Q:
The
star-cast
of
Bheja
fry
was
interesting
as
well
as
talented.
What
about
Kaccha
Limboo?
A:
This
film
is
about
children
and
the
lead
character
is
himself
a
teenager.
I
do
not
happen
to
know
any
child
artist,
but
this
is
for
sure
that
we
are
going
to
bring
some
new
talented
children
into
our
film.
The
teachers
and
parents
will
be
the
known
names
from
the
industry.
Q:
When
you
made
Bheja
fry,
you
didn't
have
the
backing
of
Sahara
One!
So,
how
do
you
think
this
association
will
make
your
product
'Kachcha
Limboo'
different
from
Bheja
Fry
in
terms
of
canvas
and
content? A:
We
have
certainly
got
a
bigger
budget
this
time
which
will
be
in
the
range
of
Rs.
4
to
5
crores.
Apart
from
that,
there
is
gong
to
be
no
change
whatsoever.
Q:
Now
on
a
personal
front
-
Tell
us
a
little
about
yourself? A:
I'm
a
hard
core
Mumbaiite
living
in
Mulund.
I
have
done
my
schooling
from
Mumbai
itself
and
the
idea
of
becoming
a
director
dawned
on
me
when
I
was
in
college.
At
that
time
one
of
my
friends
brought
me
an
offer
from
Zee
TV.
I
worked
as
an
assistant
director
for
a
children's
show,
which
also
did
well.
Then
I
joined
a
film
institute
in
Kolkata
to
do
a
course
in
direction.
Q:
So
how
was
the
experience
at
the
institute? A:
Today,
whatever
I
know
about
film
making,
the
credit
for
the
same
goes
to
my
institute
-
Satyajit
Ray
Film
and
Television
Institute
(SRFTI).
I
really
learnt
a
lot
from
Subroto
Mitra,
the
chief
cinematographer
of
the
institute
who
also
happens
to
be
a
world-renowned
cameraman.
I
love
the
way
they
work
in
Kolkata.
When
we
were
there,
we
used
to
crib
about
that
place;
but
now,
since
I
am
away
from
that
city,
I
miss
it
a
lot.
And
whenever
I
get
chance,
I
don't
forget
to
visit
Kolkata.
Q:
From
a
film
institute
to
a
three
film
deal
with
Sahara.
How
has
the
journey
been? A:
It
started
off
with
a
lot
of
uncertainties.
I
did
not
know
what
to
do,
but
I
was
very
sure
that
I
wanted
to
make
a
film.
It
was
very
difficult
to
convince
producers
because
people
still
did
not
recognize
SRFTI
too
well.
People
thought
that
it
is
one
of
the
private
film
institutes
in
India
and
every
time
I
had
to
inform
them
that
it
was
being
run
by
the
government
of
India.
I'm
really
very
thankful
to
Rajat
Kapoor.
He
took
me
as
his
chief
assistant
in
Raghu
Romeo
-
his
first
film
as
a
director.
He
has
so
much
faith
in
me
that
when
I
came
up
with
Bheja
Fry,
he
took
me
to
the
producer
and
guaranteed
them
on
my
behalf.
It
was
a
great
boost
to
my
confidence
that
a
person
like
him
was
backing
me
in
my
first
project.
Q:
Being
a
student
from
a
film
institute
yourself
do
you
think
that
there
is
need
for
such
film
institutes? A:
See
to
be
technically
sound,
one
needs
to
go
to
a
film
institute.
For
example
for
a
cameraman,
no
one
is
going
to
give
you
those
highly
priced
camera's
to
sit
on
them.
At
the
film
institutes
you
to
experiment
with
all
these
facilities.
I
was
there
for
four
years
and
all
I
did
there
was
-
think
about
making
a
film.
Well,
I
do
not
think
that
to
become
a
director
you
need
to
go
to
a
film
institute.
You
could
also
be
at
a
jungle
or
some
other
place,
but
all
you
need
to
do
is
spend
the
time
thinking
about
making
a
film
with
all
your
heart.
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