"Acid Factory is a Cape Town classic" - Manoj Bajpai
Its five minutes into Acid Factory before it dawns on me that I've seen this psycho somewhere. Oh yes, he played one in Aks and Road too. Before that, he did play a bit of it in Satya too, though it was a compressed version. But he's also Manoj Bajpai, although it takes another five minutes before I accept that this must be true. Yes, it was meant to be. He ain't a pretty boy with a sardonic smile; he ain't a pin-up either. He is just a guy who only knows how to act. He has an edge and a magnetic charm that attracts directors so that they can cast him and every time he is cast, he gives a performance of his life. We meet a man with a heart of steel. The only difference is, it doesn't pump blood, it pumps acting.
Is
Acid
Factory
all
about
style
and
no
substance?
What
makes
you
think
that?
It's
a
very
unique
story
with
a
unique
plot.
Yes,
action
is
a
part
of
it
and
style
is
an
integral
part
of
it
because
you
can't
do
away
with
it
when
you're
working
for
a
White
Feather
Film
Production.
And
yes,
they
present
all
their
male
and
female
actors
very
beautifully.
Acid
Factory
is
a
Cape
Town
classic.
Can
we
relate
to
any
of
the
characters
in
the
film?
Today's
cinema
needs
to
be
believable.
Don't
you
think
so?
I
think
you've
got
it
all
wrong.
If
the
story
is
good,
executed
and
performed
beautifully.
Each
and
every
department
falls
in
place.
If
the
story
doesn't
work,
your
actors
don't
work;
then
what's
the
point
in
having
a
film
that
is
realistic
and
makes
you
believe
in.
I
mean,
there
is
nothing
to
believe.
So
many
films
after
Satya
wanted
to
capture
the
essence
of
Mumbai,
but
they
all
failed
miserably.
So
you
have
to
be
sincere
to
your
script
and
everything
starts
falling
in
place.
You've
worked
with
risk
takers
like
Ram
Gopal
Varma
in
Satya,
Rakeysh
Omprakash
Mehra
in
Aks,
you've
worked
on
Shool,
Road
and
now
Acid
Factory
and
Rajneeti.
Satya
happened
and
people
loved
it.
It
became
successful
because
the
story
was
narrated
beautifully.
Not
only
that,
for
the
first
time
people
were
watching
the
dons
of
Mumbai
walking
and
talking
realistically.
Satya
also
happened
because
Shekhar
Kapur's
Bandit
Queen
happened.
So
Ramu
was
quite
inspired
by
it.
He
wanted
to
make
a
similar
kind
of
film
on
the
underworld.
Thus
Anurag
Kashyap
happened
to
the
film,
Saurabh
Shukla
happened
to
the
film,
Allan
Amin
came
into
the
film.
So
many
new
talents
came
into
the
film
that
all
wanted
to
prove
themselves
and
wanted
to
kill
it
in
the
first
go
itself.
The
risk
paid
off
and
after
Satya
I
kept
on
looking
for
the
risk
takers
and
challengers.
So
that
was
your
focus?
Yes.
My
focus
was
never
to
look
for
a
hit
film
but
for
a
director
or
a
story
which
was
saying
something
new
and
giving
something
new
to
the
industry.
Like
Aks,
Zubeida,
Pinjar
and
Road.
Ramu,
Rakeysh,
Suparn
Verma,
Prakash
Jha,
etc
inspire
me.
All
these
films
and
directors
can
be
termed
as
'classics'
and
I
hope
all
the
films
released
in
the
1990's
like
Satya
and
Aks
and
all
get
a
re-release
in
the
multiplexes.
But
this
is
a
different
era.
How
has
it
changed
from
an
acting
point
of
view
for
you?
As
an
actor,
my
focus
has
never
changed.
I'm
doing
Rajneeti
with
Prakash
Jha.
From
no
angle
you
can
say
that
it
is
the
first
political
film
coming
out
of
Bollywood.
Suparn's
Acid
Factory
happens
in
one
factory.
The
whole
film
is
shot
in
a
factory.
There
are
some
flashbacks
but
most
of
the
happenings
are
inside
the
factory
like
Ramu's
Kaun.
Suparn
is
experimenting
in
his
own
way
with
this
film.
Even
Madhur
Bhandarkar
in
Jail
has
experimented
a
lot
with
my
role
and
the
film.
I'm
sure
you
must've
made
some
mistakes
too?
Yes
I
have
and
I
wouldn't
like
to
name
the
films
nor
the
directors.
I
admit
that
those
were
my
choices
and
I
went
wrong
somewhere.
But
there
are
very
few
films
which
went
wrong
and
that
is
good.
Do
you
learn
the
good
from
the
bad?
You
never
learn
anything
in
life
and
that's
my
theory.
You
encounter
the
same
second
chances
in
different
disguise.
The
film
is
the
same
but
it
has
a
different
form
all
together.
It
may
be
bad
but
may
turn
up
good
for
you.
Can
we
make
an
effort
to
educate
the
audiences
to
accept
different
cinema
than
the
usual
rom-coms?
You
can't
expect
Sanjay
Gupta
to
make
a
Vicky
Cristina
Barcelona.
In
the
same
way
you
cannot
educate
the
audiences
to
accept
different
cinema.
They
will
go
and
watch
what
they
like.
We
are
experimenting
on
many
fronts
today.
Acid
Factory
is
doing
the
same.
It
is
breaking
its
own
barriers.
Actors
are
breaking
it
too.
You're
in
for
a
shock
when
you
see
Dino
Morea
performing
the
scenes.
You
are
in
for
a
shock
when
you
see
a
new
and
an
inspired
Dia
Mirza,
you
see
Fardeen
Khan
walking
in
a
way
that
may
appeal
to
you.
I'm
not
making
this
statement
because
I'm
a
part
of
it
but
because
I've
seen
the
film.
Do
you
make
an
effort
to
surpass
your
previous
best?
I
don't
think
I
can
surpass
my
performances.
I
am
not
brilliant.
Yes,
I
pat
my
back
and
encourage
my
wife
to
appreciate
my
work
but
when
you
are
getting
an
offer
to
perform
something
new,
it's
a
whole
new
script,
a
new
damn
character
and
it'll
rip
your
a**
apart.
That's
the
time
you
start
questioning
your
own
ability,
you
start
having
sleepless
nights
and
you
start
getting
insecure.
I
feel
that
success
hasn't
got
into
my
head.
What
do
you
have
to
say
about
the
media
today?
Free
marketing,
isn't
it?
Actually,
media
is
offering
themselves
to
be
used
today.
They've
never
offered
so
much
before.
Not
during
Satya,
not
during
my
other
films.
They
are
offering
themselves
to
be
manipulated
by
big
banners
for
their
own
films.
But
there
is
something
good
about
the
media
too.
What
is
that?
I
still
remember
one
Hindi
newspaper
wanted
me
to
travel
to
Lucknow
and
Kanpur
for
a
special
screening
of
Satya.
I
was
supposed
to
be
present
there
as
they
were
offering
themselves
as
the
sponsors
for
that
screening.
Ramu
thought
that
it's
a
bulls***
thing.
I
thought
it's
a
great
idea.
So
I
carried
my
own
film
to
Lucknow
and
Kanpur,
used
to
stand
inside
the
projector
room,
monitor
the
loading
and
the
unloading
and
then
I
used
to
go
to
the
audience
and
talk
with
them
about
the
film.
Then
I
went
to
Patna
too.
I
travelled
all
alone
because
Ramu
wasn't
aware
of
such
an
exercise
as
he
did
not
believe
in
it.
You
like
giving
names
to
your
characters
too,
don't
you?
Yes
I
do
but
who
told
you
that?
I
love
names.
I
love
to
give
some
relevant
names
to
my
characters.
Each
and
every
name
has
to
have
some
reason.
I
have
given
the
name
'Mhatre'
to
'Bhiku'.
'Bhiku'
was
Ramu's
choice
and
'Mhatre'
was
my
choice.
Samar
Pratap
Singh
of
Shool
was
my
choice
too.
I
proudly
say
this.
I've
also
given
the
name
to
my
character
in
Kaun.
Though
his
name
is
only
pronounced
once
in
the
film.
I
gave
the
name
'Sameer'
because
he
is
like
a
wind.
He
comes
from
somewhere
and
he
wants
to
blow
inside.
He
is
trying
to
find
his
way
inside.
Is
Sanjay
Gupta
too
intelligent
a
film
maker?
I've
realised
one
thing.
Nobody
takes
Sanjay
Gupta's
intelligence
seriously.
This
man
is
a
well
read
person,
a
well
informed
person
and
knows
exactly
what
he
is
making.
He
is
someone
who
is
interested
in
poetry
and
English
literature.
Ram
Gopal
Varma
only
reads
newspaper
and
according
to
me
he
is
a
fantastic
film
maker.
Shekhar
Kapur
does
not
read
novels
but
he
makes
some
path
breaking
films.
You
have
to
have
a
cinematic
emotional
intelligence
to
be
able
to
become
a
great
creative
personality.
And
you
too
join
the
brigade
of
people
who
don't
attend
Award
functions.
Yes,
I
do.
I
love
to
attend
those
award
functions
because
there
is
a
film
fraternity
going
to
be
there.
You
get
to
meet
all
of
them
and
celebrate
with
them.
They
applaud
for
you
too.
But
all
these
Awards
have
become
a
complete
hoax.
They
have
become
an
event
management.
It's
a
function
where
somebody
is
getting
some
award
which
is
going
to
be
forgotten
one
hour
after
the
event
gets
over.
That's
the
significance
today.