"Such huge response for LAK was unexpected" - Imtiaz Ali
Imtiaz Ali has done it. And this time he has done it in a big way. In fact in its initial 3 day run at theaters in India, Love Aaj Kal netted Rs. 28 crores. Now this is a terrific figure by all means since Imtiaz's last film Jab We Met had made this kind of money in it's entire lifetime run. Surprised? But well, that's true. While comparisons with Jab We Met (which is now being called as a cult film) are being made ever since the release of Love Aaj Kal, the fact is that the film has firmly established Imtiaz in the top league of directors that has members like Anees Bazmee, Priyadarshan, David Dhawan, Mani Ratnam, Sanjay Leela Bhansali and Ram Gopal Varma who are star film makers in their own right.
As the film manages to hold on well in theaters even on the dreaded Monday, Imtiaz Ali on his way to Chandan cinema (Mumbai) catches up with us to get a sneak peek at how the film is being received in single screen theaters.
Imtiaz,
there
are
reports
that
the
film
is
not
as
strong
at
single
screens
as
multiplexes.
True?
If
you
look
at
collections
then
yes,
they
are
primarily
coming
from
multiplexes.
But
that
was
always
the
intent
and
due
to
this
reason
we
have
screened
Love
Aaj
Kal
at
20+
shows
in
multiplexes
while
at
single
screens,
the
release
has
been
only
at
select
theaters.
In
that
aspect,
you
would
see
comparatively
lesser
money
coming
from
single
screens.
That
doesn't
mean
though
that
Love
Aaj
Kal
is
not
being
accepted
by
audiences
at
single
screens.
Since
Friday
I
have
been
making
rounds
of
Chandan
cinema
and
other
single
screen
facilities
in
Mumbai.
The
film
is
drawing
houseful
crowds
there
ever
since
it's
release.
Really?
True.
In
fact
I
was
talking
to
the
guys
who
sell
tickets
in
black
outside
these
theaters.
They
have
bought
tickets
for
the
night
shows
of
the
entire
week
since
they
are
positive
that
there
would
be
crowds
thronging
in.
That's
the
confidence
they
have
in
the
film
and
I
am
happy
about
it
since
I
firmly
believe
that
their
future
is
connected
to
mine.
It
was
risky
though
to
unleash
such
huge
number
of
prints
in
the
market.
Yes,
it
was
always
risky.
In
fact
we
had
endless
conversations
between
Eros
and
Dinu
(co-producer
Dinesh
Vijan)
to
ask
multiplexes
to
reduce
the
number
of
shows.
But
then
exhibitors
had
a
point
of
view
that
when
audiences
were
standing
there
even
at
odd
hours
to
watch
the
film,
why
should
they
be
sent
back?
They
ultimately
convinced
us
that
it
was
fine
to
go
with
a
larger
number
of
shows.
So
in
a
way,
it
was
a
calculated
risk
that
we
took.
Tell
me
honestly,
have
you
been
able
to
breathe
easy
ever
since
the
Friday
release
of
the
film?
More
than
breathing
easy,
I
am
baffled
with
the
way
public
has
become
today
towards
movies.
They
can
smell
a
good
or
a
bad
film
from
a
distance.
When
you
bring
your
film
in
the
market,
it
is
being
treated
like
a
product
and
everything
becomes
like
a
public
property.
A
film
today
is
becoming
like
a
personality
of
it's
own.
In
this
regard,
Love
Aaj
Kal
too
is
a
personality
which
is
now
living
it's
own
destiny.
The
good
part
is
that
it
has
become
such
a
strong
personality
by
itself
that
it
is
scary!
With
the
kind
of
huge
release
that
Love
Aaj
Kal
has
received,
you
would
have
been
expecting
it
to
open
so
well,
isn't
it?
Honestly,
I
did
expect
a
huge
opening
but
such
huge
response
is
unexpected.
The
numbers
are
mind
boggling
to
say
the
least
and
I
am
now
getting
more
and
more
positive
that
the
trend
would
remain
the
same
over
the
entire
week.
Yes,
I
know
that
some
people
instinctively
liked
the
film
and
felt
a
deep
connection.
Also
there
were
some
who
didn't
like
it.
And
then
there
is
the
third
kind
that
saw
Love
Aaj
Kal
for
the
second
time
and
then
started
liking
it.
Maybe
it
took
them
a
second
viewing
to
get
out
of
Jab
We
Met
hangover.
(Laughs)
Whatever
we
may
think
or
claim,
comparison
with
Jab
We
Met
is
obvious.
There
have
been
people
who
came
to
me
and
said
that
because
of
Jab
We
Met
behind
me,
they
were
a
little
disappointed
with
Love
Aaj
Kal.
They
were
perhaps
expecting
another
Jab
We
Met
but
then
the
point
was
not
to
make
another
Jab
We
Met.
I
am
really
glad
that
Love
Aaj
Kal
touches
unusual
areas.
There
is
a
connection
building
up
for
audiences
in
case
of
Love
Aaj
Kal
as
well;
I
can
feel
that.
Acceptance
of
the
film
has
reaffirmed
my
faith
in
the
fact
that
audiences
have
moved
on
and
have
accepted
something
new.
That's
heart-warming.
In
a
way
it
has
also
helped
the
industry
which
desperately
wanted
a
universal
money
spinner,
isn't
it?
Of
course
as
a
director
I
feel
good
but
more
than
that,
as
a
member
of
the
film
industry,
I
feel
that
this
is
one
movie
that
more
or
less
satisfied
and
thrilled
the
audience.
Can
you
please
elaborate?
See,
I
firmly
believe
that
people
don't
have
to
watch
films
to
survive.
After
all
whether
it
is
Love
Aaj
Kal
or
any
other
film
for
that
matter,
it
can
never
become
a
necessity
in
their
lives.
If
they
watch
a
film
and
get
disappointed
week
after
week,
there
would
be
a
time
in
their
life
when
they
would
eventually
move
on
to
other
methods
of
entertainment.
In
case
of
Love
Aaj
Kal,
it
is
refreshing
that
the
film
has
reinstated
in
the
mind
of
audiences
that
'ye
piucture
toh
dekhni
hi
chahiye'!
When
you
see
such
response
from
audiences,
you
feel
ki
chalo
achcha
hai,
apna
future
set
hai
industry
mein!
But
with
such
money
and
expectations
behind
the
film,
weren't
you
ever
apprehensive
about
going
so
different
in
Love
Aaj
Kal?
I
could
have
gone
by
popular
sentiments
and
made
another
Jab
We
Met.
In
fact
the
appeal
would
have
been
instant
as
well
but
then
I
would
have
questioned
myself
if
I
have
moved
ahead
in
my
career?
Have
I
contributed
to
the
creative
growth
of
the
industry?
Have
I
not
regressed?
I
was
willing
to
take
that
risk
rather
than
choosing
to
safeguard
myself
and
hide
myself
behind
my
past
glory.