His
dominating
images
were
that
of
the
Lovable
Tramp
and
paradoxically
of
the
Eternal
Showman.
Reams
have
been
written
about
Raj
Kapoor,
and
on
his
83rd
birth
anniversary,
we
check
out
some
rare
angles
THE
EPITOME
OF
PASSION
Raj
Kapoor
was
born
on
December
14,
1924
to
Rama
and
Prithviraj
Kapoor,
who
was
still
in
college
then.
It
is
said
that
early
on
Ranbir
Raj
(his
real
name)
had
determined
that
one
day
his
Babaji
would
be
known
as
his
father.
And
in
many
ways,
he
achieved
this.
Raj
was
conferred
the
Dadasaheb
Phalke
Award
16
years
after
his
father.
The
President
actually
stepped
down
from
the
stage
to
present
the
unique
honour
to
the
ailing
actor-filmmaker.
In
a
very
tragic
coincidence,
Prithviraj
and
Raj
both
passed
away
weeks
after
receiving
this
highest
honour
in
the
land
for
contribution
to
cinema.
MR.
AMBITION
Raj
Kapoor
was
clear
from
the
beginning
that
cinema
was
his
destination,
and
so
his
affair
with
his
father's
Prithvi
Theatres'
plays
was
not
extensive,
though
he
did
plays
there
both
as
a
child
artiste
(Deewar)
and
adult
(Pathan)
and
learnt
about
everything
from
sets
to
costumes
and
music.
He
was
just
11
when
he
made
his
first
screen
appearance
in
New
Theatres'
Inquilab
starring
Prithviraj
Kapoor,
Durga
Khote
and
K.C.Dey.
But
not
satisfied
only
with
acting
Raj
soon
started
'right
at
the
bottom'
(as
his
father
instructed)
with
Chandulal
Shah
of
Ranjit
Studios
as
the
fifth
assistant
to
director
Kidar
Sharma,
who
was
to
later
introduce
him
as
a
leading
man
in
1947
in
Neel
Kamal
opposite
two
more
sensational
debutantes
Madhubala
(as
Mumtaz)
and
Begum
Para.
By
the
time
he
made
his
lead
debut,
Raj
was
had
already
married
a
distant
relative,
Krishna,
in
an
arranged
match.
THE
SMART
INVESTOR
While
learning
his
directorial
and
cinematic
ropes
in
the
early
and
mid-'40s,
Raj
Kapoor
was
still
taking
up
whatever
acting
assignments
he
could
in
Gauri,
Valmiki
and
others.
Among
these
non-featured
roles
was
a
V.Shantaram
film
for
which
Raj
Kapoor
was
paid
a
'high'
amount
that
Prithviraj
indignantly
told
him
to
return
to
the
filmmaker.
But
Shantaram
refused
and
Raj
Kapoor
used
the
money
to
buy
a
plot
of
land
at
Chembur,
and
on
that
land
RK
Studios
came
up!
THE
MUSICAL
PRODIGY
Raj
Kapoor
had
rhythm
and
melody
deep
within
him.
In
Kolkata
(then
Calcutta)
where
his
father
Prithviraj
Kapoor
was
based
for
years,
he
spent
every
spare
moment
with
New
Theatres'
music
greats
like
R.C.Boral,
Pankaj
Mullick,
K.L.Saigal
and
Kanan
Devi
and
even
learnt
music
from
Boral.
He
even
sang
his
own
songs
for
S.D.Burman
in
one
of
the
films
they
did
together.
Raj
Kapoor,
as
lyricist
Hasrat
Jaipuri
once
revealed,
thus
become
one
of
those
rare
filmmaker-actors
(like
V.Shantaram
and
Satyajit
Ray)
who
could
also
compose
music.
The
blueprints
of
so
many
RK
hits
like
Bol
Radha
bol,
Jeena
yahaan,
Satyam
shivam
sundaram
and
Sun
sahiba
sun
were
given
by
him
to
his
composers,
as
also
endorsed
publicly
by
Lata
Mangeshkar.
Raj
could
also
sing
very
well,
play
several
instruments
including
the
accordion
and
could
conduct
the
orchestra.
THE
SHOWMAN
On
February
6,
1947,
Raj
Kapoor
launched
his
first
production
and
directorial
debut
Aag
with
a
small
muhurat
and
pooja
at
Eastern
Studios
in
midtown
Mumbai.
Shooting
began
after
a
week
and
the
film
was
released
exactly
a
year
later
at
Shimla.
Its
budget
was
an
astronomical
Rs
3.5
lakhs,
and
Raj
mortgaged
his
first
car
and
even
borrowed
money
from
his
domestic
servant
Dwarka.
The
offbeat
film
starred
three
leading
ladies
including
Nargis
as
well
as
relatives
who
were
into
acting
and
was
released
by
Raj
himself
after
distributors
refused
to
touch
it.
It
did
not
do
too
well
commercially.
THE
TRENDSETTING
VISIONARY
If
Aag
was
semi-autobiographical
and
reflected
Raj's
life,
one-sided
crushes
and
early
upheavals,
his
next
Barsaat(1949)
showcased
his
first
obsession
for
presenting
love
as
a
mix
of
spirituality
and
physicality.
Learning
the
right
lessons
from
the
response
to
Aag,
Raj
told
a
simple
tale,
reinvented
Nargis
and
their
chemistry
and
signed
a
fresh
music
team
-
Shankar-Jaikishan,
Hasrat
Jaipuri
and
Shailendra.
History
was
made
as
the
score
forever
changed
the
complexion
of
film
music
and
its
sales,
and
the
quartet
along
with
Raj,
Nargis,
Lata
Mangeshkar
and
Mukesh
went
on
to
become
the
most
successful
filmmaker-star-musicians
combo
ever.
The
blockbuster's
profits
helped
Kapoor
build
RK
Studios,
now
an
institution
and
Mumbai
landmark,
and
the
first
film
he
made
there
was
Awara(1951),
the
first
Indian
movie
and
music
score
to
make
a
mark
abroad,
especially
in
Russia,
where
it
was
released
with
the
title
Brodigaya.
THE
TRAMP
n
Besides
Barsaat,
Raj
Kapoor
had
explored
and
discovered
the
flamboyant
and
light
sides
of
his
persona
in
films
like
Andaz(1949)
and
Dastaan(1950),
and
he
put
it
to
good
use
with
his
character
in
Awara(1951).
It
was
here
that
Raj
Kapoor
highlighted
the
aspirations
of
the
basically-innocent
Indian
who
wanted
a
better
life
after
Independence.
The
tramp
was
modelled
on
Charlie
Chaplin
and
yet
was
identifiably
Indian,
and
Hindi
cinema's
first
dream
sequence
was
a
skilled
Indianized
adaptation
of
Gene
Kelly's
An
American
In
Paris.
The
leitmotif
was
developed
further
with
Shree
420
(1955)
and
other
films,
but
after
Shree
420,
Raj
took
a
9-year-hiatus
from
direction,
even
though
he
was
said
to
have
ghost-directed
some
or
all
of
the
films
that
came
from
his
banner,
which
included
Jagte
Raho,
Ab
Dilli
Door
Nahin
and
Jis
Desh
Mein
Ganga
Behti
Hai.
THE
PHOENIX
n
Raj
had
three
major
troughs
in
his
career,
but
each
time
he
rose
from
them
as
triumphantly
as
the
phoenix.
After
Shree
420
his
next
two
productions
Jagte
Raho
and
Ab
Dilli
Door
Nahin
flopped.
This
was
the
phase
when
Raj
was
also
influenced
by
European
and
socially-conscious
cinema
and
so
he
announced
the
dacoit-reformation
saga
Jis
Desh
Mein
Ganga
Behti
Hai
without
songs.
But
because
of
the
two
flops
(earlier
Aah
had
not
done
well
too)
distributors
pressurized
him
to
include
songs,
and
though
his
music
team
protested,
Raj
cajoled
them
into
creating
a
historic
score.
The
second
trough
came
after
his
self-indulgent
and
semi-autobiographical
Mera
Naam
Joker
(which
he
himself
directed)
and
Kal
Aaj
Aur
Kal.
Reeling
under
debts,
Raj
announced
a
light
romantic
quickie,
Bobby.
And
so
three
45-plus
veterans
-
Raj
and
his
writers
K.A.Abbas
and
V.P.
Sathe
-
spun
a
benchmark
teenage
cult
film!
The
third
trough
came
after
his
pet
obsession
of
many
years,
Satyam
Shivam
Sundaram,
faced
critical
as
well
as
commercial
rough
weather,
preceded
by
the
indifferent
success
of
Dharam
Karam
and
followed
by
the
disaster
of
Biwi
O
Biwi,
two
more
RK
productions.
Raj
launched
Prem
Rog,
soon
took
over
the
directorial
reigns
from
his
writer
Jainendra
Jain,
and
went
against
the
trends
of
the
time
to
make
the
hard-hitting
social
blockbuster
Prem
Rog
followed
by
his
allegorical
swan
song
Ram
Teri
Ganga
Maili
that
became
his
highest
grosser
ever.
When
Raj
passed
away,
he
had
begun
work
on
Henna,
and
his
groundwork
paved
the
way
for
Randhir
Kapoor"s
version
proving
a
major
blockbuster
in
1991.
THE
COLUMBUS
n
Raj
had
an
unerring
eye
for
talent
across
all
fields
of
cinema.
He
had
spotted
Shankar
and
Jaikishan
who
were
musicians
with
Prithvi
Theatres
and
later
were
assistants
who
had
a
huge
contribution
in
Ram
Ganguly"s
music
in
Aag.
Along
with
S-J,
he
changed
the
course
of
film
music
composition
and
orchestration
and
gave
Mukesh
and
Lata
Mangeshkar
their
individualistic
and
contemporary
identities.
Hasrat
Jaipuri
was
a
bus
conductor
and
Shailendra
a
Railways
employee.
Raj
put
all
of
them
on
a
salary,
gave
them
the
freedom
to
work
outside
his
banner,
and
gave
Hindi
cinema
two
each
of
the
greatest
composers
and
lyricists.
Raj"s
publicist
V.P.Sathe
was
roped
in
as
writer
with
Awara,
his
talented
sons
Randhir
Kapoor
(both
as
actor-director
in
Kal
Aaj
Aur
Kal)
and
Rishi
Kapoor
were
introduced
along
with
Dimple
Kapadia
and
later
Mandakini.
Shailendra
Singh
and
Nitin
Mukesh
were
introduced
as
singers,
and
Suresh
Wadkar
got
a
major
break
too.
Among
Raj"s
other
proteges
were
writers
Jainendra
Jain
and
K.K.Singh.
THE
LEGEND
When
he
was
awarded
an
honorary
degree
in
Teheran
in
1955,
Raj
Kapoor
was
amused
no
end
as
academically
he
had
been
a
school
dropout!
Raj
appeared
as
himself
in
Naseeb
and
three
films
by
great
directors,
Hrishikesh
Mukherjee's
Anand¸
Manmohan
Desai's
Gangaa
Jamunaa
Saraswati
and
K.Vishwanath's
Eeshwar(which
Raj
wanted
to
produce)
are
dedicated
to
his
memory,with
Anil
Kapoor's
character
in
the
last
modelled
after
Raj
in
every
way.
But
the
greatest
tribute
to
him
remains
his
great-grandson
Ranbir
Kapoor
being
named
after
him
and
making
a
smash
screen
debut
in
2007
with
Saawariya.