By:
Screen
Weekly,
IndiaFM
Monday,
October
08,
2007
He"s
made
Zeenat
swing,
Helen
sway
and
taught
Kamala
Hasan
and
Govinda
a
step
or
two.
Now
veteran
choreographer
Oscar
is
back
to
work
in
Sudhir
Mishra"s
new
film
On
a
Monday
morning
at
a
dance
class
in
Bandra,
Oscar
Unger
watches
dispassionately
as
nimble
young
feet
beat
out
a
rhythm
on
the
floor.“
I
am
waiting
for
one
of
these
boys
and
girls
to
break
into
Bollywood.
Then
maybe
I
could
introduce
tap
dancing
into
films," says
the
man
who
made
Helen
sway
her
hips
to
the
maddening
delight
of
men
in
Mungda
mungda
(Inkaar,
1977)
and
taught
Govinda
a
thing
or
two
about
dancing.
Oscar
retired
from
choreography
over
15
years
ago
but
his
school,
Oscar
Creations,
remains
the
best
training
ground
for
those
trying
to
make
a
mark
in
western
dance
(Kamala
Hasan,
Vivek
Oberoi,
Antara
Mali
and
Onjolee
Nair
are
some
of
his
students).
But
thanks
to
director
Sudhir
Mishra,
some
of
that
flair
will
be
back
on
the
silver
screen.
“I
last
choreographed
some
songs
in
Mishra"s
Is
Raat
Ki
Subah
Nahin
and
I
enjoyed
working
with
him.
It
was
quite
a
surprise
when
he
called
me
for
his
new
film
Khoya
Khoya
Chand.
For
one
of
the
songs,
he
wanted
to
recreate
the
1960s
style
of
dancing," he
says.
The
song
has
the
lead
actor
playing
a
piano
with
the
actress
dancing
around
it.
“It"s
not
a
difficult
one
to
choreograph.
But
it
involves
dancing
on
the
toes
and
going
backwards
instead
of
forward,"
says
Oscar,
once
part
of
the
famous
Vijay-
Oscar
duo
that
choreographed
over
35,000
songs
in
10,000
films.
Before
his
Bollywood
career
took
off
in
the
early
1960s,
Oscar
was
in
the
navy.
“I
was
an
anti-aircraft
gunner.
But
on
the
sea,
you
sing
and
dance
a
lot
as
that"s
the
only
way
to
chill
out.
Once,
I
accompanied
my
rock"n"roll
partner
for
a
rehearsal
of
Tere
Ghar
Ke
Samne
(1963)
involving
about
50
boys
and
girls.
They
asked
me
to
do
an
impromptu
jig
and
the
film"s
choreographer,
the
veteran
Surya
Kumar,
asked
me
to
join
the
chorus.
I
was
22
and
that
was
the
start
to
my
Bollywood
career."
In
1974,
Oscar
teamed
up
with
his
partner
from
the
navy,Vijay,
to
do
their
first
film,
Mahesh
Bhatt"s
Manzilen
Aur
Bhi
Hain
(1974).
In
between,
he
did
a
course
in
jazz
and
tap
dancing
from
the
prestigious
Al
Gilbert
Dance
School
in
LA
and
learned
Bharatanatyam
for
three
years.
“We
introduced
western
dance
like
the
tango,
salsa,
rock"n"roll,
break
dance,
hip-hop,
ballroom
and
Latin
American
dance
to
films
but
with
the
right
technique
and
flourish,"
he
says.
And
Bollywood
is
the
toughest
test
for
a
choreographer,
Oscar
insists.
“It
is
the
most
difficult
form
of
dance
as
you
have
to
do
different
kinds
of
steps
in
the
same
track.
The
music
director
often
changes
from
tabla
to
piano
without
realising
the
difficulty
for
the
dance
director,"
he
adds.
Item
numbers
too
called
for
a
lot
of
research.
“For
instance,
for
Rambha
ho
(Armaan),
we
shot
footage
of
a
carnival
in
Goa
and
then
recreated
it
in
Mumbai
with
the
same
costumes,
dance
movements
and
mood.
Though
we
shot
it
in
the
stretch
between
the
offices
of
directors
Shakti
Samanta
and
Ramesh
Sippy
in
Mumbai,
everybody
thought
that
it
was
shot
on
location,"
he
says.
Oscar
rues
the
surfeit
of
skin
that
has
come
to
mark
today"s
choreography.
“Today
item
numbers
have
been
reduced
to
isolated
inserts
with
focus
on
the
legs
and
the
bust.
You
can
know
what
a
director
is
thinking
from
the
way
he
places
his
camera."
If
the
Eighties
marked
the
exit
of
Helen
and
her
signature
style
of
cabarets
from
Hindi
film
dances,
they
also
ushered
in
the
disco
era.
You
had
numbers
like
Zeenat
Aman"s
Aap
jaisa
koi
(Qurbani)
and
Govinda"s
I
am
a
street
dancer
(Ilzaam),
both
choreographed
byOscar.“We
were
regulars
in
all
Feroze
Khan
films
(Laila
mein
laila,
Ek
to
kum
zindagani…)
known
for
its
stylish
dance
sequences.
We
also
introduced
break
dance
and
a
mix
of
rock
and
jazz
to
make
some
foot-tapping
disco
numbers
,"
he
says.
By
the
Nineties,
Oscar
had
withdrawn
from
the
industry,
barring
a
few
songs
in
films
like
Is
Raat
Ki
Subah
Nahin
and
Khamoshi:
The
Musical.
“I
retired
from
active
choreography
because
there
were
few
good
dancers
in
Bollywood.
After
Saroj
Khan
goes,
there
will
be
no
choreography
left
in
the
country.
She"s
the
last
of
the
current
crop
who
carries
the
sensibilities
of
the
past."
Some
things
have
changed
for
the
better,
he
admits.
“You
can
consider
a
career
in
dance
and
choreography
today.
During
our
days
we
were
paid
Rs
26
and
four
annas
for
an
eight-hour
shift.
Nowadays
good
dancers
can
earnup
to
Rs
5,000
a
shift."
So,
who
have
been
his
favourite
dancing
stars?
Helen,
Zeenat
Aman,
Sridevi,
Madhuri
Dixit
and
Govinda.
And
his
one
wish—to
make
Hrithik
Roshan
dance.
“There
aren"t
many
good
dancers
in
the
industry
today
except
him."