Fashion
is
a
success
and
in
the
process
has
turned
out
to
be
the
biggest
money
spinner
of
Madhur
Bhandarkar's
decade
long
career.
While
brand
Madhur
has
been
created
in
the
process,
the
filmmaker
continues
to
be
obsessed
with
telling
different
stories
in
his
own
experimental
manner.
A
fortnight
after
the
release
of
the
film,
as
he
finally
settles
down
to
the
fact
that
he
has
to
move
on
to
the
next
project,
Madhur
Bhandarkar
gets
into
this
exclusive
conversation
with
us
where
he
bares
his
heart
out
about
the
success
of
Fashion
and
how
it
still
won't
change
his
approach
towards
movie
making.
With
a
multi
crore
commercial
success
like
Fashion
under
your
belt,
is
it
goodbye
to
serious
cinema
and
welcome
to
hardcore
money
spinner
worthy
commercial
cinema?
Actually,
I
have
never
ever
got
into
matters
like
these.
I
have
always
maintained
that
I
am
an
experimental
filmmaker
whose
films
also
get
commercial
viability.
This
way,
I
am
truly
blessed
because
my
films
also
get
critical
acclaim
and
also
National
awards.
I
am
really
happy
with
the
kind
of
cinema
I
make,
the
subjects
I
explore
and
the
treatment
I
give
to
my
films.
But
when
a
film
like
Fashion
does
such
business,
isn't
it
tempting
to
go
for
those
mega
bucks?
See,
the
subject
of
Fashion
was
such
that
it
required
huge
budget
due.
The
movie
was
required
to
be
opulent
with
a
mega
look
and
sheer
grandeur
to
boast.
A
budget
comes
after
you
have
short
listed
the
subject
and
this
is
how
my
films
in
future
too
would
be
planned.
I
am
not
someone
who
makes
proposal
cinema
ki
chalo
3
hero
le
lo,
3
heroine
daal
do
aur
kuch
gaane
bhi
bhar
do!
Right
from
Chandni
Bar
to
Fashion,
the
film's
scale
has
been
set
as
per
the
script.
I
went
to
swanky
boardrooms
for
Corporate;
I
entered
the
dingy
by
lanes
for
Traffic
Signal.
Please
carry
on...
Tomorrow
I
may
make
a
film
for
which
I
may
just
require
an
Rs.
8
crore
budget;
I
don't
have
to
make
my
next
movie
also
as
big
as
Fashion.
It's
not
that
because
my
last
film
was
made
in
Rs.
30
crores,
the
next
has
to
carry
a
Rs.
60
crores
budget.
Scenario
may
have
only
improved
after
Fashion,
isn't
it?
I
guess
I
can
stand
up
and
say
that
producers
have
been
knocking
the
doors
with
even
more
vigor.
It
may
sound
immodest
to
a
few
but
let
me
state
a
fact
-
I
have
spent
last
8-9
years
making
a
brand
for
myself.
This
time
period
has
seen
each
of
my
movies
making
money.
Moreover,
all
of
them
have
been
made
in
a
certain
kind
of
preset
budget;
something
which
my
producers
have
always
acknowledged.
They
know
that
Madhur
guarantees
definite
recovery
and
also
ensures
profit
inflow.
What
has
been
the
secret
of
making
it
happen
film
after
film?
I
know
for
sure
how
to
cut
cost
and
resist
the
temptation
of
going
overboard.
I
also
don't
opt
for
fancy
locations
just
for
the
sake
of
it
and
instead
try
shooting
at
real
locations
as
much
as
possible.
I
also
keep
in
constant
touch
with
my
exhibitors
and
distributors
and
discuss
about
audience's
taste,
emerging
trends
and
how
investment
could
be
recovered.
This
is
what
makes
my
films
safer
and
I
end
up
getting
3
to
4
times
the
investment
back.
No
wonder,
producers
have
maintained
that
Madhur
is
a
producer's
director
(smiles).
Since
you
always
aspire
to
pick
up
experimental
subjects,
doesn't
it
become
risky
project
after
project?
You
are
right
in
saying
that
because
the
fact
is
that
each
of
the
subjects
that
I
have
explored
has
been
dicey
for
me.
However,
where
I
get
all
my
knowledge
and
learning
is
by
interacting
with
so
many
people.
I
don't
make
films
by
doing
a
DVD
rip
off
or
picking
up
a
South
Indian
film
for
a
remake.
I
know
for
sure
that
the
way
I
make
my
films,
it
turns
out
to
be
a
tedious
process.
It
is
risky
too
and
also
takes
more
time.
But
then
tell
me,
which
movie
is
secure
today?
Even
if
it
is
a
hardcore
commercial
cinema
with
3
heroes
and
3
heroines,
is
it
safe
anymore?
Can
anyone
guarantee
that
they
would
work
at
the
box
office?
No
one
can.
You
seem
to
be
unsure
about
the
way
audience
would
react!
See,
today's
audience
is
ruthless.
It
gets
it
after
the
opening
show
on
Friday
itself
that
whether
the
film
was
indeed
made
with
a
purpose
or
was
it
just
a
proposal
in
the
making.
At
the
end
of
the
day
it
is
merit
that
does
all
the
talking.
Star
system
or
big
budget
sure
shot
successes
are
a
passe.
At
the
end
of
the
day
it
is
all
about
content
and
I
am
really
happy
that
there
is
a
major
revamp
in
the
industry
and
the
audience.
Story first published: Thursday, November 20, 2008, 14:37 [IST]