If people forget me, I'll remind them again – Nana
His personality can daunt anybody, but one smile and you know that he is probably the most approachable man around. He might be famous for his intense acting and aggressive screen persona but he is also someone who can move you to tears in five seconds with a performance so realistic, you feel it's an out of skin experience. Yet again the undeniable Nana Patekar talks about a film that he believes in, that gives him an opportunity to play a character that surely moved him, in conversation with this correspondence, the man with a unrelenting aura, talks about his latest film Tum Milo Toh Sahi, over a cup of coffee.
Movies
are
like
commodities,
actors
and
producers
have
been
promoting
their
work
over
the
years,
but
nowadays
actors
promote
themselves
too
as
a
brand,
talking
about
their
life,
and
activities,
but
never
you,
why
not?
I
am
a
performer
and
in
that
capacity
I
should
be
visible.
See
everyone
has
a
private
life,
some
like
to
talk
about
it
and
some
don't.
It's
true
that
I
am
as
wrong
in
life
as
you
are
why
people
are
interested
in
reading
about
that
is
something
beyond
me.
I
am
happy
like
this.
We
are
sitting
together
today
because
of
this
film,
tomorrow
we'll
meet
because
of
another
film
(he
smiles)
and
that's
fair
I
think.
But
actors
do
this
to
be
in
news
and
to
be
remembered
as
a
brand;
don't
you
feel
the
need
to
be
in
public
memory?
If
people
forget
me
then
I
probably
deserve
it.
I
must
have
the
kind
of
stature
in
this
industry
that
even
if
I
go
away
for
maybe
even
five
years,
I
can
be
rest
assured
that
people
would
still
love
to
see
me
the
same
way
they
used
too.
I
don't
have
that
insecurity.
If
people
forget
me,
I'll
remind
them
again
of
me.
So
what
made
you
choose
this
film?
I
loved
the
script.
Even
though
the
script
does
not
revolve
around
me,
I
am
just
one
character
out
of
the
six
in
this
film
but
I
still
liked
it
a
lot.
This
film
is
essentially
a
love
story....
Uhhh....no!
Not
really!
At
every
juncture
of
our
life
we
have
problems
of
various
kinds
and
these
problems
we
tackle
differently
at
various
ages
in
our
life.
This
concept
has
been
adapted
in
this
film
by
interlinking
different
ages.
So
I
won't
say
that
it's
a
Deewaar,
but
it's
a
film
you
will
surely
identify
with.
Nana
what
did
you
find
unique
about
your
character
in
this
film?
It
wasn't
so
much
about
the
character
for
me,
because
you
can't
see
that
character
in
isolation.
I
tried
to
understand
what
the
film
was
trying
to
say.
When
I
like
what's
being
told
then
I
focus
on
my
role.
I
try
to
see
what
I
can
give
to
that
role.
I
saw
a
lot
of
potential
in
it
and
felt
I
could
do
something
with
it.
It's
not
like
Kranti
where
you
say
one
dialogue.
It's
more
situational.
In
fact
lots
have
been
said
about
relationships
in
big
cities,
the
complication,
the
isolation.
Do
you
think
with
so
many
new
ideas
being
explored
in
Bollywood,
such
a
simple
film
would
really
stand
out?
Whether
it
does
or
does
not,
I
don't
really
care.
I
leave
it
to
the
one
above.
The
point
is
whether
I
like
it
or
not
and
I
like
it.
Exactly
why
I
am
sitting
and
giving
this
interview.
I
am
a
selfish
guy.
(At
this
point
a
young
teenager
walks
up
to
Nana
Patekar
and
asks
him
to
help
him
become
an
actor.
Nana
assures
him
and
gives
him
confidence.
He
pats
his
back
and
tells
him
not
to
be
scared
and
live
his
dream.
'All
big
actors
made
it
this
way'
he
tells
the
boy.
Then
he
continues)
I
had
no
idea
whether
Krantiveer
would
work
or
not,
Agni
Saakshi
would
work
or
not.
The
only
thing
I
knew
was
that
I
must
do
my
work,
be
present
100%
and
mould
myself
into
the
role.
Now
whether
people
will
like
it
or
not,
then
if
I
would
judge
I
would
say
yes.
Something
must
be
there
that
made
me
like
it
and
made
me
do
it
right?
So
the
story
that
is
based
on
you
and
Dimple
Kapadia,
is
about
a
relationship
based
on
love.
Can
you
explain
it?
It's
not
the
typical
love,
it's
different.
That
age,
the
one
I
play,
has
a
different
need
in
life.
Like
when
one
goes
home
tired,
you
wish
there
is
someone
who
gets
a
glass
of
water
and
gives
it
to
you
in
your
hand,
it's
not
about
water.
I
can
take
my
water
myself
also.
But
it's
the
concern
that
says
'Are
you
tired?
Should
I
make
tea
for
you?'
Or
maybe
makes
tea
without
even
asking
you,
sits
next
to
you,
it
gives
you
that
security,
that
assurance
that
there
is
someone
for
you
in
this
world,
that
you
too
hold
meaning
for
somebody.
That's
the
relationship
Dimple's
and
my
character
has
in
this
film
(At this point a young-ish boy gets coffee for Nana and he asks the boy's name. When he replies, Nana asks him why is he doing this job and encourages him to study further and get out of this business of serving tea and coffee to everyone. The boy smiles and assures Nana that he would take his advice for sure)
Working
with
many
youngsters
in
this
film,
did
you
ever
find
them
getting
intimidated
or
idolising
you
at
any
point?
It's
really
just
up
to
you
how
you
make
someone
comfortable
with
you
or
become
comfortable
with
them.
It's
not
necessary
that
they
would
get
scared
of
you,
sometimes
even
we
get
scared
of
them
yaar,
you
don't
get
how
they
work
at
all.
Do
you
think
actors
these
days
are
better
prepared?
Taking
acting
classes
has
sort
of
become
the
norm.
You
can't
learn
much
from
these
acting
schools.
Acting
is
something
you
learn
from
your
experiences
through
life.
To
understand
how
you
would
react
to
situations.
Those
kind
of
nuances
only
life
can
teach
you,
what
an
acting
school
can
give
you
is
the
know
how
of
the
technical
aspects
of
filmmaking.
Having
been
part
of
Bollywood
since
so
many
years
and
having
done
numerous
film
and
roles,
is
there
one
that
you
still
wish
to
do,
which
can
be
classified
as
your
dream
role?
That
can't
happen.
At
least
now
it
can't
happen
with
my
age.
When
I
first
came
in
the
industry
it
was
my
dream
to
do
a
Bhagat
Singh.
If
it
would've
been
offered
back
then
I
would
be
the
luckiest
and
happiest
chap,
but
in
today's
time
and
age
it
doesn't
hold
true.
But
there
are
some
roles
that
only
you
would
be
able
to
do
thanks
to
age
and
experience,
something
that
a
fresher
can
never
do.
Is
there
anything
that
your
heart
would
love
to
do?
For
example
Amitabhji
has
roles
written
keeping
him
in
mind.
Now
see,
Sachin
Tendulkar
stays
in
the
team
is
not
a
coincidence,
it's
his
performance
that
keeps
him
there.
Similarly
Amitabh
Bachchan
has
proved
his
mettle
so
it's
only
justified
that
roles
are
written
for
him.
It's
not
something
a
newcomer
can
obviously
demand.
As
for
me
wishing
for
a
specific
role,
not
really.
Any
and
every
role
that
comes
my
way
is
a
first
of
its
kind
and
the
last.
I
will
work
hard
on
it.
I
won't
ask
people
but
introspect
and
judge
where
am
I
standing
today
and
how
far
have
I
come.
Do
I
have
what
it
takes,
am
I
a
worthy
performer.
I
don't
have
a
thing
to
prove
to
anybody
but
myself.
Even
though
the
performance
is
for
the
people
but
unless
I
am
happy
I
am
incapable
of
keeping
my
audiences
happy.
When
I
am
happy
and
people
are
happy
I
know
I've
done
my
job.
People
have
always
looked
at
you
as
an
extremely
intense
actor
who
is
easily
triggered.
Someone
full
of
aggression.
Have
you
ever
consciously
tried
to
get
that
stereotype
off
you.
See,
I'll
explain
this
one
to
you.
Khamoshi
was
one
unique
sort
of
role,
Prahaar
was
extremely
different,
Agni
Saakshi
was
different,
a
more
romanticised
role
was
in
Parinda.
That
streak
of
aggression
is
in
everyone,
in
you
and
in
me.
What
triggers
me
is
the
question
that
why
is
it
happening,
the
suffocation
and
the
anger
of
it
that
has
been
suppressed
inside
of
me
comes
out
in
my
performance.
When
you
were
offered
this
role
in
Tum
Milo
Toh
Sahi,
of
a
south
Indian
middle
aged
guy,
did
you
ever
consciously
feel
like
doing
something
different
with
this
one?
This
one
is
interesting;
you
can
figure
that
out
from
the
get
up
itself.
He
is
a
meek
guy,
a
complete
loner.
According
to
me,
he
has
his
share
of
eccentricities,
and
he
is
extremely
whimsical.
This
is
an
outcome
of
the
fact
that
he
is
all
by
himself.
When
his
loneliness
passes
him
by,
he
is
a
different
person.
Like
some
people
forget
to
laugh,
it's
not
like
they
don't
know
how
to
or
they
have
never
laughed
in
their
life,
but
they
get
used
to
not
laughing,
especially
such
events
are
happening
in
their
life
that
they
never
find
the
opportunity
to
do
so.
He
is
like
that.
You
say
that
you
give
a
performance
based
on
you
experiences,
so
when
you
played
this
character,
did
you
have
an
image
in
your
head
that
you
were
trying
to
project?
When
you
give
a
performance
you
don't
just
have
'an'
image,
you
take
a
collection
of
experiences
and
pick
out
of
those
that
make
sense
and
that's
the
blend
that
you
see
on
screen.
All
the
things
you
can't
pick
up
from
one
character
in
your
life.
There
was
this
similar
kind
of
guy
who
used
to
live
around
my
place.
He
was
always
like
'Why
is
this
like
this?
Why
is
the
staircase
so
wet?'
He
and
his
wife
used
to
live
together.
And
he
would
always
complain
even
if
I
tried
explaining
that
we
wash
the
staircase
once
a
week
and
he
would
still
say
"why
is
it
wet
now,
why
wasn't
it
wet
in
the
morning?
Why
in
the
afternoon?
Someone
would
fall
and
break
their
leg
this
way..." So
that
man
would
always
fight.
And
I
would
always
ask
him
to
leave
it
and
forget
about
it
and
he
would
talk
in
this
particular
way
"Arey!
What
is
this?
See
naa
these
people
I
have
told
them
several
times
and
they
are
failing
to
understand.
See
this.
You!
Come
here
come
here,
tell
Mr.
Patekar
what
I
asked
you?"
But
I
would
never
get
irritated;
I
would
in
fact
build
a
conversation
with
him.
Because
I
used
to
find
him
extremely
entertaining,
I
guess
there
is
a
part
of
him
in
the
character
I've
played
in
this
film.
You
and
Dimple
have
come
together
after
a
long
time.
Did
the
years
between
matter?
Those
twenty-thirty
years
just
fly
away
when
you
meet
your
fellow
actors
again.
You
don't
have
to
take
efforts
to
act
together
again,
it
just
fortunately
happens
on
its
own.
It
just
comes
from
within.
We
all
know
Dimple
is
one
of
a
kind
but
as
a
fellow
actor
how
did
you
mark
her
performance
in
the
film?
Oh!
She
is
really
good
and
Dost
hai
mera
woh!
She's
my
really
good
buddy.
So
are
there
any
hidden
expectations?
No!
I
am
not
expecting
anything.
You
did
your
work,
the
dubbing
is
done,
and
your
work
is
done.
Now
whether
the
film
fares
well
or
not
is
not
in
my
hand.
What
I
do
expect
is
that
people
come
and
watch
this
film.
There
are
so
many
films
that
you
think
are
rubbish
and
they
do
really
well
and
you
wonder
why?
I
won't
name
them.
You've
been
in
this
industry
for
long.
And
a
lot
has
changed
in
Mumbai
city
since
then.
This
film
too
is
based
on
the
complexities
of
a
big
city.
Did
you
realise
in
the
making
that
too
much
has
changed?
Oh!
A
lot
has
changed.
In
fact
ninety
percent
has
changed.
I
can't
even
relate
to
it.
Even
the
character
I
play
does
not
understand
the
relationship
at
all.
He
is
absolutely
innocent
about
it.
He
doesn't
know
what
it
is
exactly.
Can
you
imagine
at
the
age
of
sixty
you
are
getting
the
feelings
of
someone
at
the
age
of
18
or
19?
You
know
that
kind
of
a
feeling?
It's
a
weird
kind
of
a
feeling.
It's
not
physical,
it's
like
those
butterflies
in
your
stomach,
it's
weird
and
this
man
doesn't
even
know
what
relationships
are.
The
whole
life
has
gone
by
taking
care
of
your
parents
and
now
he
is
alone
and
that
loneliness
is
killing
him.
Earlier
when
the
mother
was
there,
he
would
come
back
and
dedicate
himself
to
his
mom
and
now
that
his
mom
is
gone,
he
has
no
life.
There
is
a
swing
at
home
but
how
much
will
you
swing?
What
would
you
always
remember
this
movie
for?
Any
special
moment?
The
whole
film
actually.
The
day
my
work
was
done
I
felt
really
bad
thinking
I'm
not
going
to
be
part
of
this
unit
now.
I
did
feel
bad
and
that
happens
very
rarely.
Sometimes
you
secretly
wish
that
the
film
would
get
over
so
you
can
go
away.
Whereas
here
when
it
was
going
to
end
there
was
a
feeling
of
sadness.
It's
a
good
feeling
in
a
way
to
feel
bad
about
it
(he
smiles)
What
about
your
rapport
with
Kabir?
There
is
quite
an
age
and
experience
difference
between
you
two.
It
was
fantastic.
I
didn't
hit
him
even
once
(he
says
jokingly
and
smiles).
And
as
for
experience
and
age,
clarity
in
a
director
is
very
important
and
luckily
he
had
that.