"It's the right time for making good cinema in India" - Jayabrato
His second film being after a span of 25 years since Kehkashaa, titled Lovesongs : Yesterday, Today and Tomorrow starring Om Puri, Jaya Bachchan, Mallika Sarabhai, Rajit Kapoor, Prithviraj Chaudhary and Deol Basu released last Friday, March 26. We bring you an interview with the director himself where he talks about his comeback in Bollywood.
Lovesongs:
Yesterday,
Today&Tomorrow
sounds
like
an
out
and
out
romantic
film.
Throw
some
more
light
on
the
storyline?
Lovesongs:
Yesterday,
Today
and
Tomorrow
revolves
around
three
generations
and
the
intricate
relationships
they
share.
Jaya
Bachchan
plays
the
role
of
grandmother
whose
rigid
nature
compels
her
daughter
to
run
away.
It's
the
story
about
the
inquisitiveness
of
a
grandson
to
know
about
his
mother
through
his
grandmother
who
has
mellowed
down
with
time.
What
does
the
title
Love
songs:
Yesterday,
Today,
Tomorrow
suggest
of
the
film?
The
film
deals
with
the
three
generations
wherein
'Yesterday'
symbolizes
the
love
of
Jayaji
for
Omji,
'Today'
stands
for
the
daughter
who
used
to
sing
love
songs
in
a
famous
night
club
on
Park
Street
in
Calcutta
and
lastly
'Tomorrow'
for
grandson's
newly
blossomed
love
with
a
young
girl.
What
are
the
respective
characters
of
Om
Puri
and
Jaya
Bachchan
in
the
film?
Omji
plays
Jayaji's
love
interest
in
the
film.
Unfortunately,
due
to
religious
constraints
they
are
not
allowed
to
marry.
Omji
is
then
forcefully
dispatched
to
England
where
he
marries
Mallika
Sarabhai
who
is
an
alcoholic.
Years
later,
Omji
comes
down
to
meet
Jayji;
what
then
unfolds
is
what
the
Lovesongs:
Yesterday,
Today,
and
Tomorrow
all
about.
Are
you
satisfied
with
the
way
the
film
has
shaped
up?
See,
I
personally
feel
there
is
always
scope
for
improvement
in
everything
we
do.
Perfection
is
a
gradual
step
but
I
have
a
tendency
to
always
find
loopholes
in
my
work.
However,
Claran
Stober
who
writes
for
New
York
Times
saw
the
film
and
was
all
praises
for
it.
Who
is
your
target
audience?
My
target
audience
is
English
speaking
upper
middle
class
in
urban
areas
where
multiplexes
are
available
for
them
to
go
and
witness
a
league-apart
English
film.
My
film
caters
to
a
niche
audience.
How
was
it
to
direct
the
two
veteran
actors
Om
Puri
and
Jaya
Bachchan?
Oh!
It
was
an
absolute
delight
to
work
with
the
master
artists
themselves.
The
epitomes
of
humility
and
thorough
perfectionist,
made
me
so
comfortable
during
the
shoot
that
never
once
did
I
feel
that
I
am
working
with
legendry
Bollywood
stars.
I
feel
very
privileged
to
work
with
people
of
such
caliber
who
have
no
ego
hassles.
The
way
they
would
listen
to
me
while
narrating
the
scene
would
take
me
by
surprise
at
times.
Overall,
it
was
a
wonderful
learning
experience
for
me.
Why
did
you
zero
down
on
Prithviraj
Chaudhary
and
Deol
Basu
for
the
roles
of
grandchildren?
Could
you
throw
some
light
on
their
respective
characters?
Grandson
played
by
Prithviraj
Chaudhary
is
a
very
talented
young
man
who
had
been
a
stage
artist
and
Deol
Basu
also
has
a
background
of
theatre
from
Calcutta.
I
chose
Prithviraj
and
Deol
both
of
them
are
smart
and
very
talented.
Their
characters
are
based
on
the
new
generation
of
the
society,
who
are
aware
about
their
surroundings,
mature
and
more
forward
in
times.
They
thought
beyond
the
conservative
beliefs
and
mindsets
of
most
families
in
a
society.
And
I
must
say,
they
have
done
a
marvelous
job,
they
never
had
inhibitions
and
preconditioned
notion
about
their
roles.
All
I
had
to
do
was
just
explain
the
outline
of
the
scene
and
they
would
enact
it
with
utmost
perfection.
I
hope
they
do
very
well
because
they
have
lot
of
talent
and
their
skill
is
impeccable.
This
is
your
second
feature
since
Kehkashaa,
after
which
you
had
drifted
completely
towards
documentary
films.
Why
this
sudden
shift
to
feature
films
again?
The
infrastructure
of
showing
cinema
has
improved
so
vastly
with
the
multiplexes
coming
in
and
the
audience
has
also
become
more
receptive
to
good
cinema.
Gone
are
those
days
when
only
'Rikhshawalas'
and
'Paanwalas'
would
watch
movies
in
theatres
while
the
urban
population
would
prefer
watching
films
at
home
on
VCRs.
So,
I
think
it's
the
right
time
for
making
good
cinema
in
India.
Moreover,
I
chose
to
go
back
to
films
because
it's
completely
a
different
medium
to
experiment,
something
I
really
enjoy
doing.
Did
you
find
it
difficult
to
get
back
to
the
shooting
techniques
of
a
feature
film
after
a
long
gap?
I
think
cinema
has
undergone
a
sea
change
since
I
had
made
Kehkashaa
with
Mallika
Sarabhai,
Kittu
Gidwani,
Victor
Banerjee,
25
years
ago,
especially
in
terms
of
technology.
However,
I
must
say
that
my
cinematographer
Mr.
Khaldhar
has
done
a
magnificent
job,
he
is
a
young
graduate
from
FTII.
So,
things
went
smoothly
on
that
front.
However,
problems
did
arise
in
the
initial
days
due
to
monsoons
in
Calcutta.
Apart
from
films,
you
have
written
novels
as
well.
What
is
it
that
you
enjoy
more?
I
like
to
climb
different
mountains
so
for
me
it's
not
the
same
peak
(smiles).
So,
be
it
filmmaking,
writing
a
novel
or
a
making
a
documentary,
for
me
all
of
them
are
different
journeys.
Every
journey
has
its
own
moments
of
arrival.
Which
is
your
favorite
song
and
scene
from
the
film?
Well,
I
have
written
all
the
songs
except
for
the
two
ghazals
and
a
song
titled
Ekla
Chalo
Re,
which
has
been
translated.
However,
my
favorite
is
the
theme
song,
which
goes
like
'Love
is
a
sweet
sad
song…
Love
is
a
game
with
no
rules'.
Usha
Uthup
has
done
a
marvelous
job
on
some
of
the
songs.
As
far
as
the
scenes
are
concerned,
my
favorite
scene
is
when
Omji
comes
back
to
meet
Jayaji
and
asks
about
her
well-being
and
no
sooner
does
she
turns
around
that
he
says
'Hmm,
thodi
moti
ho
gayi
ho'.
What
are
your
expectations
with
the
film?
It's
as
good
as
having
an
expectation
with
every
child
you
give
birth
to.
All
you
can
do
is
wish
them
good
luck.
It's
same
kind
of
feeling
as
parents
have
for
their
children.
Well,
I
believe
in
destiny,
give
your
best
shot,
and
leave
the
rest
to
God.
It
is
heard
that
you
have
a
great
rapport
with
Rajit
Kapoor
who
has
done
a
cameo
in
the
film.
Tell
us
about
the
experience?
Rajit
Kapoor
is
one
of
my
dearest
friends
and
I
am
glad
that
he
is
a
part
of
my
film.
I
was
so
reluctant
to
offer
him
such
a
small
role.
Rajit
plays
a
loud
barrister
who
is
also
the
father
of
Deol
Basu's
girlfriend
for
he
is
such
a
wonderful
actor.
What
is
the
USP
of
the
film?
The
eternal
music
and
the
terrific
performances
of
all
who
have
worked
in
this
film
is
the
USP.
Any
memorable
moments
you
would
like
to
share
with
us.
Oh!
I
enjoyed
every
moment
of
the
film.
I
was
on
the
cloud
9
when
Jayaji
said
she
had
put
on
three
or
four
kilos
because
of
eating
unit
food
and
would
love
to
do
another
film
in
Bengal
for
it.
However,
the
most
beautiful
moment
was
when
she
was
to
leave
for
Mumbai
after
the
completion
of
the
film
she
changed
her
mind
and
returned
back
requesting
to
stay
longer
with
the
crew
and
spend
some
more
quality
time
with
us.