Nanda,
a
star
of
the
'60s
and
'70s
known
for
working
with
new
heroes
of
her
time
relives
the
old
memories.
Daughter
of
producer,
director
and
actor,
Master
Vinayak
(Vinayak
Damodar
Karnataki),
Nanda
was
the
third
born
in
the
family
comprising
of
seven
brothers
and
sisters.
"Sometimes
I
used
to
wonder
why,
in
a
family
as
big
as
mine,
I
was
the
favourite
child
of
my
parents.
My
father
and
mother
(Sushila)
were,
to
me,
like
a
god
and
a
goddess.
My
father
used
to
relate
stories
of
Netaji
Subhash
Chandra
Bose,
Capt.
Laxmi,
Mahatma
Gandhi,
Jawaharlal
Nehru
etc.
My
parents
were
instrumental
in
imparting
high
moral
and
cultural
values
in
all
of
us.
This
is
the
time
when
the
young
girl
dreamt
of
becoming
another
Capt.
Laxmi."
When
Nanda
was
5
years
old,
one
day
her
father
came
up
to
her
and
said,
"You
have
to
work
in
my
film." The
young
girl
was
taken
aback
and
for
a
moment
saw
her
dreams
of
becoming
a
second
Capt.
Laxmi
being
shattered.
"He
tried
his
best
to
cajole
me
in
agreeing
but
I
put
my
foot
down
and
said
"Nothing
doing".
Later
my
mother
pacified
me
into
giving
in,
saying,
"Your
father
loves
you
and
that
is
why
he
chose
you
to
star
in
his
film.
Later
when
Nanda
gave
her
nod,
to
her
surprise,
she
was
told
that
she
would
have
to
play
a
boy
in
the
film.
"I
wondered
why
did
he
have
to
choose
me
when
my
father
could
have
taken
any
of
my
brothers
to
play
a
role?
After
much
explanation
I
agreed
to
do
the
film
and
that
was
Mandir
(1948).
While
making
the
film
my
father
expired.
After
his
death,
Dinkar
Patil
completed
the
film.
Having
tasted
filmdom,
Baby
Nanda
decided
to
do
films
besides
attending
school.
First
she
did
Jaggu(1952)
as
a
child
artiste
in
which
Shyama
was
playing
the
heroine.
In
1954
she
did
Shankaracharya
and
Jagat
Guru.
In
the
same
year
she
did
Angaray
directed
by
K.B.
Lal
that
starred
Nargis
and
Nasir
Khan
and
had
a
good
supporting
cast
that
included
Vanmala,
Jagirdar,
Jeevan
among
others.
"Then
she
did
Dinkar
Patil's
Kuldaivat
followed
by
Shevgacha
Shenga
produced
by
Sadashiv
Row
Kavi
and
directed
by
Shantaram
Athavle.
Once
there
was
a
wedding
at
V.
Shantaram's
place.
"He
called
up
my
elder
sister
Meena
and
requested
her
to
also
get
me
for
the
marriage
but
with
a
saree
on.
I
did
the
same
and
in
the
middle
of
the
party,
Shantaram
came
up
to
us
and
promptly
told
Meena,
"She
is
the
heroine
of
my
next
film."
But
when
Meena
said
that
I
looked
too
young
to
be
a
heroine
of
a
film,
Shantaram
shot
back
saying,
"The
story
of
my
film
involving
a
brother
and
a
sister
demands
a
young
girl
and
I
am
sure
Nanda
will
fit
the
role
perfectly."
The
film
was
Toofan
Aur
Diya(1956)
and
this
was
the
first
Hindi
film
of
Baby
Nanda's
career.
"After
that
there
was
no
looking
back
and
I
decided
not
to
pursue
with
my
studies
any
more.
And
the
girl
Baby
Nanda
became
Nanda."
As
I
changed
tracks,
offers
started
pouring
in
but
I
started
getting
sister-roles.
On
these
lines
I
got
Bhabhi
and
Dulhan
(1957),
Agra
Road,
Pehli
Raat
and
Chhoti
Bahen(1959)
and
Kala
Bazar
(1960),
After
Chhoti
Bahen
became
a
very
big
hit,
people
started
signing
me
as
a
heroine.
I
started
getting
good
offers
and
my
first
few
films
were
Hum
Dono
(with
Dev
Anand
in
1961),
Char
Diwari
(with
Shashi
Kapoor
in
1961),
Aaj
aur
Kal
and
Usne
Kaha
Tha
(both
with
Sunil
Dutt
in
1963).
Soon
big
banners
started
approaching
me
with
good
offers.
"I
excelled
in
doing
emotional
roles.
It
was
said
in
filmy
circles
that
it
was
first
Meena
Kumari
and
then
me
who
excelled
in
doing
emotional
type
of
roles,"
avers
Nanda.
For
Nanda,
romance
didn't
come
when
it
was
needed
the
most;
and
when
it
came,
a
stroke
of
bad
luck
never
allowed
her
to
make
the
most
of
it.
Her
affair
with
Manmohan
Desai
was
shortlived
as
within
two
years
after
their
engagement
on
June
18,
1992,
Desai
expired.
"This
phase
was
the
shortest
and
the
sweetest
phase
of
my
life.
In
this
period
I
came
to
know
what
is
love,
in
fact
I
learnt
the
reason
to
live.
Though
Manji
and
I
never
worked
together,
we
fell
in
love
with
each
other.
"You
are
like
a
goddess
and
am
very
fortunate
to
have
you
in
my
life,"
he
had
said,
recalls
Nanda
adding,
"We
were
supposed
to
get
married.
That
was
the
time
when
my
mother
contracted
Cancer
and
I
being
deeply
attached
to
my
mother
was
constantly
besides
her.
Manji
said,
'I
will
not
marry
you
now.
If
I
do
so,
your
love
will
get
divided
between
your
mother
and
me
and
that
is
what
I
don't
want,' he
had
stressed.
Nanda's
mother
expired
in
1993
while
in
the
following
year
she
lost
Manji.
MEN
WHO
MATTERED
Three
people
influenced
Nanda
the
most
Dev
Anand
In
Kala
Bazar,
Nanda
played
sister
to
the
then
one
of
the
three
'muskeeters'
Dev
Anand.
Devsaab
was
impressed
a
lot
of
my
performance
and
started
treating
her
like
family.
"One
day
he
came
upto
me
and
said,
" Nanda,
one
day
I
will
play
your
hero.
A
year
later
Devsaab
came
to
sign
me
as
a
heroine
for
his
Hum
Dono
in
which
I
played
his
seedhi
saadhi
wife.
The
role,
the
film
and
the
music
were
well-received.
One
day
at
a
party,
he
came
up
and
said,
"
Now
you
will
have
to
play
a
modern
girl
in
my
film
and
incidentally
the
film
was
Teen
Deviyan.
I
saw
that
Devsaab
was
a
man
of
words.
Later
I
found
out
that
he
was
constantly
gauging
my
talent.
I
have
a
lot
of
gratitude
towards
him,"
she
asserts.
Dilip
Kumar
As
a
child,
Nanda
used
to
watch
Dilip
Kumar
films
like
Kohinoor,
Devdas
etc
and
rave
about
him.
"The
first
time
I
met
Dilipsaab
was
at
Bharat
Bhushan's
party.
I
was
a
little
shy
and
was
afraid
to
go
and
meet
him.
As
the
party
went
on,
at
one
time
we
came
face
to
face
with
each
other.
As
our
eyes
met,
he
said,
"
You
are
Master
Vinayak's
daughter.
I
wish
you
all
the
best."
I
found
him
to
be
well-mannered,
well-behaved
and
very
courteous
and
till
today,
he
hasn't
changed
a
bit.
Both
he
and
Sairaji
take
lot
of
care
of
me.
In
fact
they
are
the
ones
whom
I
found
besides
me
when
I
was
in
the
midst
of
bad
times."
Raj
Kapoor
Raj
Kapoor
knew
Master
Vinayak
very
well
through
his
previous
association.
Rajji
was
making
Boot
Polish.
It
so
happened
that
he
was
auditioning
a
lot
of
child
artistes
for
the
film,
among
whom
besides
Baby
Naaz
and
Baby
Tabbasum
I
was
also
present.
After
the
screen
test,
he
called
me
over,
spoke
high
about
my
father
and
then
lamented,
"Sorry,
I
can't
take
you
in
the
film
because
in
no
way
do
you
look
like
a
beggar."
"When
I
was
at
the
twilight
of
my
film
career,
I
met
Rajji
at
Yash
Johar's
party
at
my
best
friend
Waheeda
Rehman's
house.
He
asked
me
why
I
was
not
doing
any
films.
On
my
giving
an
excuse
he
immediately
asked
me
whether
I
would
work
in
his
film.
I
thought
he
was
joking
and
in
the
same
vein
said
'Yes'.
To
my
surpise
on
the
second
or
third
day
after
that,
I
got
a
call
from
Rajji.
"According
to
me,
you
would
fit
the
role
of
Chhoti
Bahu
in
my
film;
would
you
do
it" he
asked.
"Not
before
I
read
the
script."
I
answered.
The
next
day
I
found
Jainendra
Jain
with
the
script
in
my
house.
After
going
through
the
script
I
guessed
that
there
were
three
scenes
where
I
could
score
in
and
I
did
Prem
Rog
opposite
Kulbhushan
Kharbanda.
Among
her
co-stars
Nanda
treats
Sunil
Dutt
and
Rajendra
Kumar
as
the
people
who
played
a
vital
role
in
her
career.
All
the
rest
including
Shashi
Kapoor,
Dharmendra
and
Manoj
Kumar
-
all
newcomers
were
good
to
her."I
have
also
worked
with
Rajesh
Khanna,
Jeetendra,
Sanjay
Khan
and
Sanjeev
Kumar.
But
by
the
time
I
played
my
last
role
as
a
heroine
I
sensed
a
change
of
attitude
in
everybody
and
that
is
when
I
decided
to
leave
films,
" sighs
Nanda.
In
her
life
Nanda
had
few
friends
but
the
ones
she
had
continue
to
be
so
and
close.
Among
her
best
friends
are
Waheeda
Rehman,
Helen,
Shammi,
Asha
Parekh,
Sadhana
besides
Saira
Banu.
"All
of
us
friends
meet
at
regular
intervals
but
it
is
only
Sairaji's
house
that
I
visit."