Nikhil justifies <i>Salaam-e-Ishq</i>
Reports
on
your
film
have
so
far
been
mixed.
From
within
the
industry?
Yes.
But
audiences
have
reacted
very
positively.
I've
now
cut
twelve
minutes.
There
were
portions
that
seemed
repetitive.
I'm
glad
I
had
those
previews.
They
gave
me
a
chance
to
see
people
get
restless
in
the
middle
of
the
second-half.
I
had
removed
the
song
Mera
dil
before
release.
Fortunately
we
released
only
30
percent
prints
on
Thursday.
So
the
main
release
was
on
Friday
with
the
cuts
that
I
had
made.
I
did
want
to
release
on
the
25th.
Whatever
has
happened
happened
for
the
best.
If
I
had
cut
the
film
after
its
all-India
release
people
would've
presumed
I'm
not
secure
about
the
film.
Do
you
feel
long
films
suffer?
I
don't
know...In
my
film
my
audience
is
completely
there,
right
up
to
the
marriage
finale.
They
are
rooting
for
each
couple.
In
the
shaadi
climax
I've
treated
the
line
Yeh
shaadi
nahin
ho
sakti
as
a
joke.
If
you
notice
the
music
used
for
Akshaye
Khanna
and
for
Shanon
are
the
same.
That
sequence
is
a
satire.
The
audiences
are
getting
the
point.
There's
the
fear
that
episodic
films
don't
work
in
India.
But
Salaam-e-Ishq
isn't
episodic.
The
love
stories
are
all
woven
together.
All
the
six
love
stories
happen
together.
Why
the
pointed
references
to
Karan
Johar?
You
tell
me
something.
Which
one
filmmaker
would
an
aspiring
star
want
to
work
with?
Karan
is
synonymous
with
Bollywood.
The
Anil
Kapoor-Juhi
track
is
directly
inspired
by
the
Richard
Gere-Jennifer
Lopez
film
Shall
We
Dance?
Also
American
Beauty,
and
so
many
other
films.
Cinema
must
always
seek
its
inspiration
from
what
has
come.
And
the
Govinda
track
is
inspired
by
Raja
Hindustani
and
Dil
Hai
Ki
Manta
Nahin.
My
writers
Sourabh
Shukla,
Suresh
Nair
and
I
thought
about
our
favourite
love
stories
while
writing
Salaam-e-Ishq.
If
you
look
at
Govinda's
track
it's
designed
as
a
journey.
The
track
Mera
dil
had
so
much
of
Rajasthan
with
Govinda
and
Shanon
in
it.
A
pity
I
deleted
it.
Thanks
to
you
Govinda
is
back
in
the
race.
Thanks!
People
are
questioning
the
quality
of
the
script.
I
think
it's
a
beautiful
screenplay.
That
was
the
reason
why
all
the
stars
wanted
to
be
in
my
film.
Sohail
Khan
believes
his
scenes
have
been
cut.
It
was
always
meant
to
be
five
scenes.
We
shot
six
scenes
and
retained
five
of
them.
After
Maine
Pyar
Kyun
Kiya
I
realized
he's
a
superb
comedian.
I
just
gave
him
the
scenes
and
he
improvised.
He
wasn't
familiar
with
the
Rajasthani
accent.
So
I
got
my
dialogue
writer
Sourabh
Shukla
to
help
him
with
his
lines.
And
Sohail
is
a
closet
director.
So
he
constantly
kept
asking
me
whether
he
should
try
this
or
the
other
thing.
Like
all
efficient
comic
actors
he
loves
to
improvise.
I
feel
vindicated.
Sohail's
story
wasn't
connected
to
the
other
love
story.
So
when
the
film
got
lengthy
everyone
suggested
I
cut
out
Sohail.
I
refused.
I
knew
people
would
start
laughing
the
minute
they
saw
his
face.
But
the
track
closest
to
my
heart
is
Juhi
and
Anil.
Like
Anil
have
you
been
tempted
to
have
an
extra-marital
affair?
Never
in
my
life!
My
wife
thinks
no
one
would
want
to
have
an
affair
with
me
even
if
I
wanted
to.
I
love
Anil's
solo
dance
without
a
moustache...I've
watched
the
film
with
a
paying
audience.
They're
happy
with
what
they
see.
They
say
achcha
hai
par
lambi
hai.