His
characters
struggle
to
do
the
right
thing
sometimes,
but
as
an
actor,
Abhishek
Bachchan
has
rarely
put
a
foot
wrong.
Critics
love
him,
magazine
writers
fawn
over
him,
and
he's
developed
a
fan
base
like
no
other,
largely
because
his
performances
are
most
often
off-kilter,
angled
and
light,
full
of
soul,
tenderness,
toughness,
sincerity
and
grace,
expressed
through
the
liquid
cadences
of
his
voice
and
his
diction,
his
beautiful
man-boy
face,
and
the
unerring
and
particular
use
of
limbs
to
amplify
and
enhance.
One
could
go
on.
At
1.30
in
the
night,
Abhi
(as
we
love
to
call
him)
arrives
in
his
booked
room
at
the
Rennaisance
Powai
Hotel
where
I
am
waiting
for
him
along
with
his
personal
PR,
Shalmana,
who's
giving
me
company
since
10pm.
A
firm
handshake
and
he
wastes
no
time
getting
down
to
business.
Abhi
has
just
returned
after
finishing
his
first
shot
for
the
film
Crooked
he
is
filming
along
with
actress
Kangana
Ranaut
in
the
hotel.
It's
a
night
shift
from
9pm
to
9am.
At
just
more
than
6ft,
there's
a
lot
of
him.
He's
wearing
jeans
with
a
dark
grey
hooded
jumper
over
his
white
t-shirt.
His
black
hair
is
a
touch
unruly,
his
big
eyes
split
wide
open
ready
to
catch
the
questions
and
his
long
face
all
lit
up
in
a
room
with
dim
lights.
Before
we
begin
our
Q
and
A,
the
actor
quickly
orders
some
food.
He
is
hungry
but
first
thing's
first
-
the
interview.
And
seconds
before
we
start
off,
he
apologises
for
his
late
coming.
But
that's
what
makes
him
Abhishek
Bachchan.
His
generosity
and
honesty
which
pours
out
from
his
heart,
his
respect
and
professionalism
which
he
wears
on
his
sleeves,
and
his
vulnerable
charisma
which
makes
you
think
-
Hang
on!
It's
never
too
late.
In
this
exclusive
interview
with
this
correspondent,
it's
the
first
time
Abhishek
Bachchan
goes
all
out
to
talk
about
his
inspiration,
meteoric
rise,
maturity,
responsibility,
failures,
fans,
family
discussions,
finances,
his
love
for
twitter,
music
and
food,
his
hatred
for
shopping
and
the
word
which
he
thinks
defines
and
will
define
his
career
for
years
to
come
-
'Good
Luck'.
There
was
a
time
when
your
film
career
looked
a
bit
crooked.
But
today,
not
only
films,
but
brands
are
chasing
you
to
get
their
graph
up
straight.
How
do
you
describe
your
meteoric
rise?
It
comes
down
to
good
luck.
I
don't
think
I'm
an
exceptional
actor.
I
don't
think
I
work
harder
than
the
other
actors
do.
In
this
film
industry
you
have
to
work
hard,
you
have
to
slog
and
you
have
to
be
at
your
game
throughout.
I
don't
think
I
do
it
much
differently
to
what
my
colleagues
do.
I've
also
done
enough
work
to
know
that
'luck'
plays
the
biggest
factor
in
all.
May
be
it
just
wasn't
my
time
when
I
started
off
in
this
film
industry.
I
could
give
the
best
performance
and
that
film
may
not
work.
So
my
career
has
boiled
down
to
luck.
How
do
you
describe
your
maturity
when
it
comes
to
decisions
about
what
films
to
green
light,
as
a
producer
of
your
film
Paa,
as
a
husband
and
as
a
proud
son
of
Mr
and
Mrs
Bachchan?
I
don't
put
it
down
to
maturity.
To
be
in
the
film
business
it
is
very
important
to
be
immature.
You
need
to
be
in
touch
with
the
child
within.
That's
where
you
get
the
innocence
and
excitement
from.
We
tend
to
get
very
jaded
and
cynical
as
we
grow
older,
seeing
the
world
around
us
and
the
troubles
that
come
with
it.
It's
very
important
to
retain
a
certain
amount
of
wonder
and
innocence.
The
most
successful
people
in
the
film
fraternity
are
basically
children
at
heart.
We
still
get
excited
when
we
read
a
script
that
grabs
our
fancy.
I've
never
been
the
kind
of
actor
who
has
managed
to
break
down
why
I
should
do
a
film.
I
still
have
this
naive
notion
that
if
you
are
convinced
and
you
put
in
a
convincing
performance,
your
audiences
will
buy
it.
If
I
plot
and
plan
too
much,
somewhere
I'm
not
going
to
get
that
conviction
because
I'm
not
going
with
my
heart
but
going
with
my
mind.
The
decision
to
do
Paa
and
to
produce
it
was
like
a
child
taking
the
decision.
That's
why
it
worked
on
a
conceptual
level.
Has
money
ever
been
an
issue
or
a
dispute
when
it
comes
to
you
signing
a
film
or
talking
about
finances?
Never.
That's
one
thing
I
promised
myself.
I'm
a
professional
who
works
in
a
commercial
medium,
and
nobody
is
doing
charity
here
either
ways.
But
I,
as
an
artiste,
am
not
going
to
allow
finances
and
commerce
to
come
in
between
creativity
because
I
believe
that
I'm
being
dishonest
to
my
craft.
If
I
like
a
script
and
my
producers
tell
me
that
they
can
only
pay
me
one
tenth
of
my
asking
price,
I'm
fine
with
it.
I'm
possibly
the
only
actor
who
hasn't
had
a
market
price
because
I
price
myself
as
per
what
the
film
deserves.
I
don't
want
to
be
known
as
a
commodity.
It's
sad
that
now-a-days
actors
are
treating
themselves
more
as
a
commodity
and
less
as
an
actor.
If
you
can
balance
the
two,
that's
great.
How
responsible
are
you
as
an
actor
to
your
film's
rejection
by
the
audiences?
There
are
two
parts
to
that
and
it's
a
bit
ambiguous.
What
works
is
team
work.
Not
just
one
person
can
be
given
credit
and
discredit
for
that.
My
performance
will
not
be
anything
without
my
co-stars,
my
technicians,
without
the
director,
etc.
It's
a
fact.
If
a
cinematographer
doesn't
light
the
frame
properly,
I'm
not
going
to
be
seen.
If
the
sound
recorder
isn't
recording
the
sound
well,
I
won't
be
heard.
It's
an
audio
visual
medium.
These
same
people
can
also
kill
your
performance.
Because
the
Indian
Film
Industry
is
almost
skewed
towards
the
actors.
If
you
enjoy
the
perks
of
that,
you
should
also
take
blame
for
it.
The
way
you
dress,
people
have
started
calling
you
the
'dapper
dude'.
Talk
us
about
your
brands,
street
shopping,
etc.
I'm
probably
the
world's
worst
person
when
it
comes
to
shopping.
I
hate
shopping.
I
can't
handle
trying
on
clothes.
But
having
said
that,
I
have
an
eye
for
what
I
want
when
it
comes
to
my
films.
It's
very
important
for
me
to
know
what
the
character
looks
like
because
I
believe
that
the
way
the
character
dresses,
determines
a
lot
of
his
persona.
Then
comes
in
the
costume
designers,
the
stylists,
etc.
In
my
personal
life,
I
still
steal
my
father's
clothes.
I
don't
shop
for
myself.
I
have
my
mother,
my
father,
my
sister,
my
wife,
Karan
Johar
and
my
stylist
who
shops
for
me.
What
sort
of
film
discussions
do
you
and
your
family
have
on
the
dinner
table?
When
our
family
sits
together
and
eats
food,
we
never
have
film
discussions.
It's
a
rule
that
my
mother
set
when
we
were
kids.
My
father
would
never
talk
about
films.
While
we
were
kids,
my
grand
father
(Abhishek's
grand
father
was
one
of
India's
most
celebrated
poets
-
Harivanshrai
Bachchan
who
died
in
2003)
would
talk
about
things
like
literature,
world
politics,
events,
his
experiences,
etc.
I
remember
sitting
and
listening
to
all
the
discussions
my
family
members
and
guests
would
come
up
with
while
I
was
a
kid.
It
was
very
educational.
It
wasn't
just
only
films,
films,
films
and
films.
I
read
my
first
film
magazine
when
I
was
eighteen
years
old.
It
was
called
Filmfare.
I
thought
that
it
was
just
an
awards
show.
I
attended
my
first
Filmfare
award
function
when
I
was
eighteen
years
old.
People
say
that
you're
an
underdog.
They
say
that
you
deliver
what's
least
expected
of
you.
It's
weird,
because
when
I
entered
the
film
industry,
I
wasn't
the
underdog.
I
was
Amitabh
Bachchan's
son.
I
was
the
next
big
ticket
that
people
were
looking
forward
to.
What
happened
subsequently
when
my
films
didn't
do
well,
they
all
started
feeling
well
and
the
same
people
made
me
the
underdog.
If
you're
an
actor,
you
need
to
do
your
job.
Sometimes
audiences
will
like
you
and
sometimes
they
won't.
You
have
to
accept
that.
I
do
what
I
want
to
do,
which
sounds
a
bit
wrong
when
you're
working
on
a
public
platform.
But
it's
just
the
nature
of
the
beast.
I
do
the
films
that
inspire
me
to
act.
It's
not
a
decision
I
take
that
I
need
to
be
versatile
and
different.
It
just
happens.
I
never
thought
that
when
Mani
Ratnam
got
Guru
to
me,
that
ok,
everybody
is
building
a
six
pack
and
I
needed
to
put
on
twenty
kilos.
It
wasn't
the
criteria
that
I
was
to
do
a
biopic
which
nobody
of
my
age
had
attempted
before.
I
loved
Guru
because
it
inspired
me.
Do
you
see
yourself
immortalised
in
wax
at
the
famous
Madame
Tussauds?
I
don't
know.
In
some
ways,
it
will
be
a
sort
of
a
family
reunion
of
sorts
at
Madame
Tussauds.
I've
got
my
father
and
my
wife
(Amitabh
Bachchan
and
Aishwarya
Bachchan)
standing
there
in
wax.
Sadly
and
shockingly,
I've
never
been
to
Madame
Tussauds.
I've
never
managed
to
see
Aishwarya
or
my
fathers
wax
statues.
I
saw
my
fathers
wax
work
when
it
came
to
India
for
the
first
time.
Yes,
it
can
be
a
cool
thing
to
be
immortalised
in
wax
but
I'm
not
getting
desperate.