
or
Dhamaal,
where
I
got
to
dance
as
well,
came
along,
I
would
not
mind.
What
are
your
forthcoming
films?
I
have
a
lead
role
in
a
film
by
Rahul
Mahajan.
There
is
Shourya,
where
I
get
to
work
with
Rahul
Bose,
Kay
Kay
Menon,
Minisha
Lamba
and
Deepak
Dobrial.
Forest
is
an
American
film,
directed
by
Ashwin
Kumar,
whose
The
Little
Terrorist
was
nominated
at
the
Oscars.
My
co-stars
are
in
this
film
are
Nandana
Sen
and
the
child
artiste,
Ankur.
Akshay
Kumar,
Ayesha
Takia,
Vinod
Khanna
and
Sharmila
Tagore
are
my
co-star
in
Nagesh
Kukunoor's
Tasweer.
Sing
Banega
King
is
a
comedy
by
Vipul
Shah
where
I'm
working
with
Akshay,
Suniel,
Dino
and
Katrina.
Loot
is
a
Suniel
Shetty
production
where
I
have
Suniel
himself,
Govinda
and
Ranveer
Shourie
with
me.
In
Joker,
directed
by
Vikram
Tuli,
I'm
playing
a
father
of
a
seven-year-old
son.
It
is
a
Chaplinesque
movie,
with
a
little
emotion.
And
as
the
name
suggests,
Bada
Paw
is
based
in
Mumbai
and
is
somewhat
like
Bheja
Fry
or
Khosla
Ka
Ghoshla.
I
have
the
lead
role
in
that
one.