It's
now
true
that
Karan
Johar
really
has
the
formula
to
get
the
crowds
into
the
theatres
by
the
very
brand
that
he
has
created.
From
his
first
film
to
the
last
one,
he
has
been
consistent
and
how.
Not
the
one
to
feel
embarrassed
or
apologetic,
he
openly
declares
that
his
markets
lie
on
the
other
side
of
the
seven
seas.
Indian
audiences
love
his
films
but
the
passion
that
the
Indians
living
abroad
have
for
his
films
is
certainly
insurmountable.
They
love
the
drama,
they
love
the
larger
than
life
sets,
they
relate
to
the
cultures
and
traditions
(that
some
of
the
upper
middle
class
Indians
have
forgone),
they
are
overwhelmed
by
the
festivity
and
are
startled
by
the
fashionable
and
sometimes
OTT
wardrobes
(he
turned
wardrobe
designer
with
Dil
To
Pagal
Hai)of
the
cast.
The
family
system,
the
song
sequences,
the
tear
jerking
scenes,
the
patent
dialogues,
it
all
touches
a
nerve
and
works
like
a
baby.
How
he
does
it,
is
a
big
mystery
but
here
is
an
alchemist
who
turns
nothing
into
gold,
whether
you
love
him
or
hate
him,
he
is
here
for
good
and
his
movies
will
roll
the
moolah
in.
The
beginning
of
the
Transition
His
upcoming
film
as
a
producer,
I
Hate
Luv
Storys,
is
more
than
just
talked
about
on
the
social
networking
site.
The
man
is
all
out
to
promote
it
and
it
shows
that
he
is
making
a
serious
effort
to
divert
from
his
usual
style.
He
did
that
right
after
Kabhi
Alvida
Naa
Kehna.
It
was
a
conscious
choice
that
he
made
with
the
demise
of
his
dad.
He
went
out
to
say
that
his
belief
in
forever
after
and
all
things
love
stories,
is
a
thing
of
past.
Yash
Johar
wasn't
just
a
dad
to
Karan
Johar,
he
was
also
a
guiding
light
for
his
first
two
films
Kuch
Kuch
Hota
Hai
and
Kabhi
Khushi
Kabhie
Gham,
which
went
on
to
be
mega
hits
of
their
respective
year
of
release.
The
last
film
to
come
out
of
Dharma
Productions
before
Yash
Johar's
demise
was
one
on
death
and
loss
of
a
loved
one
titled
Kal
Ho
Naa
Ho.
A
huge
success.
After
such
an
enormous
personal
loss,
Karan
wanted
to
make
meaningful
films,
that
had
a
message
and
showed
reality.
Out
came
from
Dharma
productions
Kabhi
Alvida
Naa
Kehna,
which
was
far
from
being
a
popcorn
romantic
film.
Instead
it
spoke
of
extra
marital
affairs.
The
film,
though
controversial
in
its
own
way,
was
another
feather
in
the
cap
for
KJo.
Dharma
Productions
then
came
out
with
the
likes
of
Dostana.
Far
from
being
larger
than
life
family
drama,
it
was
glitzy,
glamorous
and
even
had
a
take
on
homosexuality,
though
in
a
comic
way.
Wake
Up
Sid,
was
another
young,
hep
film
about
youth
and
growing
up.
The
next
film
that
Karan
wrote
and
produced
was
Kurbaan,
based
on
terrorism
which
something
extremely
Non-Karan,
if
I
can
take
liberty
with
English
language.
Kurbaan
is
a
story
that
had
little
to
do
with
love,
romance,
family
and
the
jazz,
and
a
lot
more
with
racism,
terrorism
and
the
serious
and
global
issue
of
xenophobia.
There
was
certain
scepticism
from
KJo
fans
as
they
wondered
how
the
God
of
screen
romance
had
suddenly
changed
sides,
was
it
an
effect
of
recession?
Kurbaan
had
mixed
reviews;
where
there
was
comparison
with
then
released
New
York
starring
John
Abraham,
Katrina
Kaif
and
Neil
Nitin
Mukesh,
there
were
others
who
thought
that
Karan
had
lost
his
touch.
Then
came
the
Winner
Undeterred
KJo
came
with
My
Name
Is
Khan.
It
came
with
a
lot
of
hype.
It
was
the
first
big
film
of
2010,
SRK
and
Karan
came
together
after
4
years,
while
the
winning
jodi
of
SRK
and
Kajol
came
onscreen
after
9
years.
Shahrukh
Khan's
detainment
at
the
American
airport
had
a
lot
of
people
talking
about
racism
which
was
of
course
the
main
plot
of
the
MNIK,
and
last
but
not
the
least
it
was
after
all
a
'Karan
Johar
film'.
Fear
and
anxiety
was
an
unwanted
company
for
both
KJo
and
SRK
as
they
wondered
how
the
film
would
fare.
KJo
was
obviously
out
of
his
comfort
zone
with
a
film
dealing
with
the
state
of
Asians
and
Muslims
in
the
west
and
also
there
was
tremendous
pressure
due
to
high
expectations
from
the
audiences.
The
film
did
enormous
business
and
got
Karan
raving
reviews
and
where
everyone
thought
he
would
carry
on
with
his
newly
acquired
love
for
the
serious
issues
plaguing
the
world,
he
once
again
took
a
U
turn
and
announced
he
is
going
back
to
doing
what
he
does
best,
making
love
stories.
Back
to
square
one
or
is
it?
Good
news
Bad
news
who
knows,
but
the
truth
being
Karan
Johar
was
recently
in
New
York
looking
for
inspiration
on
the
streets
of
the
Big
Apple.
And
one
of
his
tweets
from
there
read,
"Have
been
walking
streets
and
avenues...hoping
the
aimless
strolls
results
in
a
burst
of
creativity!!
Need
to
find
a
film
this
trip!!" It
should
be
no
surprise
as
his
movies
target
the
film
fanatics
of
the
west,
inspiration
must
come
from
there
as
well.
From
London
to
New
York,
with
the
change
in
style
of
filmmaking,
KJo
has
changed
his
destination
for
inspiration
as
well.
Along
with
his
pals,
Gauri
Khan
and
Sussanne
Roshan,
KJo
even
attended
the
premiere
of
Kites.
Karan
tweeted
"The
girl
gang
from
mumbai
have
arrived
in
nycity!!
Gauri
and
Sussanne
walking
5th
avenue
is
the
sex
and
the
city
sequel
before
the
release."
However,
back
in
the
city,
Karan
is
back
to
business,
busy
promoting
his
next
rom-com
I
Hate
Luv
Storys,
with
which
he'll
launch
another
new
filmmaker,
Punit
Malhotra.
He
also
has
many
more
young
filmmakers
making
their
debut
in
coming
months
under
Dharma's
banner.
Maybe
it's
his
ability
to
move
ahead
with
time
and
make
movies
that
suit
sensibilities
of
people
of
all
ages
makes
Karan
one
of
the
most
successful
filmmakers
in
India.