The
pre-release
publicity
of
director
Milan
Luthria's
movie
The
Dirty
Picture
and
the
Censor
Board's
'A'
certificate
for
the
film
had
created
an
impression
among
the
critics
and
the
audience
that
it
is
a
sex
and
sleaze
movie.
Many
critics
were
even
gearing
up
to
attack
actress
Vidya
Balan's
sheer
audacity
in
the
film.
But
the
first
screening
of
The
Dirty
Picture
changed
everyone's
impression.
The
film
critics,
who
planned
to
condemn
Vidya
for
accepting
this
offer,
appreciated
her
bold
performance
and
praised
her
sublime
idea
behind
portraying
sex
siren
Silk
Smitha
on
big
screen
to
sky
high.
They
even
said
that
she
will
walk
away
with
all
the
awards
reserved
for
heroine's
role.
Here
are
the
opinions
of
some
of
the
film
critics.
On
The
Hindu,
Sudhish
Kamath
writes,
"Vidya
Balan
performs
with
an
attitude
that
Scarlett
may
never
be
capable
of.
This
is
the
single-most
boldest
performance
by
a
woman
in
the
history
of
Indian
cinema
not
because
of
the
reels
of
cleavage,
in
almost
every
frame
in
fact,
but
because
of
the
large
frame
she
flaunts
and
carries
off
on
screen
in
an
age
where
heroines
are
called
fat
if
they
cannot
maintain
a
size
zero
figure."
On
Rediff,
Raja
Sen
writes,
"The
Dirty
Picture
is
Vidya
Balan's
show
all
the
way." He
adds,
"Balan
exultantly
runs
with
it,
making
the
character
her
own
with
remarkable
commitment
to
the
role.
There
is
no
vulgarity
--
even
when
she
writhes
awkwardly
and
desperately
around
a
whip
--
simply
because
Balan
visibly
chooses
to
have
a
helluva
time.
She
might
not
match
the
legend
whose
name
she's
borrowed
in
terms
of
sheer
screen
raunch,
but
outdoes
her
with
an
assault
of
unashamed
oomph."
On
Times
of
India,
Gaurav
Malani
writes,
"It
goes
without
saying
that
the
film
belongs
to
Vidya
Balan
and
she
does
absolute
justice
in
playing
her
part
to
perfection.
Not
only
is
she
bold
in
terms
of
her
body
language,
she
comes
up
with
an
audacious
act
and
brings
out
the
inner
turmoil
and
pathos
of
her
character
effortlessly."
On
India
Today,
Kaveree
Bamzai
writes,
"She
(Vidya)
may
not
be
earthy
enough
for
critics
who
have
lusted
after
the
real
Silk
in
their
youth.
But
she
is
all
woman,
and
she
is
all
sensuousness
in
a
performance
that
is
brave,
bold
and
completely
natural." Kaveree
adds,
"Balan
is
indeed
a
woman
of
our
times,
where
public
samaan
dekhti
hai,
dukaan
nahin.
Silk
is
a
character
worthy
of
her."
On
Glamsham,
Martin
D'Souza
writes,
"Vidya
Balan
disappears;
it's
Silk
that
emerges
on
screen." He
adds,
"Vidya
lives,
breathes
and
executes
the
character
to
the
'T'."
On
Koimoi,
Komal
Nahta
opines,
"Vidya
Balan
deserves
the
highest
praise
for
accepting
the
role
of
an
actress
who
wears
sex
on
her
sleeve
and
for
delivering
a
flawless
and
absolutely
uninhibited
performance.
She
seems
to
have
submitted
herself
completely
to
her
director
and
to
the
demands
of
the
script
and
has
acted
so
naturally
that
it
is
difficult
to
imagine
anyone
else
doing
what
she
has
done
in
the
film.
She
would
easily
bag
every
best
actress
award
this
year
for
her
remarkable
show
of
talent."
On
DNA
India,
Aniruddha
Guha
feels,
"Vidya
Balan
pulls
off
Silk
in
a
manner
no
current
female
actor
can."
He
adds,
"Vidya
brings
all
that
--
the
flamboyance,
the
sensuality,
the
heartbreak
--
to
her
role
(and
without
coming
across
even
a
tad
vulgar)."