Prime
Focus,
with
its
wide
range
of
services
including
Cameras,
DI
and
VFX,
has
always
been
part
of
most
Bollywood
projects
in
one
way
or
the
other.
But
for
the
first
time,
Prime
Focus
has
not
only
provided
the
aforementioned
services
but
also
film
prints
and
Digital
Cinema
Masters
for
Sanjay
Leela
Bhansali's
visual
extravaganza-
Guzaarish.
Prime
Focus'
DI
team
was
lead
by
Rohan
Desai,
Chief
Colorist
and
DI
head,
who
has
also
graded
SLB's
Black
and
Saawariya
in
the
past
said,
"Like
Sanjay
Leela
Bhansali's
Black
was
a
turning
point
for
DI
in
this
industry,
Guzaarish
will
be
a
turning
point
for
Prime
Focus,
as
the
true
one-stop
shop
not
only
to
deliver
complete
top-quality
DI
and
VFX
work,
but
also
to
deliver
the
final
film
prints
and
digital
copies,
which
is
what
the
audience
will
see.
It
is
a
mark
of
our
veritable
integrated
services
profile."
Sanjay
Leela
Bhansali's
movies
are
always
a
visual
splendour.
The
Prime
Focus
team
has
worked
on
some
really
challenging
and
spell
bounding
VFX
shots
for
Guzaarish.
Leading
the
team
were,
Merzin
Tavaria,
Chief
Creative
Director
and
Reupal
Rawal,
Sr.
VFX
Supervisor,
Prime
Focus.
Talking
about
the
VFX
of
the
film,
Merzin
said,
"Having
worked
with
SLB
earlier,
we
understand
his
creative
sensibilities.
We
worked
on
some
really
complex
VFX
shots
for
Guzaarish.
All
of
Hrithik's
magic
tricks
needed
to
have
a
very
ethereal
feel
to
it.
We
worked
on
each
of
these
shots
with
a
lot
of
attention
to
detail
to
make
it
look
as
seamless
as
possible,
so
you
can't
really
tell
the
difference
between
reality
and
illusion."
Talking
about
the
experience,
Reupal
Rawal
said,
"We
are
extremely
honoured
to
have
been
associated
and
have
contributed
to
the
success
of
Guzaarish
with
our
VFX.
I
would
like
to
thank
SLB
for
trusting
our
creative
expertise.
It's
his
vision
and
expression
of
true
cinema
that
pushed
us
to
achieve
greater
heights
of
creativity.
"
Some
of
the
most
visually
appealing
shots
are
actually
the
magic
of
VFX.
Some
of
them
include
the
first
magic
trick
of
Hrithik
where
he
is
dancing
with
a
ball,
the
unbelievable
CG
house
shots,
the
candle
sequences
and
even
the
most
talked
about
fly
shot
which
was
part
of
the
first
look
of
the
movie.
Many
of
those
illusionary
magic
tricks
were
actually
executed
by
a
group
of
about
50
artistes
in
the
post-production
facility
of
Prime
Focus
over
a
period
of
almost
four
months.
Below
is
a
shot
by
shot
break
down
of
each
scene.
Story first published: Thursday, December 2, 2010, 15:38 [IST]