It
is
and
has
always
been
a
reminder
to
the
rest
of
the
world
that
Indian
politics
-
seen
here
as
the
fast
track
to
wealth
-
is
a
no-holds-barred
affair.
The
problems
are
many.
It's
a
self-perpetuating
cycle
of
corruption
that
has
carried
over
since
the
days
of
the
British
Raj
and
beyond.
But
then
again
we
question
ourselves
-
What
is
politics?
It's
the
question
which
has
no
answer
because
it
was
never
a
question.
Politics
has
become
a
part
of
our
daily
life.
It
has
infiltrated
our
minds
to
such
an
extent
that
anything
we
do
or
have
done
seems
all
politically
correct
because
the
two
pillars
of
political
correctness
are:
Intractable
ignorance
and
a
steadfast
refusal
to
face
the
truth.
So
what
is
politics
then,
I
repeat.
The
answer
is
loud
and
clear:
It
is
'Money'
which
is
soon
followed
by
'Power',
then
'Corruption'.
It's
all
that
we
need
to
stay
alive
today.
But
as
the
famous
Will
Rogers
quotes,
"Politics
has
become
so
expensive
that
it
takes
a
lot
of
money
even
to
be
defeated." This
correspondent
presents
you
a
special
two
part
conversation
with
the
man
behind
an
epic
called
Raajneeti,
a
politician
who
isn't
actively
involved
in
politics,
but
is
more
active
and
awake
than
any
other
politician
-
Prakash
Jha,
the
director
who
is
going
to
take
us
on
a
journey
where
love,
passion,
power,
corruption
and
betrayal
is
what
it
takes
to
become
a
true
politician.
Humane,
isn't
it?
Politics
-
A
part
of
us
It
is
a
natural
part
of
any
man's
life.
Throughout
the
day,
the
month,
the
year,
the
life,
you're
constantly
negotiating.
You
create
choices
and
pick
up
what
is
good
for
you,
and
in
that,
the
consideration
for
others
are
always
sidelined.
That
is
how
I
am
dealing
with
politics
or
you
may
say,
Raajneeti,
in
my
film.
I
am
not
going
into
the
intricacies
of
democracy
which
I
think
is
quite
a
farce.
In
our
country,
once
you
have
pressed
the
button
of
the
EVM,
democracy
ceases
to
operate.
I
consider
the
relationship
between
a
husband
and
wife
&
father
and
child
political.
The
media
has
been
constantly
saying
that
Raajneeti
characters
are
inspired
from
the
Mahabharata.
I'd
say
'No'
Mahabharata
-
The
old
politics
The
media
has
been
constantly
saying
that
Raajneeti
characters
are
inspired
from
the
Mahabharata.
I'd
say
'No'.
It's
not
us
choosing
the
characters;
it
is
the
characters
from
the
Mahabharata
that
chose
us.
When
the
first
draft
of
the
story
in
2004
was
ready,
the
idea
was
to
try
and
understand
the
equations
of
democracy
and
share
it
in
a
fictional
form.
But
when
I
started
working
on
the
characters,
I
realised
that
knowingly
or
unknowingly,
the
characters
were
gearing
towards
the
characteristics
of
the
Mahabharata
characters.
Then
Anjum
and
I
created
a
family
and
created
a
drama,
just
like
the
Mahabharata
family.
And
the
aim
is
the
same
-
to
gain
power...but
the
question
asked
is
-
at
what
cost?
Which
is
what
the
epic
Mahabharata
was
all
about.
It's
only
in
the
end
that
you
realise
that
the
victory
has
made
you
lose
everything.
Prakash
Jha
Raajneeti
-
The
awakening
We
are
not
intending
to
make
a
direct
message
oriented
film.
No.
We
have
created
a
drama
and
eventually,
there
is
a
scene
in
the
film
where
one
of
the
protagonist,
who
has
been
forced
to
play
politics
and
who
later
plays
the
darkest
politics
begs
forgiveness
from
everybody
he
has
hurt.
Some
do
forgive,
some
do
not
and
eventually
he
is
the
one
who
gives
out
a
message
-
'This
is
not
politics.
This
is
not
what
I
intended
to
do.' But
that
apart,
there
are
several
issues
that
are
beyond
this
film.
Today
I
ask
the
question,
"What
have
we
achieved?"
not
only
India
but
the
rest
of
the
world.
You
have
such
super
powers
like
Russia
turning
democratic
from
the
socialists.
But
what
kind
of
democracy
is
this
where
Putin
manipulates
himself
to
become
the
P.M.
In
every
which
manner,
it
is
the
power
and
persistence
to
rule
and
your
desire
to
be
above
all
that
makes
a
profession
called
politics.
Prakash
Jha
-
A
political
player
I
would
like
to
clarify
that
I've
never
been
an
active
political
player.
I've
never
been
on
a
platform
for
any
political
party.
I've
never
shared
a
platform
of
any
political
ideology.
I've
never
spoken
for
or
against
any
political
party
too.
For
me,
politics
means
development,
and
that
immediately
translates
into
economic
welfare.
If
you
educate
people,
you
need
to
create
jobs
for
them.
If
you
make
roads,
you
need
to
create
industries
and
businesses
to
gain
revenue.
If
you
make
public
investments,
you
have
to
make
sure
there
is
also
a
private
investment
happening.
The
wealth
generation
has
to
reciprocate
the
investment
which
is
made.
We
take
money
from
public
and
filter
our
own
profits.
Such
is
the
cycle
of
corruption.
If
you
look
at
a
constituency
in
Bihar
today,
and
you
go
ten
kilometres
from
the
district,
you're
back
into
the
last
century.
There
is
not
a
single
hospital
in
the
entire
North
Bihar
which
can
save
the
lives
of
the
people.
My
NGOs
and
I
have
actively
been
investing
and
trying
for
the
past
seven
years
to
create
industries,
health
care
centres
and
run
hospitals.
In
fact,
we
have
set
up
the
first
mega
multiplex
in
Bihar
which
is
to
be
commissioned
in
July.
Nothing
can
go
beyond
the
script,
not
even
the
performance
Strong
performers
and
performances
Nothing
can
go
beyond
the
script,
not
even
the
performance.
The
narrative
is
the
power
of
the
script.
When
you
look
at
Arjun
from
Mahabharata,
you
never
see
him
shouting,
showing
off,
etc.
He
is
very
subtle
and
calm.
Arjun
is
not
like
Bheem.
Whereas,
Bheem
is
in
your
face,
aggressive
and
will
take
his
'gada'
(the
weapon
he
uses).
Similarly,
Duryodhan.
Now
if
you
look
at
it
from
Duryodhan's
point
of
view,
you
do
feel
that
he
was
denied
his
heritance.
Mahabharata
is
a
marvellous
piece
of
work
which
has
created
every
possible
situation,
incident,
character,
characteristics,
etc.
Look
at
them.
Krishna,
Karna,
etc.
What
an
epic!
Prakash
Jha
The
dialogues
There
are
very
interesting
dialogues
in
Raajneeti.
They
had
to
be
strong
yet
understood
and
yet
political
in
nature.
There
is
a
scene
in
the
film
between
Ajay
Devgn
(Karna)
and
Nana
Patekar
(Krishna)
which
is
edited
out
of
the
film
but
I'll
tell
you
anyway.
Nana
manoeuvres
and
manipulates
Ajay's
candidature
from
Azad
Nagar.
Very
sarcastically,
Ajay
says,
"Aap
ne
jo
faisla
liya
hain,
bilkul
sahi
liya
hain."
(What
decisions
you've
taken
are
right)
Nana
replies
to
Ajay
by
saying,
"Raajneeti
mein
faisle
sahi
ya
galat
nahin
hote.
Unka
mol
hai
sirf
maksad
pane
ka."
(In
politics,
there
is
nothing
as
right
or
wrong.
Politics
is
a
way
to
achieve
whatever
however)
There
is
also
a
dialogue
from
Ajay
Devgn
when
he
addresses
one
of
the
old
aged
guys,
"Lok
Tantra
ka
matlab
yahi
hota
hai
ki
aap
ko
azaadi
hoti
hai
ki
aap
apne
upar
attyachar
karne
wale
ko
khud
apni
marzi
se
chun
sake."
(Democracy
means
that
you
have
the
right
to
choose
the
corrupt
politicians)