Whether expressing his love for his wife (Priya Mani, over-madeup) and baby or hatred for his opponent Paritala Ravi (Vivek Oberoi, not able to add to his performance from the first part) Surya's eyes convey a smoldering universe of indignation injustice grief and anger.
Cleverly Varma has given Surya long stretches of silence in which the star-actor negotiates his angst-filled journey from betrayal to redemption. Surya's lengthy introduction sequence, the even lengthier attempt to kill him in the court house and the long fight sequence in jail are all 'items' constructed to spotlight the star's agile histrionics.
Rakta Charitra 2 goes a little slower on the body count than the first part. It is still one of the bloodiest most violent films in living memory.
This must be the quickest sequel ever. Rakta Charitra 2 is better more engaging and riveting in terms of content and drama. Full credit to Ram Gopal Varma for re-creating the savage world of politics and bloodshed in the Andhra hinterland. With skilled hands Varma weaves the theme of an internecine war between two men who would be king in the concrete jungle.
The background score and editing highlight the ruthless profile of the hinterland. Rakta Charitra 2 goes beyond the first part in pursuit of the savage impulses that accentuate the hunger for power. Surya has the most pained eyes since Om Puri in Aakrosh. Between the pleading and the bleeding that are projected into his character, Surya proves himself the discovery of the year.
Watch Rakta Charitra 2 for Surya. And then watch it for the parable of violence that Ram Gopal Varma continues to construct in search of a meaning for the cinema beyond surface beauty.