When
Preity
Zinta
had
to
share
screen
space
with
a
cobra
for
the
lengthy
and
dramatic
climatic
sequence
in
Deepa
Mehta's
Heaven
On
Earth,
the
director
wasn't
really
sure
whether
Preity
would
be
able
to
carry
of
the
reptilian
act
without
the
actor
succumbing
to
the
fear
factor.
Recalling
the
harrowing
episode
from
the
shooting
of
her
most
important
film
to
date
Preity
says,
"I
had
to
put
my
hand
into
a
hole
in
the
ground,
take
out
this
big
long
snake
and
not
just
hold
it
but
also
put
it
around
my
neck.
It
was
a
harrowing
in
the
script.
I
wondered
how
I'd
manage
on
camera."
Preity
had
nightmares
before
they
shot
this
crucial
sequence.
"Deepa
wasn't
sure
I'd
be
able
to
do
it.
So
she
suggested
a
digital
snake
instead
of
a
live
one.
It
would've
looked
as
authentic
if
not
more,
because
the
movements
of
a
digital
snake
would
be
more
controllable."
But
somehow
Preity's
heart
and
art
were
not
in
the
artifice.
"The
whole
film
is
about
getting
as
real
as
possible.
It
didn't
make
sense
at
that
late
stage
to
suddenly
swerve
into
a
digital
kind
of
filmmaking
after
Deepa
and
I
had
gone
through
so
much
to
make
sure
everything
was
as
authentic
as
possible."
Preity
shot
with
a
real
snake.
"And
it
went
surprisingly
well.
After
I
got
over
my
initial
revulsion
and
fear
I
was
fine
with
the
snake.
People
who
have
seen
Heaven
On
Earth
wonder
how
I
could
take
such
a
long
snake
around
my
neck.
But
isn't
that
what
true
acting
is
all
about?"
The
film
has
episodes
from
Girish
Karnad's
play
Naag
Mandala
where
the
battered
wife
imagines
the
naag
devta
transforming
into
a
caring
loving
husband
as
an
alternative
life
to
her
nightmarish
reality.
"The
snake
is
almost
my
second
co-star
after
Chand
who
plays
my
husband.
I
couldn't
shirk
away
from
it."
Incidentally,
not
too
many
of
our
Bollywood
queens
have
shot
with
real
snakes.
Pooja
Bedi
it
did
in
Jagmohan
Mundra's
Vish
Kanya.