What
can
you
say
about
a
child
of
eight,
a
star
overnight,
when
he
refuses
an
award
bestowed
on
him
for
his
brilliant
performance
in
a
difficult
role
on
grounds
that
he
was
the
'hero'
of
the
film
and
not
a
'child'
actor?
The
electronic
media
went
wild
right
across
television
channels
the
other
day
closing
in
on
this
wonderful
little
boy
whose
instant
stardom
has
clearly
gone
to
his
head.
Darsheel
Safary,
the
wonder
kid
of
Taare
Zameen
Par,
insists
that
he
is
the
hero
of
the
film
so
why
should
he
be
chosen
for
the
'Best
Child
Actor'
category
by
a
weekly
trade
paper
for
its
annual
film
awards
this
year?
Shoma
A
Chatterji
tries
to
find
out
whether
the
child
actor
is
a
hero,
a
victim
exploited
by
his
family
and
the
film's
publicity
machine,
or
an
unwilling
martyr
to
media-hype...
It
is
amusing
to
discover
the
contradiction.
A
boy
who
does
not
understand
what
'jury
award'
means
refuses
'the
best
child
actor'
award.
Is
his
response
spontaneous?
Or
did
his
parents
and
family
doctor
it?
Why
weren't
they
questioned
about
the
child's
decision?
Where
were
they
when
the
boy,
whose
final
exams
are
round
the
corner,
was
being
interviewed
by
every
news
channel
that
jumped
on
the
story
for
its
'man-bites-dog'
element
of
sensation?
Darsheel
has
been
the
media's
favourite
lollipop
ever
since
Taare
Zameen
Par
hit
the
screens
across
the
country.
He
has
been
giving
television
and
press
interviews
left,
right
and
centre,
appearing
at
press
conferences
and
generally
having
a
whale
of
a
time.
Shouldn't
he
be
getting
back
to
where
he
belongs
-
to
his
parents
and
his
school
and
his
games
of
football
and
cricket?
Should
he
be
questioned
about
whether
girls'
attitudes
toward
him
have
changed?
Or,
whether
he
likes
girls
or
not,
again
and
again?
By
the
simple
logic
of
a
child's
mindset,
Darsheel
ought
to
have
been
thrilled
by
the
twin
awards
bestowed
on
him
for
his
first
ever
film
role.
But
no
sir,
he
is
not
a
normal
child.
The
media
has
seen
to
that.
He
insists
by
suggestion
that
he
would
have
been
happy
had
he
won
the
Best
Actor
award
that
went
to
Shahrukh
Khan!
The
media
just
laps
it
up
in
sound
bytes
that
may
have
overwhelmed
you
had
you
not
been
so
shocked
at
its
blatant
violation
of
the
simple
ethics
of
letting
a
child
remain
a
child.
In
1990,
Dilip
Ghosh,
a
FTII
graduate,
made
a
documentary
on
child
actors
in
Hindi
cinema
called
Children
Of
The
Silver
Screen.
The
film
was
screened
at
film
festivals.
It
explored
the
blood
and
tears
behind
the
chubby
faces
of
people
who
were
once
famous
as
child
actors
but
could
not
make
it
when
they
turned
adult.
Naaz,
who
was
once
famous
as
Baby
Naaz
(BOOT
POLISH)
and
was
said
to
be
charging
more
than
some
stars
of
the
time,
said
in
camera
that
she
came
back
home
to
parents
who
fought
all
the
time
and
forgot
to
give
her
a
proper
meal.
She
was
never
allowed
to
touch
a
paisa
of
her
earnings
and
was
thrust
into
adult
roles
much
before
she
turned
eighteen.
Daisy
Irani,
another
famous
child
star
of
the
Fifties,
said
that
she
failed
twice
in
the
same
class
because
she
could
not
attend
school
having
to
report
for
shoots
at
all
times
of
day
and
night.
"My
mother
took
the
easy
way
out
-
she
took
me
out
of
school
and
sent
me
back
to
the
studios."
Her
mother
would
pinch
her
hard
when
she
refused
to
cry
in
sad
scenes.
"I
was
allowed
to
save
money
in
a
piggy
bank.
But
my
parents
would
never
allow
me
to
open
the
bank
and
find
out
how
much
money
it
had.
One
day,
I
opened
it
secretly
and
was
shocked
to
find
just
a
few
coins
at
the
bottom,"
she
recalls.
The
directors
spoiled
her
rotten
and
she
grew
into
a
studio
brat
who
no
one
could
tolerate
but
were
forced
to
smile
at.
After
marriage
and
three
kids,
Irani
says
she
feels
sorry
for
her
mother
"because
she
did
not
know
what
she
was
doing
to
me,
and
more
so,
to
herself."
Her
kid
sister,
Honey
Irani
went
through
a
similar
grueling
childhood
till
she
married
Javed
Akhtar
and
later
shifted
focus
to
write
stories
and
scripts
for
films.
Baby
Guddu,
a
very
successful
child
actor
of
the
eighties,
was
pushed
into
films
by
a
father
who
claimed
to
be
a
'producer'
and
a
mother
who
had
starry
ambitions
for
herself
that
failed
to
come
about.
"She
is
brilliant
in
studies,"
said
the
mother
to
this
writer
in
an
interview,
"but
we
have
put
her
in
films
because
she
is
very
talented
and
we
allow
her
to
do
this
purely
as
a
hobby."
Really?
Which
'hobby'
fattens
the
parents'
bank
balance
like
a
career
in
films
do,
tell
me?
What
happened
to
the
poor
little
rich
girl
no
one
knows.
But
this
writer
remembers
the
little
girl
coming
back
from
school
in
uniform,
dog
tired
at
the
end
of
the
day,
only
to
be
asked
to
freshen
herself
up
as
she
had
to
report
for
a
night
shoot.
Times
have
changed
but
the
reality
of
the
child
star
/
actor
/
model
has
not.
Hansika
who
caught
the
attention
of
filmmakers
with
her
brilliant
performances
in
television
serials
and
films,
was
pushed
into
adulthood
as
leading
lady
opposite
Himesh
Reshamiya
in
Aap
Ka
Suroor.
No
teenage
crushes,
no
disco-hopping
or
party-dancing,
no
playing
loud
music
at
odd
hours,
no
boyfriend
because
the
word
'adolescence'
does
not
exist
in
the
book
of
her
life.
Whether
she
will
make
it
as
leading
lady
is
beside
the
point.
The
point
is
that
she
has
missed
out
on
a
solid
education,
on
friendships,
on
datings
and
split-ups
-
things
that
form
the
journey
from
teenage
to
adulthood.
Darsheel
SafaryExceptions
are
few
and
far
between.
Tabassum,
once
famous
as
Baby
Tabassum
who
played
the
lead
role
in
Bimal
Roy's
Baap
Beti,
left
films
to
pay
attention
to
academics
and
ended
up
with
a
Masters'
from
Mumbai
University.
She
was
resurrected
on
Doordarshan
many
years
later
and
claimed
her
right
to
fame
as
a
noted
anchor
and
event
manager.
Sarika
and
Sachin
began
as
child
actors.
As
Sarika
was
struggling
to
make
it
as
an
adult
star,
her
mother
allegedly
emptied
out
her
bank
balance.
Sachin
began
acting
as
a
little
boy
of
four
in
Marathi
films.
The
credit
for
overcoming
the
worst
odds
and
making
it
big
goes
completely
to
both
these
child
actors.
Pallavi
Joshi
and
her
older
brother
Master
Alankar
have
never
mentioned
it
but
as
child
actors,
it
is
understood
that
they
went
through
the
grind
as
well.
Alankar
went
away
to
settle
abroad
while
Pallavi
is
now
a
successful
anchor
and
television
actress.
Aftab
Shivdasani,
Kunal
Khemu
and
Jugal
Hansraj
have
grown
up
from
child
actors
to
heroes
though
they
are
yet
to
prove
their
mettle
as
top
box
office
draws.
Urmila
Matondkar
is
perhaps
the
only
child
actor
who
could
make
it
as
a
successful
star
and
actress.
In
the
past,
child
actors
were
exploited
and
victimized
by
their
parents
and
families.
Today,
it
is
the
same
story
with
the
media
adding
to
the
villainy
by
ensuring
that
child
actors
like
Darsheel
are
martyred
for
a
cause
that
does
not
exist
-
media-hype
at
the
wrong
time
and
place
that
could
destroy
their
lives
and
careers
forever.
Somewhere
along
the
way,
the
sharp
line
that
separated
Darsheel
Safary,
the
actor,
and
Ishaan
Awasthi,
the
character
he
portrayed
in
Taare
Zameen
Par,
seems
to
have
faded.
Story first published: Thursday, January 24, 2008, 15:23 [IST]