Ravi Chopra attempts recolouring Naya Daur
If you have to re-establish the golden era of the Indian cinema, what else could be the best way than to re-release an all time classic like Naya Daur. And if this black'n white film is beauty-personified with colour, it will breathe in a new life into this masterpiece.
This is exactly what filmmaker Ravi Chopra has done to his father, B R Chopra's work of art which starred Dilip Kumar, Vyjayantimala, Ajit, Jeevan and Johny Walker. B R Films will now be releasing Naya Daur in colour format with 5.1 stereophonic sound.
In an exclusive interview, Ravi Chopra talks about why he thought of re-releasing Naya Daur in colour, his memories from the film's shoot and his dream to colour some of the golden classics by Raj Kapoor, Bimal Roy and Guru Dutt.
Why
did
you
choose
to
color
Naya
Daur?
Basically,
I
thought
it
is
one
of
the
most
beautiful
films
made
by
my
father
which
I
consider
as
a
classic.
I
used
to
feel
that
lot
of
people
are
not
watching
the
film
because
it's
not
in
colour.
Especially
youngsters,
they
don't
want
to
watch
a
black-and-white
film.
I
was
worried
that
a
film
like
Naya
Daur
might
be
forgotten.
So,
I
decided
to
colour
the
film
as
I
didn't
want
that
to
happen.
How
long
did
it
take
to
colour
the
movie?
It
took
about
two
and
half
to
three
years
because
this
is
the
first
time
that
we
are
doing
it
and
I
wanted
a
certain
kind
of
colour
for
it.
I
didn't
want
people
to
see
that
film
and
feel
that
this
film
was
coloured
later.
I
want
the
film
to
look
as
if
it
was
shot
in
colour.
Will
the
sound
quality
of
the
film
also
be
improved?
Yes.
It's
5.1
stereophonic
sound.
What
are
the
technical
challenges
faced
while
colouring
a
film,
since
it
takes
lot
of
time?
One
of
the
technical
challenges
is
to
see
what
the
colour
looks
like.
Since
the
film
is
black
and
white,
you
don't
know
what
the
original
colour
is.
But
there
is
a
software
which
tells
you
approximately
what
the
colour
could
be.
So
we
had
to
make
those
selections
as
to
which
would
be
the
right
colour
and
that
took
a
lot
of
time.
.
When
an
old
film
is
new
packaged,
what
are
the
marketing
challenges,
as
people
have
already
seen
the
film?
There
is
one
set
of
audiences
who
have
already
seen
the
film
and
loved
it.
The
other
set
of
audiences
are
the
ones
that
we
have
to
look
at
and
those
are
the
audiences
who
we
are
targeting.
These
audiences
must
know
the
beauty
of
the
film.
They
must
understand
that
this
film
is
worth
watching
or
they
would
say
why
would
I
see
a
film,
which
is
50
years
old.
We
have
to
make
them
understand
that
here's
a
classic,
which
you
should
not
miss.
Did
the
coloured
version
of
Mugal-E-Azam
inspire
you
to
colour
Naya
Daur?
I
had
started
even
before
the
colouring
of
Mughal-E-Azam
actually.
And
Mughal-E-Azam
has
in
one
way
help
me
notice
the
mistakes
that
they
made,
so
that
I
could
get
over
them
before
they
could
get
the
film
on.
Mughal-E-Azam
unfortunately,
though
a
great
film
and
a
great
classic
was
not
coloured
the
way
I
would've
liked
it
to
be.
The
film
looked
like
it
was
coloured,
painted.
I
didn't
want
my
film
to
look
like
that.
I
wanted
Naya
Daur
to
look
as
if
it
was
originally
shot
in
colour.
And
when
you
see
the
film,
this
is
one
thing
that
you'll
surely
notice.
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