Q.
You
take
quite
some
time
to
make
a
film.
Why?
A.
That
is
not
true.
'Elizabeth
–
The
Golden
Age'
was
shot
in
70
days
flat.
The
first
Elizabeth
was
shot
in
65
days.
'Four
Feathers'
took
90
days.
Did
you
know
that
I
took
only
44
days
to
make
'Masoom'?
I
do
not
take
too
much
time.
Actually,
if
one
makes
a
schedule,
and
sticks
to
it,
a
movie
can
be
made
within
a
reasonable
span
of
time.
In
fact,
I
get
impatient
when
things
are
delayed.
If
you
have
the
passion
for
films,
then
make
them
quickly,
and
get
over
them.
Q.
Have
you
ever
had
a
problem
with
the
portrayal
of
characters
by
the
stars
that
you
work
with
in
your
larger-than-life
movies?
A.
I
have
never
worked
with
stars,
so
I
have
not
had
problems.
Stars
acquire
this
image
after
15-20
films,
and
they
find
hard
to
let
go
of
it.
During
the
shoot
of
'Masoom',
Naseerudin
Shah
and
Shabana
Azmi
were
not
stars,
neither
were
Anil
Kapoor
and
Sridevi
in
'Mr
India'.
My
incomplete
film,
'Joshilaay',
did
not
have
stars.
We
found
Cate
Blanchette
for
'Elizabeth.
She
may
be
a
star
now,
but
she
is
the
only
one,
who
can
play
the
role
in
the
sequel.
Q.
Tell
us
about
Paani.
A.
'Paani'
is
the
story
of
a
city
divided
into
two
parts.
One
is
on
a
higher
level,
and
the
other
on
a
lower
level.
Lack
of
space
has
resulted
in
flyovers,
and
the
higher
city
dwells
on
the
flyover.
The
higher
city
accounts
for
15
per
cent
of
the
population,
the
rich
ones.
The
remaining
85
per
cent
live
in
the
lower
area,
where
they
are
cut
off
from
open
air
and
the
sunlight.
Due
to
global
warming,
the
rivers
have
dried
up.
The
rich
citizens
have
access
to
all
the
water,
and
they
measure
out
drops
to
give
the
poorer
ones.
A
man
can
starve
for
a
week,
but
he
cannot
go
without
water
for
more
than
a
day.
This
is
the
story
of
how
water
can
become
expensive.
And
it
is
relevant
to
today's
time,
too.
A
litre
of
water
costs
us
between
Rs
15
and
Rs
20.
The
story
of
the
film
is
about
the
time
when
people
protest
against
this
injustice.
Q.
After
'Masoom',
and
'Mr
India',
do
you
plan
to
make
any
more
movies
for
children?
A.
I
have
written
a
story
for
children,
'Mantra'.
I
am
looking
for
a
director
for
this
movie,
since
I
have
too
much
work,
and
I
cannot
direct
all
the
films.
I
want
to
share
the
workload.
Q.
Any
director
from
Bollywood
with
whom
you
want
to
work?
A.
I
can't
think
of
a
director,
but
I
can
tell
you
some
of
the
films
I
really
liked.
These
include
'Rang
De
Basanti',
'Munnabhai
MBBS',
'Gangster',
'Dil
Chahta
Hain',
'Jab
We
Met',
and
'Om
Shanti
Om'.
I
am
impressed
with
these
directors.
Q.
Rumour
has
it
that
you
are
planning
an
animation
film
as
well?
A.
I
am
making
an
animation
film
on
a
cockroach,
called
'Very
Aesthetic
Cockroach'.
It
is
the
story
of
a
cunning
yet
endearing
cockroach,
named
Vicky.
He
has
friends
all
over
the
world
–
in
Greece,
Spain,
Russia,
etc.
He
has
found
out
that
cockroaches
can
survive
the
holocaust,
and
is
quite
kicked
about
it.
Then
he
wonders
why
humans
rule
the
Earth,
when
it
rightfully
belongs
to
the
cockroaches.
Q.
Tell
us
about
your
comic
book
company.
A.
I
wanted
to
spread
Indian
culture
abroad,
and
that
is
how
I
began
writing
some
stories.
First,
I
wrote
'Bombay
Dreams',
which
was
quite
successful.
Then
I
got
together
with
some
friends
and
decided
to
launch
this
company.
Comic
books
have
always
been
successful
in
Europe
and
North
America.
I
have
now
opened
a
company
in
Bangalore
as
well,
with
300
young
illustrators
and
20
writers.
Books
published
here
are
read
worldwide.
Some
comic
books
are
also
adapted
as
films,
video
games
and
animation
films.
I
have
delegated
the
work
to
various
people,
so
I
am
a
little
out
of
it.
I
go
there
sometimes,
write
a
story
or
two,
lecture
them,
and
come
away.
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