Ravishing
beauty
in
stately
style,
draped
in
the
finest
attire
to
seduce
men
and
women
alike;
but
one
sharp
look
and
there
you
spot
a
man
dressed
up
as
a
woman
or
vice-versa.
'Cross-dressing'
the
word
is
the
talk
of
the
town
but
with
connotations
changing
over
the
years.
So
when
we
look
at
a
man
cross-dressed
as
woman
and
a
woman
cross-dressed
as
man,
why
the
change
in
emotions
transpire?
A
quick
glance
through
cinema
over
the
years
and
history
speaks
volumes
about
it.
Cinema
in
its
early
days
of
inception
vociferously
promoted
men
cross-dressing
to
enact
on
screen
women
roles
in
the
absence
of
women
themselves.
Later
as
the
womenfolk
ventured
into
the
industry
to
take
their
rightful
place,
the
trend
met
with
a
slow
death
only
to
be
revived
now
and
then
to
bring
a
change.
So
when
Mehboob
dressed
up
as
a
woman,
the
audience
applauded
in
glee.
Cross-dressing
has
changed
and
the
connotations
are
wide
and
varied.
With
feminism
reigning
high,
cross
dressing
has
even
come
to
imply
women
taking
up
the
cudgels
for
reddress
in
the
typical
male
idiom,
the
male
attire.
So
how
has
cinema
digested
the
change.
In
the
20th
century
Aamir
khan
dressed
himself
up
as
a
sensuous
beauty
in
the
Hindi
movie
Baazi,
Kamal
Hassan
in
Chachi
420
and
even
the
macho
man
Salman
Khan
put
on
the
frock
for
a
song
sequence
in
the
blockbuster
Hum
Aapke
Hain
Kaun.
So
how
did
the
audience
react?
Mixed
responses
with
some
relishing
the
comedy,
some
indignant
to
the
core
at
the
degraded
masculinity
or
femininity
and
some
the
least
bothered
even
to
comment.
But
the
inner
reaction
was
strange.
Seema
Biswas
had
put
on
the
man's
costume
to
grab
power
in
Bandit
Queen,
while
men
are
at
the
risk
of
being
femininized
or
salvaging
their
masculinity.
Come
21st
century
and
the
audiences
have
matured,
so
too
the
actors
or
the
actresses.
Cross-dressing
is
not
so
much
linked
to
the
delicate
issues
of
masculinity
and
femininity.
Imran
khan
gracefully
wore
the
saree
for
a
song
in
Jaane
Tu
Ya
Jaane
Na
at
least
for
a
split
second
and
Ranvir
Shorey
was
spotted
cycling
around
the
streets
in
a
petticoat
to
please
his
girlfriend
Mallika
Sherawat
in
Ugly
Aur
Pagli.
They
have
boldly
accepted
these
trends
as
formulas
to
evoke
peals
of
laughter
as
the
much
needed
comic
relief.
Competition
is
the
word
as
actors
and
actresses
are
bold
enough
to
experiment
shedding
their
inhibitions.
So
too
the
audiences
have
acquired
a
changed
sensibility,
where
even
reality
dance
or
comedy
shows
have
an
episode
dedicated
to
cross-dressing.
Setting
aside
all
prejudices
of
gender,
the
ultimate
issue
is
comfortability.
That
explains
why
Anupam
Kher
is
willing
to
cross-dress
for
a
parody
music
video
The
trend
is
a
positive
sign
towards
a
new
change.
Dress
defines
gender
or
gender
defines
dress,
Hindi
cinema
is
out
there
to
re-define
and
lash
against
all
established
canons.