He
has
clashed
with
the
press
and
has
a
reputation
as
a
firebrand,
sometimes,
but
Vivek
Oberoi's
aggression
is
the
driving
force
that
has
landed
him
some
great
roles
in
films
like
Company,
Shootout
At
Lokhandwala
and
Saathiya.
The
latest
as
a
journalist
in
Rensil
D'
Silva's
Kurbaan
is
no
exception.
He
confesses
about
many
things,
sitting
in
Dharma
Production
office.
His
wrong
choices,
his
trappings
of
stardom,
his
time
with
RGV,
his
time
with
Bebo
and
Saif,
his
intention
to
get
into
a
relationship
and
many
more
interesting
facts.
But
hearing
him
speak
with
razor
sharp
confidence
makes
you
want
to
think
that
he
is
going
to
take
his
second
innings
seriously.
Vivek
Oberoi
is
a
changed
man,
in
his
walk
and
in
his
talk.
Ten
minutes
down
the
interview
you
feel
as
if
you're
talking
to
a
senior
journalist
and
not
an
actor.
Oberoi
is
in
command
from
the
word
go.
We
caught
hold
of
the
underdog
who
has
already
embarked
on
his
journey
to
be
a
top
dog
in
his
second
life.
I
think
you've
always
looked
colourful
in
grey
shades.
Company,
Shoot
Out
At
Lokhandwala
and
your
next
project
Rakht
Charitra
and
who
knows
Kurbaan.
(Laughs)
Thank
you
for
Rakht
Charitra,
but
I
think
it's
a
little
pre-emptive
to
say
that
till
the
film
releases.
In
Kurbaan,
you're
assuming
that
I
play
a
grey
shade.
So
I'll
let
you
live
with
your
assumptions
till
you
see
the
film.
Audiences
like
your
rawness
more
than
the
clean
and
sophisticated
looking
Vivek
Oberoi.
Do
you
get
to
hear
such
things
too?
I
don't
know,
may
be.
I
think
it's
about
performing
a
character
to
the
fullest.
I'm
really
curious
to
know
what
your
reaction
to
Kurbaan
will
be.
My
role
in
Kurbaan
is
that
of
a
journalist,
a
polished
journalist.
He
is
a
pretty
solid
character.
Rawness
also
depends
on
what
the
ambience
of
that
film
is.
Kurbaan
is
a
high
drama
film.
It's
not
the
terrorist
we
hear
of
who
comes
from
a
remote
village
and
dresses
in
some
Pathani
clothes.
These
are
the
people
who
live
in
sleeper
cells
and
you
don't
even
realise
that
they
are
terrorists
and
what
they're
going
to
do.
What
kurbaani
was
given
by
you
to
get
Kurbaan?
From
my
own
level,
a
lot
of
hard
work,
a
lot
of
filming
in
bitter
cold
is
the
physical
kurbaani
I
had
to
give
in.
Mental
sacrifice
was
to
stay
away
from
my
family
for
that
long,
especially
at
the
time
when
26/11
happened.
I
was
shooting
in
Philadelphia
at
that
moment.
It
was
a
scary
experience.
Your
take
on
the
26/11
as
it
approaches
a
year
next
week.
I
am
deeply
hurt
and
disappointed
as
an
Indian.
It's
not
even
a
year
it
happened,
and
at
that
time
it
was
so
much
about
taking
lessons
and
doing
good,
and
right
now
we
are
having
non
issues
grabbing
attention
in
the
print
and
television
media.
All
this
is
speculative
rubbish.
As
people
we
need
to
review
ourselves
how
we
spent
the
last
year.
Are
we
thick
skinned
insensitive
people
that
anybody
can
treat
us
anyway
they
want?
All
we
need
is
a
political
leader
saying
'Move
that
way'
and
we'll
move
that
way.
This
is
utter
nonsense.
We
aren't
even
a
developing
nation.
I'd
call
ourselves
an
emerging
nation.
There
is
so
much
pride
connected
to
India
and
lot
of
expectation
from
the
entire
world
today
and
look
at
us.
We
should
be
spending
this
year
in
trying
to
make
sure
that
the
Mumbai
we
felt
so
much
pain
for,
that
Mumbai
which
was
attacked
and
which
attacked
our
sentiments,
what
have
we
done
for
that
Mumbai?
You
getting
emotional?
Yes,
I
am.
There
are
so
many
children
who
need
health
care,
accommodation
issues,
water,
land,
etc.
You
name
it
and
we've
got
issues.
We've
got
so
many
problems
in
Mumbai.
It's
sad
and
it's
not
we
should
feel
proud
of.
We
haven't
achieved
anything
out
of
it.
I
thought
that
26/11
will
change
our
Mumbai
and
our
country
for
good.
There'll
be
a
revolution.
Sadly,
nothing
has
changed.
Kurbaan
deals
with
terrorism
and
there
were
terrorists
in
Mumbai
when
you
were
filming.
How
spooky
was
it?
You
won't
believe
this.
We
had
a
scene
in
a
sub-way
station
in
the
US
and
at
the
same
time
there
was
an
attack
carried
out
at
our
CST
station
in
Mumbai.
It
was
bizarre.
Life
was
unreal
and
it
was
like
a
twilight
zone
experience.
I
felt
so
much
anger
towards
the
media
in
the
US
that
our
Mumbai
was
being
projected
as
an
unprepared
city.
I
don't
know.
But
I
was
really
hurt.
Your
steep
rise,
then
a
downfall
and
now
looking
to
climb
the
ladder
back
to
the
top.
You've
learnt
it
the
hard
way?
I
think
this
time
around
it's
a
conscious
effort.
I've
also
learnt
to
appreciate
the
value
of
an
opportunity.
Somewhere
I
took
a
lot
of
things
for
granted
in
my
life.
I
spent
about
nineteen
years
of
my
life
wanting
to
be
an
actor.
Till
I
was
about
twenty
three
when
Ramu
cast
me
as
an
actor
in
Company.
It
was
ridiculous
that
within
a
year
of
achieving
my
first
success,
awards
and
getting
all
that
acclaim,
suddenly
I
felt
I
wasn't
hungry
any
more.
My
focus
was
all
over
the
place.
I
was
more
interested
in
my
personal
life,
speculations,
controversies
and
getting
dragged
into
so
much
nonsense.
I
was
known
when
I
came
in
this
industry
for
my
art
and
talent.
Suddenly
I
was
known
for
everything
but
that.
I
accept
that
I
was
to
be
blamed
and
that's
what
you
call
the
trappings
of
stardom.
It
was
a
trap
I
walked
into.
But
having
wasted
so
much
precious
time,
I
feel
different
today
when
I
look
forward
for
my
second
innings.
I
think
I've
traded
my
ego
in
for
humility,
I've
traded
my
innocence
for
my
experience,
I've
traded
my
complacency
for
a
raging
fire
in
the
belly.
Is
Kurbaan
a
pacey
thriller?
Considering
that
it's
a
two
and
a
half
hour
film,
yes
it
is.
Once
my
character
Riyaz
Masood
comes
into
the
film,
the
thriller
begins
and
the
pace
picks
up.
You
play
a
journalist
in
Kurbaan.
What
do
you
know
about
journalists?
What
did
you
research
on?
(Laughs)
I
know
a
lot
about
journalists.
Sitting
on
the
other
side
for
seven
years
is
too
much
of
the
research
done.
I
think
Riyaz
Masood
is
very
different
from
the
Bollywood
beat
kind
of
a
journalist.
I
don't
take
Bollywood
journalism
very
seriously
for
what
it's
made
itself
into.
Today
it's
a
competition
between
who
can
run
whom
down
more.
We
do
have
a
few
journalists
who
are
holding
it
up
right
there
and
not
ready
to
bow
down.
But
most
of
it
is
about
TRP's
now.
Riyaaz
Masood
is
a
serious
journalist
and
that's
what
gives
him
so
much
depth.
Is
Kurbaan
a
burning
debate?
Yes
it
is.
It
is
a
burning
debate
that
terrorism
is
consuming
the
whole
world
now.
After
the
Second
World
War
got
over,
everyone
thought
that
there
will
never
be
any
more
wars.
If
you
notice
today,
the
equivalent
numbers
of
people
have
died
in
conflicts
alone,
sometimes
even
more,
than
the
Second
World
War.
I
think
a
war
between
civil
society
and
fundamentalism
has
grown
so
large
that
it's
become
microcosmic.
Every
individual
that
finds
himself
on
either
side
is
at
war.
Peace
that
is
born
out
of
fear
is
just
a
suppressed
war
waiting
to
explode.
That's
what
Kurbaan
deals
with.
That's
Riyaz
Masood
talking.
Having
worked
with
Bebo
and
Saif
previously
in
Yuva
and
Omkara,
what
changes
have
you
seen
in
them
two?
I
am
hugely
biased
about
Bebo.
She
is
extremely
talented.
I've
loved
working
with
her
from
the
very
first
experience
I
had.
We've
had
a
great
rapport
and
a
great
relationship.
We've
been
really
good
friends
for
a
while.
She
is
adorable.
I'm
seeing
Bebo
blossom
as
an
actor
and
as
a
person
and
I've
got
my
friend
Saif
to
thank
for
that.
He
brings
out
the
best
in
her.
He
makes
her
groom
in
every
sense.
She
compliments
it
completely.
I've
never
seen
Saif
so
calm
and
content
and
happy.
Touchwood,
they
are
my
favourite
Bollywood
couple
for
the
fact
that
they
are
so
real
and
honest
with
each
other.
They
are
regular
friends
who
are
in
a
relationship.
During
Kurbaan's
outdoor
schedule,
Saif
and
I
worked
out
together,
Bebo
and
I
discussed
books,
we
went
out
for
dinners,
etc.
I'm
very
happy
that
they
both
are
together.
And
what
about
you?
I'm
still
single.
I
love
my
space.
But
seeing
both
Bebo
and
Saif
I
think
that
if
ever
I
get
into
a
serious
relationship,
I
want
something
as
real,
as
beautiful
and
as
honest
as
they
share.
It's
lovely
to
see
that.
Was
Kurbaan
one
phone
call
away?
When
I
was
doing
Company
and
was
barely
twenty
days
into
the
shooting
of
the
film,
I
got
a
call
from
Karan
Johar.
I
went,
"Which
one
of
you
jokers
is
this?" Karan
then
stated
that
RGV
called
him
and
showed
him
my
rushes
in
Company.
That's
when
he
said,
"I
think
you'll
go
a
far
way
and
whenever
you
get
time,
do
come
and
meet
me".
Now
here's
this
filmmaker
who
goes
out
and
sees
my
work
and
then
calls
me
up
and
gives
me
confidence.
Kurbaan
was
going
to
be
Nikhil
Advani's
debut
with
me
and
Shah
Rukh
Khan
at
that
time,
thanks
to
that
phone
call.
The
same
Karan
calls
me
up
after
years
and
offers
me
Kurbaan
again.
What
about
Rensil
D'Silva?
It's
very
simple.
I've
put
this
across
to
him
too.
But
today
I
say
this
in
public.
Rensil
D'Silva
is
the
new
Mani
Ratnam.