Johns turning point films
Certain
incidents
in
the
real
life
change
you
completely
as
a
person.
Did
Kabul
Express
in
Afghanistan
and
Water
at
the
Oscars
change
your
perception
of
filming
for
Goal?
No.
Not
at
all!
Water
has
been
a
benchmark
film
for
me
just
like
Jism
and
Dhoom
were.
All
these
films
have
been
a
turning
point
for
me
in
a
lot
more
ways
than
one.
I
have
managed
to
do
a
balance
of
what
you
call
a
commercial
cinema
and
a
different
kind
of
cinema.
If
I
do
a
Babul
and
Salaam-E-Ishq,
I
also
do
Water
and
No
Smoking
And
after
Goal,
I'm
doing
a
Nagesh
Kukunoor
film.
So
the
idea
is
that
I
want
people
to
know
that
if
it's
a
John
Abraham
film,
there
is
bound
to
be
something
different.
Even
if
it's
commercial,
I
want
it
to
be
commercially
different.
As
far
as
Goal
is
concerned,
I
want
the
youth
to
follow
sports
and
I
want
to
be
the
face
of
that
particular
sport
in
my
country,
be
it
football,
athletics
or
anything.
You've
worked
with
Arshad
Warsi
before
in
Kabul
Express.
How
do
you
get
along
with
him?
Arshad
is
more
of
a
friend
than
a
co-star.
We
behave
like
children
when
we
are
with
each
other.
If
we
have
a
squabble,
we
will
pull
each
other's
hair.
If
we
have
a
problem,
we
will
fire
one
another.
He
is
a
proper
prankster
and
entertains
everyone
on
the
sets.
Arshad
and
I
share
a
strange
chemistry
and
I
think
he
is
one
of
my
best
co-stars
and
a
superb
guy.
You
will
be
seen
with
Bipasha
Basu
after
three
years.
Madhoshi
was
your
last
release
together.
Have
you
both
taken
a
deliberate
step
of
not
doing
many
films
together?
No.
We
were
not
offered
anything
great
together.
Bipasha
is
in
great
shape
right
now,
the
best
shape
of
her
life.
That's
primarily
the
reason
why
she
was
offered
the
role
of
a
physiotherapist
in
Goal
and
I
would
want
to
shed
light
on
that
this
is
not
a
romantic
film
but
a
sports
film.
And
even
though
this
is
film
based
on
football,
Bipasha
has
a
very
pivotal
role
to
play.
Goal
is
a
film
centred
on
football.
Don't
you
think
that
it
will
appeal
to
the
audiences
more
in
the
U.K
than
in
India?
That's
exactly
what
the
idea
is.
We
are
making
sure
that
the
film
appeals
to
the
audiences
in
India.
The
idea
is
that
if
John
Abraham
rides
a
bike
and
if
the
youth
can
ride
a
bike,
why
can't
they
play
football
if
John
can
play?
I
want
football
to
be
recognised
in
India
and
our
country
represents
it
globally.
I've
struggled
very
hard
on
this
game
here.
I've
got
shin
splints,
hurt
myself
but
still
tried
to
push
it
to
the
limit
to
make
sure
that
I
get
things
right.
I've
done
a
couple
of
stunts
which
kids
are
going
to
enjoy
when
they
watch
the
film.
I've
made
sure
that
there
was
no
double
used
for
me
and
my
legs.
I've
done
everything
myself.
So,
what
you
will
see
in
this
film
is
only
John
Abraham
and
not
his
double.
I
hope
every
Indian
will
fell
proud
after
watching
Goal.
Describe
your
experience
working
with
Vivek
Agnihotri
and
Boman
Irani.
They
are
both
different
in
their
respective
fields.
Boman
is
my
co-star
and
is
a
darling.
Interestingly,
you
will
be
shocked
to
know
that
Boman
Irani
is
very
distantly
related
to
me
because
my
mother
is
an
Irani
and
so
is
Boman.
He
has
a
positive
energy
and
is
fun
on
the
sets
and
its
great
working
with
him.
Vivek,
my
director,
has
an
amazing
shot
taking
abilities.
He
is
a
little
easy
going,
and
that's
where
we
clash
sometimes
because
he
is
pretty
cool
and
chilled
out
about
things,
whereas
I
am
not.
But
he
doesn't
let
that
get
to
him.
And
finally,
if
the
film
works,
all
credit
should
go
to
Vivek.
The
grapevine
hears
that
the
music
of
Goal
is
to
be
launched
at
the
IIFA
Awards
in
Yorkshire
next
month.
Is
it
true?
I
have
no
idea
about
the
music
launch
at
the
IIFA
Awards
in
Yorkshire,
but
let
me
tell
you
that
the
music
of
Goal
is
brilliant.
It's
superb,
it's
outstanding
and
I
was
taken
by
surprise
when
I
heard
it.
I
said
that
this
cannot
be
Goal.
It
was
more
than
we
asked
for.
It's
the
best
music
in
a
long
time.
What
John
thinks
of
Bollywood
now
reached
international
status....read
on
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