While
he
was
in
the
post
production
stage
of
his
debut
film
Cheeni
Kum,
little
did
he
knew
that
he
would
be
fielding
a
lot
of
questions
in
his
mind
about
his
second
directorial
venture,
till
it
all
boiled
down
to
one
day,
a
few
hours
and
one
meeting
with
Mr.
Amitabh
Bachchan
in
Janak.
And
Abhishek
Bachchan's
interruption
in
the
middle
of
their
meeting
made
things
even
profitable.
So
much
so
that
the
entire
film
industry
is
going
to
be
present
at
Paa's
lavish
premiere
to
take
place
this
evening
in
Mumbai.
Welcome
R.
Balki,
the
director
whose
career
path
is
different.
Different
because
he
likes
making
light
entertainers,
and
that's
about
it.
There
was
no
place
for
emotions
in
Balki's
films
till
Paa
happened
(thanks
to
Big
B
who
pointed
out
the
missing
ingredient
-
'emotions').
The
rest
is
for
us
to
witness
tomorrow
on
the
big
screen
when
Paa
and
Auro
face
each
other.
We
had
a
quick
chat
with
the
multi
talented
R.
Balki.
His
first
big
success,
we
don't
know.
More
money
at
the
box
office,
we
don't
know.
But
what
we
do
know
is
that
Balki
loves
the
history
of
cinema
and
its
pioneers.
He
loves
different
cinema,
and
different
he
is.
And
now
comes
a
new
challenge
-
a
light
heartedly
serious
one,
we
expect.
Come
tomorrow,
we're
sure-sure
that
the
director
is
going
to
deliver
us
a
massive
injection
of
entertainment.
That's
Balki
-
the
lighter
side
of
life,
the
only
guaranteed
good
time.
How
excited
is
the
father
of
Paa
right
now?
(laughs)
I
am
quite
numb
right
now
because
once
you
go
through
this
process
of
fatherhood;
it's
extremely
difficult
to
be
excited
initially
as
you
are
tired.
After
seeing
my
film
for
about
one
thousand
seven
hundred
times,
I
am
bound
to
be
in
the
exhaustion
zone
as
of
now.
At
the
end
of
the
day,
I
feel
something
good
is
going
to
happen.
Paa
deals
with
emotions
to
a
great
extent
and
yet
has
a
lighter
side
to
it.
Is
that
it's
USP?
I
think
emotions
and
good
humour
exist
the
world
over,
and
people
are
going
to
connect
to
it.
But
when
the
same
people
see
the
emotions
towards
certain
character
in
your
film,
and
its
story,
the
film
works.
You
have
a
great
connect
towards
filming
in
the
UK.
Why
such
a
fascination?
Cheeni
Kum
was
shot
in
London
and
Paa
was
shot
in
Cambridge.
I
love
London
and
right
from
my
childhood
days,
I've
got
this
fascination
towards
UK
simply
because
of
cricket,
tennis,
of
every
book
that
I've
read
out
there
and
every
bit
of
its
picturesque
landscape.
I
love
the
country
for
its
looks
too.
I've
grown
up
knowing
a
lot
about
Britain
and
being
fascinated
about
it.
Let's
do
a
role
reversal
for
you
too.
From
father
to
mother.
Recall
your
days
when
you
thought
of
conceiving
your
baby,
Paa.
Actually,
it
happened
a
very
long
time
back.
I
think
during
the
post-production
days
of
Cheeni
Kum.
I
had
gone
to
meet
Mr
Amitabh
Bachchan
in
his
Mumbai
office
when
I
saw
Abhishek
Bachchan
walking.
It
was
one
of
those
rare
days
when
Abhishek
was
saying
something
very
matured
and
wise
while
Amitji
was
pulling
his
leg
and
behaving
like
a
child.
So
I
thought
that
in
their
last
birth,
Abhishek
would've
been
a
father
to
Amitabh.
So
I
decided
that
if
I
ever
make
a
film
casting
these
two,
I'd
do
a
role
reversal.
And
what
happened
next?
Well,
I
decided
that
I'll
make
a
fantasy
film
one
day
reversing
their
roles.
But
then
I
got
to
know
that
fantasy
will
not
create
the
level
of
interest
I
was
looking
for.
It
had
to
be
a
real
film.
And
if
it
is
a
real
film,
there
has
to
be
some
medical
condition
in
the
kid.
One
day,
I
met
a
friend
of
mine
who
is
a
doctor
and
he
informed
me
of
Progeria
patients.
I
saw
some
videos
of
these
patients
and
gave
birth
to
Auro.
Then,
I
started
writing
Paa.
How
well
did
the
narration
go?
Did
Mr
Bachchan
agree
in
one
hearing?
No,
not
at
all.
I
wrote
the
script
of
the
film
in
one
month
flat
and
it
was
a
very
different
script
from
what
I
finally
wrote.
I
had
written
a
light
hearted
comedy
which
I
narrated
to
Mr
Bachchan
and
he
was
very
quiet.
I
asked
him,
"So
didn't
you
like
it?" Amitji
replied,
"Yeah
I
like
it,
but
it's
very
light.
Isn't
it?"
I,
then
answered,
"I
write
light
hearted
films
and
that's
my
style."
He
questioned,
"Are
you
sure
you
want
to
make
a
light
movie?
And
don't
you
think
that
this
concept
has
the
power
to
be
a
Muqaddar
Ka
Sikandar
or
a
Deewar
or
a
Trishul?"
I
finally
had
to
give
in,
"No
Amitji.
I
have
a
certain
style
and
I'll
stick
to
just
that."
Amitji
was
the
one
who
stressed
on
the
emotional
factor
in
Paa.
It
was
never
an
emotional
film.
I
was
confused
for
five
days
as
to
why
Mr.
Bachchan
was
stressing
on
the
emotional
factor.
That's
when
I
thought
that
if
the
film
had
to
be
real,
emotions
had
to
be
played
with.
The
old
script
was
ripped
apart
and
we
began
writing
the
new
script
once
Mr
Bachchan
came
on
board.
It
took
couple
of
months
to
write
the
new
script.
How
difficult
was
it
to
sell
Paa?
It
was
never
difficult
to
sell
Paa.
Sunil
Manchanda,
who
had
produced
my
film
Cheeni
Kum
was
on
board
from
day
one.
But
it
was
only
on
Amitji's
insistence
that
A.B.Corp
too
decided
to
be
the
second
producer
for
Paa.
He
was
overjoyed
when
I
narrated
him
the
second
draft
and
it
was
an
honour
to
have
him
as
one
of
the
buyers
of
the
film.
How
much
can
one
squeeze
out
of
Mr.
Amitabh
Bachchan
the
actor?
He
has
been
squeezed
quite
a
bit
by
various
directors
(laughs).
He
is
a
supreme
actor.
In
Cheeni
Kum,
I
wanted
to
do
everything
that
Amitabh
Bachchan
wanted
to
do.
He
was
sarcastic,
he
was
witty,
he
was
dry,
and
he
was
serious.
I
wrote
Cheeni
Kum
on
the
basis
of
what
I
felt
Mr
Amitabh
Bachchan
was.
In
Paa,
I
tried
to
everything
that
Mr
Bachchan
was
not.
Paa
will
not
even
have
a
trace
of
Amitabh
Bachchan.
Are
you
doing
something
towards
this
disability?
No,
not
at
all.
Simple
because
the
film
is
not
about
a
Progeria
child's
illness.
It
is
about
a
simple
boy
who
has
a
family.
It
is
a
very
difficult
thing
to
keep
a
screening
for
Progeria
children
because
they
are
very
rare.
There
are
only
about
ten
children
in
India
and
are
still
discovering
them.
We
are
not
trying
to
make
any
media
issue
out
of
it
and
are
not
indulging
in
their
privacy.
How
much
of
a
father
figure
did
Abhishek
Bachchan
come
across?
Abhishek
is
a
fabulous
actor.
He
can
act
anything
and
everything.
For
Abhishek,
it
was
very
simple
and
easy
to
treat
Amitabh
as
his
kid.
Yes,
he
has
done
his
home
work
but
he
was
so
casual
about
it.
The
funny
thing
was
that
when
the
camera
was
on,
they
were
father
and
son,
and
when
the
camera
was
off,
they
were
son
and
father.
It
was
magical.
So
was
Vidya.
To
be
a
mother
of
Amitabh
Bachchan
wasn't
an
easy
thing
to
do,
but
she
pulled
it
off.
How
difficult
was
the
dubbing
for
a
thirteen
year
old
Auro?
(laughs)
It
wasn't
difficult
at
all.
You
won't
believe
it,
but
Mr
Bachchan
dubbed
the
entire
film
in
three
days.
It
was
so
simple
that
he
just
wore
Auro's
teeth
and
dubbed
with
that.
And
your
fascination
with
Illayaraja?
Oh
yes,
he
is
great,
isn't
he?
He
did
my
first
film
Cheeni
Kum
and
he
is
back
again.
But
he
hasn't
done
Paa
because
he
worked
on
Cheeni
Kum.
He
worked
because
he
liked
the
story.
Paa
has
some
good
tracks
and
you
should
listen
to
it.
Did
Paa
take
you
back
to
your
relationship
with
your
father?
Yes
it
did
to
some
extent.
Some
of
the
relationship
with
Auro
and
his
father
is
what
I'd
like
to
have
with
my
dad
too,
but
most
of
it
is
just
purely
fictional.