Pritam on his films
With around 15 films in his hand, Pritam Chakraborty is perhaps the busiest director in industry right now. Not to forget one of the most successful ones in the business too. It's a time of nail-biting tension for the talented music director. He's got the names and the banners behind him after the super success of songs like Dhoom Machale and Crazy Kiya Re.
In an exclusive conversation, the super talented music director talks about his upcoming films and his music interests.
The
video
which
you
featured
in
Gangster
was
a
super-hit.
Are
you
planning
to
do
any
more
videos
for
your
forthcoming
films?
Actually
I
was
forced
into
the
video
of
Gangster
by
Anurag
Basu;
I
wasn't
supposed
to
be
a
part
of
the
video.
I
was
just
present
for
the
shoot
and
Anurag
said
that
it
will
look
nice
if
I
was
a
part
of
the
band.
The
band
we
are
creating
for
Metro,
I
might
be
a
part
of
it
and
if
there
is
a
video
shot
for
the
band
then
I
might
be
a
part
of
that
too.
Yea,
Anurag
Basu
did
recently
mention
to
us
that
the
two
of
you
are
planning
to
device
a
band
for
the
film.
But
he
also
added
that
if
it
works
out
it
will
be
a
talking
point
of
the
film.
So
what
is
the
status
on
the
band?
The
band
is
shaping
up
well.
We
are
getting
people
together
for
the
band.
There
are
six
songs
in
the
film
and
all
are
being
sung
and
performed
by
the
band.
That
would
be
featuring
artists
like
KK.
So
what
do
you
prefer
better
-
being
a
music
director
or
working
in
a
band?
Of
course
working
for
a
band.
Because
whenever
you
are
working
for
a
band
it's
more
fun
and
like
a
picnic.
I
used
to
perform
in
a
band
in
Kolkatta
but
now
due
to
work
pressure
I
don't
perform.
You
can
do
your
own
kind
of
music
in
a
band.
But
when
you
are
a
music
director
you
have
more
responsibilities
and
deadlines.
How
is
it
working
with
the
Bhatts
knowing
that
they
are
very
particular
about
their
music?
I
think
Mukeshji
takes
major
care
when
he
is
doing
his
music
because
he
knows
that
music
is
a
very
important
part
of
the
film.
Both
Mukeshji
and
Maheshji
take
keen
interest
in
the
music,
they
are
always
trying
out
new
music
and
voices.
They
never
compromise
or
shy
away
from
trying
new
things.
Mukeshji
constantly
says
that
music
is
one
field
of
filmmaking
that
I
enjoy
the
most.
Dhoom
and
Dhoom
2's
music
had
a
very
international
feel
to
it.
Were
both
the
films
trying
to
cater
to
a
particular
market?
Not
really.
It's
important
that
music
of
a
certain
film
goes
hand
in
hand
with
the
movie.
Dhoom
and
Dhoom
2
are
sleek
action
films
in
their
own
terms.
They
are
very
hip
and
stylized,
thus
automatically
even
the
music
becomes
stylized
and
hip.
It's
not
purposely
done
to
cater
to
some
audience
or
a
class.
If
you
see
Dhoom
Machale
was
a
hit
everywhere
from
interiors
of
India
to
all
over
the
world.
But
then
Dhoom
2
did
not
meet
the
same
success
as
Dhoom.
That's
a
wrong
notion.
Dhoom
2
picked
up
a
little
late
in
terms
of
sales.
Crazy
Kiya
Re
was
very
popular.
Dhoom
2
had
an
expectation
related
problem.
The
sky
high
expectations
led
to
the
initial
notion
that
the
film
is
not
doing
too
well.
Off
late
it's
been
said
that
you
compose
tunes
at
Manas
Resort
in
Igatpuri.
What's
so
special
about
the
place?
Off
late
I
have
caught
up
with
the
typical
filmy
trend
of
going
out
and
composing
which
I
have
never
done
before.
I
always
used
to
compose
in
my
house
or
my
studio.
But
now
for
Abbas
Mastan's
film,
Amit
Durrani
sent
me
to
Khandala.
We
stayed
at
Dukes
Resort
and
that's
where
all
the
songs
for
Race
were
locked.
I
quite
enjoyed
the
trend;
I
was
having
a
holiday
and
also
working
at
the
same
time.
Then
for
the
next
film
which
is
Priyadarshan's
Bhool
Bhuliya
being
produced
by
T-Series
we
went
to
Manas
Resort
in
Igatpuri.
Sameer
the
lyricist
for
the
film
came
along
and
we
composed
the
basic
germ
of
the
song
and
later
orchestrated
it
in
Mumbai.
Talking
about
Priyadarshan,
you
have
done
Garam
Masala
with
him
earlier
and
now
you
are
again
doing
Dhol
and
Bhool
Bhuliya
with
him,
how
is
your
rapport
with
him?
Very
good.
Bhul
Bhooliya
is
my
fourth
film
with
him.
He
has
a
very
unique
style
of
working.
He
decides
on
the
music
very
fast.
He
has
a
very
different
music
sense.
It's
actually
a
blessing
to
work
with
him
because
you
get
to
learn
a
lot
with
him.
Your
pairing
with
Remo
worked
wonders
in
Bhagam
Bhag
(Pyaar
Ka
Signal).
We
heard
you
two
are
coming
together
again.
Yes,
that
is
for
a
film
called
My
Name
Is
Anthony
Gonsalves.
See,
last
year
was
a
very
interesting
year
for
me
because
a
lot
of
new
voices
like
James
and
Zubin
which
weren't
familiar
in
Hindi
films
were
in
a
way
launched
through
me.
Also
singers
who
were
forgotten
like
Remo,
Amit
Kumar,
Usha
Utthup
came
back
through
me.
I
am
very
fond
of
Remo's
voice
too.
In
My
Name
Is
Anthony
Gonsalves
we
have
a
very
Goan
song
so
Remo
was
the
obvious
choice.
'My
Name
is
Anthony
Gonsalves'
sounds
an
interesting
film
title.
Well
you
can
remix
or
recreate
the
song
of
same
name
from
the
yesteryear
Amitabh
Bachchan
starrer
Amar
Akbar
Anthonyfor
the
title
track
of
this
film.
(Laughs)
That's
a
nice
idea
but
we
haven't
come
up
with
anything
as
yet.
In
the
songs
we
have
come
up
with
till
now
there
is
no
title
song.
Maybe
we
might
try
something
for
the
later
half.
You
have
been
often
accused
of
plagiarism,
what
do
you
have
to
say
about
it?
I
have
spoken
a
lot
about
it
and
there
is
nothing
more
to
say
about
it.
You
experiment
a
lot
with
your
music,
any
rare
musical
instrument
that
you
have
used
a
lot
in
your
compositions?
One
instrument
which
we
have
used
for
Dhoom
Machale
sounds
like
a
saxophone
which
actually
is
not
a
saxophone
but
a
Turkish
instrument
called
duduk.
That
is
the
most
ancient
instrument
that
I
have
used
till
now.
Would
you
like
to
compose
for
a
period
film?
Yes
I
want
to
compose
for
romantic
and
period
films
because
that
part
of
my
talent
hasn't
been
exploited
till
now.
I
have
composed
for
a
lot
of
item
songs
but
when
you
compose
for
period
films
you
get
an
opportunity
to
compose
for
Indian
numbers
which
I
want
to
do
Kareena
Kapoor
did
her
first
item
number
in
'Don'.
Now
it
is
rumoured
that
you
are
composing
her
next
item
number
in
'Kya
Love
Story
Hai'.
What
is
it
about?
And
is
there
anything
special
that
you
have
thought
of?
Yes
it's
very
special.
We
had
finished
all
the
songs
for
Kya
Love
Story
Hai
and
we
were
actually
waiting
for
this
number
to
happen.
I
was
working
very
hard
on
this
song.
And
finally
now
we
have
cracked
a
very
good
song
for
Kareena
and
she
likes
it
a
lot.
And
I
hope
after
her
performance
on
this
song
it
will
go
somewhere
else
all
together.
Any
music
directors
from
the
past
generation
whose
work
you
like?
It's
very
difficult
to
say
one
particular
music
director
from
the
past
because
everyone
have
their
own
set
of
good
songs
that
they
have
done.
But
I
have
actually
grown
up
listening
to
RD
Burman.
I
have
also
been
a
part
of
RD
Burman
fan
club
so
he
comes
very
naturally
to
me.
Amongst
the
current
lot
of
music
directors,
who
do
you
think
is
doing
good
work?
In
the
current
lot,
I
guess
AR
Rahman.
He
has
become
a
legend.
Apart
from
him
there
is
Shankar-Ehsaan-Loy.
Vishal
Bharadwaj's
Omkara
is
unbeatable
and
is
one
of
the
best
scores
I
have
heard
in
recent
times.
Then
there
is
Salim-Sulaiman,
Vishal
Shekhar.
I
have
been
very
fond
of
Mithoon's
music
in
Anwar.
Also
Himesh
who
has
created
his
own
style
and
his
kind
of
music.
Give
us
a
listing
of
favourite
5
tracks
composed
by
you.
My
five
favourite
tracks
will
be
-
Jaage
Jaage
Arma
Hai
from
Mere
Yaar
Ke
Shaadi
Hai,
-
Tumse
Yun
Milenge
from
Ankahee,
-
Bola
Na
Tum
Zara
from
Fight
Club,
-
Gud
Gudi
Kar
Gayi
from
Just
Married
and
-Sharara
Sharara
from
Mere
Yaar
Ke
Shaadi
Hai.
It's
very
special
to
me
because
Ashaji
has
sung
it
Tell
us
two
things
about
yourself
that
we
don't
know.
I
am
very
confused
and
forgetful.
I
can
tell
you
stories
where
I
have
forgotten
my
car
in
the
studio
and
come
back
home
in
an
autorikshaw
and
lodged
a
complaint
in
the
police
station
the
next
day
about
my
missing
car.
In regards to my music I am more of a rock person and whatever I do for Bollywood is according to the script otherwise I am more into world music; I am very fond of world music.