Bollywood
as
an
industry
has
grown
and
developed
drastically
throughout
its
past
100
years.
It
is
gradually
moving
away
from
cliches
and
exploring
new
things
and
sometimes
bringing
back
the
old
trends.
As
Indian
cinema
celebrates
its
century,
director
Nikhil
Advani
says
this
is
the
most
exciting
time
for
filmmakers
as
they
are
experimenting
and
getting
creative
freedom,
all
thanks
to
flexible
audiences.
In
the
earlier
centuries,
filmmakers
were
apprehensive
about
trying
out
new
themes
because
audiences
were
not
so
flexible,
but
today's
movie
buffs
are
open
to
new
subjects
spelling
a
boom
time
for
creative
minds.
"I
would
not
change
from
where
I
am
for
Rs.100
crore
(movies).
It's
the
most
exciting
time
for
the
industry," said
the
42-year-old
director.
Talking
about
the
change
in
the
audience
and
industry,
the
director
said,
"I
have
been
in
the
industry
for
20
years
and
in
these
years,
every
day
I
used
to
think
there
will
be
a
day
when
people
will
start
understanding
what
we
want
to
do,
and
the
cinema
will
change.
But,
we
forgot
that
audiences
have
always
accepted
great
and
different
films.
The
last
two
and
a
half
years
have
only
proved
that."
The
box-office
successes
of
women-centric
thriller
Kahaani,
dark
comedy
Peepli
Live
and
sperm-donation-based
comedy
Vicky
Donor
have
proved
that
viewers
are
accepting
change.
"The
kind
of
films
that
have
been
made
only
proves
that
every
time
you
give
something
different
to
the
audiences,
they
will
accept
it
with
open
arms."
"I
am
very
happy
that
the
studios
today
are
going
to
the
directors
who
they
wouldn't
even
look
at
in
normal
circumstances.
It's
the
best
time
to
make
films.
I
want
to
thank
the
audiences
and
say
that
the
more
you
accept
it,
the
more
we
will
give
you
different
stuff,
the
more
we
will
keep
thinking
differently
and
boldly,"
Advani
added.
Advani's
first
full-fledged
film
as
a
director
was
Shah
Rukh
Khan-Priety
Zinta-Saif
Ali
Khan
starrer
hit
Kal
Ho
Naa
Ho
in
2003.
After
that
he
went
behind
the
camera
for
Salaam-e-Ishq,
Chandni
Chowk
To
China
and
Patiala
House,
but
they
couldn't
replicate
the
success
of
Kal
Ho..
Advani
hit
the
bull's
eye
with
his
animation
film
Delhi
Safari,
which
won
a
National
Award.
The
filmmaker
also
feels
today's
youth
is
asking
for
a
difference,
whether
its
difference
in
politics,
leadership,
music,
fashion
or
cinema.
He
admits
that
the
demography
of
people
looking
for
different
films
is
lower
than
the
masses
sticking
to
certain
subjects.
"That's
why
you
will
always
have
a
Rowdy
Rathore
or
Bodyguard
or
Dabangg
still
working,"
said
the
director.
"But
the
niche
audience
has
grown
over
the
past
few
years
and
that's
very
gratifying
and
helps
filmmakers
like
us
to
make
something
different,"
he
added.
Over
the
years,
the
definition
of
romance
has
also
changed.
"In
2003,
when
I
made
Kal
Ho
Naa
Ho,
the
generation
then
believed
that
at
the
end
of
the
day
Shah
Rukh
will
give
up
the
love
of
his
life
for
Saif...
but
today's
generation
is
not
like
that,
they
will
simply
not
accept
it."
His
next
film
D-Day
is
releasing
on
July
19.
Nikhil
Advani
is
making
another
romantic
comedy
next
year.
But
it's
the
kind
of
romantic
film
that
he
thinks
this
generation
would
identify.
IANS