Salman
Khan
is
not
supposed
to
be
a
particularly
hands-on
technician
on
the
sets
of
his
movies.
Most
of
the
times
you"d
find
him
giving
his
shot
and
moving
to
a
corner
with
his
cronies.
But
in
Veer
Salman
not
only
got
down
from
his
high
horse
he
even
assisted
the
art
director
Sanjay
Dabade
(who
had
earlier
done
the
art
direction
of
Anil
Sharma"s
Gadar:
Ek
Prem
Katha)
and
the
construction
workers
in
setting
up
the
props.
temporary
buildings
and
architecture
in
London
to
denote
the
19th
century
period.
This
happened
on
more
than
one
occasion
when
the
natural
light
in
London
threatened
to
fade
away.
While
shooting
in
front
of
the
Indian
embassy
in
London
and
after
having
acquired
the
permission
to
shoot
in
front
of
the
Buckingham
Palace,
the
art
directors" team
found
itself
running
against
time.
That"s
when
Salman
jumped
in.
Says
producer
Vijay
Galani,
“Though
Salman
wouldn"t
want
it
to
be
known
in
case
other
unit"s
expect
the
same
from
him
he
actively
assisted
Sanjay
Dabade
in
his
men
in
the
construction
work
in
London.
See,
first
of
all
getting
the
permission
to
shoot
on
locations
near
Buckingham
Palace
was
hard
enough.
Then
we
had
to
cover
all
the
visible
outward
signs
of
modernity
and
replace
them
with
props
representing
1880.
All
this
required
a
lot
of
planning
and
execution.
We
had
to
be
very
careful
not
to
put
up
any
architecture
or
props
that
would
damage
London"s
topography."
This
is
where
Salman
came
in.
Says
Galani,
“Salman
just
jumped
in
with
the
workers
.Maybe
it
was
a
dormant
passion.
But
no
one
had
ever
seen
this
side
of
his.
He
actually
assisted
in
the
construction
work
on
the
streets
of
London."Passersby
who
recognized
him
just
couldn"t
stop
staring.
“To
see
Salman
banging
on
with
wood
planks
nails
and
hammers
is
not
an
every
day
sight.
But
then
Veer
is
not
an
everyday
film
for
Salman.
He
has
written
the
story
and
he
loves
the
subject
and
character.
He
grew
his
hair
for
one-
half
of
the
film.
I
won"t
name
them.
But
some
actors
refused
roles
because
they
had
to
sport
beards
in
Veer,"
says
Galani.