His
name
conjures
a
gamut
of
images,
disconcerted
though,
but
realistic
to
the
very
root
of
it.
This
is
the
common
cord
binding
his
movies
spread
over
the
years.
A
relatively
short
career
spanning
9
years
or
so
has
seen
the
heyday
of
many
movies
which
have
religiously
broken
out
of
the
conventional
streamline
to
catapult
the
multifarious
shades
of
life
in
the
crudest
form
as
it
can
be.
Exposing
shams
and
dismantling
the
facades,
he
has
created
a
new
idiom
,
a
new
language
of
cinema.
So
when
the
name
Madhur
Bhandarkar
flashes
across
the
screen
what
more
can
you
ask
for.
Going
against
the
tide
and
breaking
the
canons,
he
has
time
and
again
come
up
with
a
medley
of
movies,
Chandni
Bar,
Satta,
Page
3,
Corporate,
Traffic
Signal
and
the
latest
talk
of
the
town,
Fashion.
His
movies
are
cutting-edge
in
style,
sharp
witted,
echoing
of
the
spirit
of
the
hour,
experimental
bearing
the
indelible
directorial
stamp
and
in
the
oddest
of
all
combinations
garnering
commercial
success
at
the
box
office.
So
what
is
the
mantra
and
how
does
the
the
ice
catch
fire
every
time?
The
master
craftsman
has
the
answer,
"I
am
an
experimental
filmmaker
whose
films
do
well
commercially." A
paradox
it
may
seem
is
as
apt
as
the
adage
that
goes
'truth
is
stranger
than
fiction'.
A
closer
look
and
what
surfaces
is
unbelievably
true.
With
movies
made
on
a
comparatively
minimal
budget
save
for
the
recent
release
Fashion
and
stories
rooted
in
reality,
miles
away
from
fantasy,
they
are
not
the
usual
run-of-the-mill
movies.
But
they
are
definitely
not
those
serious
in
tone
devoid
of
any
entertainment.
A
curious
concoction
of
seriousness
and
entertainment
they
are
paradoxes
in
their
own
right
setting
the
box
office
ablaze.
Madhur
Bhandarkar
turns
his
wand
and
what
spills
forth
is
nothing
short
of
magic.
Incidents
we
encounter
but
tend
to
overlook
in
our
routine
lives
or
the
other
side
of
reality
that
we
have
never
seen
are
imaged
forth.
But
then
they
are
not
magic.
The
star
of
the
show
is
invariably
the
open-endings.
Once
he
has
woven
the
tale,
it
is
left
to
the
discretion
of
the
spectators
to
make
their
own
conclusion,
with
the
insinuations
dropped
here
and
there.
You
can
brand
them,
inspiring
or
bleak;
its
your
perspective.
Trace
the
clues
and
maybe
you
might
hit
the
bull's
eye!
So
also
the
artists
are
those
who
befit
the
roles
be
it
Tabu
or
Bipasha
Basu,
Konkona
Sen
Sharma
or
Priyanka
Chopra.
Madhur
Bhandarkar
always
has
a
spokesperson
discreetly
posited
in
all
his
movies.
They
may
be
your
drivers,
attenders,
or
any
common
man
or
woman.
If
each
movie
has
a
chiselled
theme,
then
needless
to
say
the
research
that
has
gone
behind
it
is
exhaustive.
A
sharp
eye
for
details,
costumes
or
accent
or
setting;
you
name
it,
he
has
it
in
the
movie.
A
Page
3
socialite,
bar
dancer,
corporate
executive,
vendor,
politician
or
the
model
is
never
out
of
place.
They
are
truly
your
characters
next
door,
pause
and
observe,
you
may
even
spot
yourself
amidst
them.
It
is
the
completeness
of
each
character
that
is
amazing.
In
spite
of
a
lead
character,
each
one
has
an
integrity
of
its
own.
The
beads
are
there,
so
too
the
pendant
but
together
they
make
the
necklace.
Not
leaving
behind
contentious
issues
going
by
the
latest
trends
and
the
gender
equations,
he
has
always
presented
strong
women
characters
unwilling
to
be
cowed
down
under
any
pressure.
They
may
do
item
numbers,
but
have
a
nerve
of
their
own
Paradox
thus
describes
the
man
Madhur
Bhandarkar
who
enjoys
David
Dhawan's
movies
but
churns
out
reality
bites
and
his
movies
which
are
experimental
but
set
the
cash
counters
ringing.
The
ice
is
set
ablaze
and
that
is
his
Fashion!